Monthly Archives: February 2018

“Pornography is […] like the Western and science fiction […] a form of pop art” –Leslie Fiedler

While I’m researching my master thesis on the possibility of pornographic art I stumble across new information all the time.

One of the best finds was the cluster theory of art by Berys Gaut which I found via Ian Jarvie (was happy to see mentioned by Simon Fokt).

But the best was this: as I was writing a possible rationale for why pornograpy had become salonfähig in the 1960s and 1970s and I wanted to write about nobrow and Sontag and Fiedler I did some extra research on Cross the Border — Close the Gap and found the whole transcript of the 1969 Playboy article[1] including the page scans and including the illustration by Karl Wirsum (above).

Dance of the Peacock by Makhmud Esambayev

Dance of the Peacock by Chechen actor/dancer Makhmud Esambayev is a clip[1] which is currently doing the rounds on Facebook.

It intrigued me because of its kitschiness and I decided to investigate.

It did not take long to figure out that the soundtrack to which Esambayev is dancing, is a cover of the theme of The Good, the Bad and the Ugly by Sergio Leone. It has a drum break which is not in the original.

It took me more than an hour to find the original film the clip was taken from.

First I found a version with a little bit more footage at the beginning (below).

For a while I thought it came from a children’s movie and I scrubbed through two. These were actually quite nice.

Then, by machine translating the Russian Wikipedia page of Esambayev I found out that the clip comes from a film called Dances of the Peoples of the World (above) in which the Chechen dancer performs a huge number of various dances: “Chaban” (Chechen-Ingush, Uzbek), “Warrior” (Bashkir), “Golden God” (Indian), ritual “Dance of Fire” to the music of de Falla, “La Corrida” (Spanish ) and “Dance with knives” (Tajik)”.

Everybody continually kills the Mandarin

Examining the bibliography of Art and Its Objects for my thesis Can Porn Be Art?, I came across Alain‘s System of the Fine Arts which in turn led me anew to the “killing of the hypothetical Mandarin“, a subject I had contemplated in some detail for the first time in 2013. I spent about six hours on the subject over the afternoon, time I did not spend on my thesis.

A new element in this afternoon reading and studying binge was “Killing a Chinese Mandarin“, an essay by Carlo Ginzburg (the current heir to Umberto Eco?) first published in 1994 and essential to the parable, referencing Aristotle’s Rhetoric, “Conversation of a Father with his Children” and “Letter on the Blind” (Diderot), Charles de PougensModeste Mignon (Balzac), Ordinary Men (Christopher Browning) and David Hume.

As far as I’m concerned Alain made the definitive statement about the “hypothetical Mandarin” when he said ” proving that we are all victims of collective guilt, a point particularly poignant in the current migrant crisis.

Having lost a lot of time (time I should’ve spent on my thesis), I decided to write this snippet reporting my vagrancies. As I was thinking of a picture that could illustrate it, I suddenly thought of Death by a Thousand Cuts. Are we not guilty — with every Chinese product we buy — of the violations of human rights in China perpetrated on a daily basis? But then I couldn’t. The image is just too cruel.

Instead, I give you a cover of Alain on Happiness [above], from whence came Alain’s dictum on the mandarin, not referenced by Ginzburg in his sublime essay on emotional and social distance.

Icons of erotic art #56

In the history of 20th century eroticaWalter Sickert kicks off the era with a series of oils known as the The Camden Town Nudes.

Nuit dété (Summer Night) [above] is one of them. Sickert’s erotica is exemplary of the cult of ugliness. Nevertheless, I like his nudes better than Lucian Freud’s, which belong to the same ‘cult of ugliness’ category. Of note is also that Sickert wrote of eroticism in the visual arts in writings such as “The Naked and the Nude“.

I say “writings“, but I’m not sure he did more writing on the nude than this one.

RIP Dennis Edwards (1943 – 2018)

Dennis Edwards was an American singer, notably a lead singer in The Temptations.

He scored a solo hit in 1984 with “Don’t Look Any Further” (day-o day-o, mombajee ai-o!), the video of which [above] is in the top ten of worst videos ever. Just watching it fills you with vicarious shame.

For the jaded and tired among us, it’s a good thing to listen to “City Lights” by William Pitt [above], which rips the bassline and chord structure.

The first well-known sample of the song’s distinctive bassline is in Eric B. & Rakim’s 1987 single “Paid in Full” [above].