Category Archives: art

“War is good business – invest your son.”

GET UP, STAND UP![1] is the title of a wonderful exhibition held at the Millennium Iconoclast Museum of Art in Brussels, featuring numerous posters of the 1968-1973 civil protests across the West.

A sampling:

       

“Gone with the Wind, the film to end all films”, showing Reagan and Thatcher, a criticism of the atomic bomb.

“War is good business – invest your son”, a criticism of war.

“Milk in such containers may be unfit for human consumption”, a criticism of DDT.

“The age of nations is past, the task before us now, if we would not perish, is to build the earth.” —Teilhard de Chardin, a criticism of nationalism.

A Roland Topor graphic on censorship used by Scanlan’s, criticism of Nixon.

A poster mentioning the “Chicago Seven trialG. Harold CarswellThe Cattonsville 9Jackson StateInvasion of CambodiaKent StateMy Lai MassacreAlaskan pipelineITT scandalWatergate Caper, 20,000 Americans dead, ? Asians dead, 26,000,000 bombs, General LavalleWheat ScandalUnemployment.”

Histoires d’A, On ne mendie pas un juste droit, on se bat pour lui (W. Reich), criticism of anticonception.

“Jesus was an only child”, criticism of anticonception. Correction: Jesus was apparently not an only child, he had brothers.

RIP Tom Wolfe (1930 – 2018)

Tom Wolfe was an American author and journalist widely known for his association with New Journalism, a style of news writing and journalism developed in the 1960s and 1970s that incorporated literary techniques.

The Painted Word (1975)

From Bauhaus to Our House (1981)

His best-known works are The Bonfire of the Vanities and The Right Stuff but of interest to me are his essays.

The Painted Word (1975) and From Bauhaus to Our House (1981)

He wrote The Painted Word (1975) and From Bauhaus to Our House (1981), both critical of  high modernism and avant-gardism to the extent that they have been connected to the death of the avant-garde meme.

Rodin’s eroticism

Les dessins de Rodin, part 1

Les dessins de Rodin, part 2

While researching my thesis, I came across the text “Les Dessins de Rodin” (above), in which Arthur Symons says:

“The principle of Rodin‘s work is sex-a sex aware of itself, and expending energy desperately to reach an impossible goal.”

Also new to me was Rodin’s Iris, Messenger of the Gods  and “Rodin’s Reputation“, Anne Wagner’s deft article on it.

All my research on Rodin and eroticism can be found at Eros and Rodin.

 Spanish Still Life @ BOZAR

There is a wonderful exhibition in Brussels right now. Spanish Still Life – Velázquez, Goya, Picasso, Miró has two Cotáns, apart from Zurbarán, the crème de la crème of still life.

Sadly, behind glass, but seeing this is such a blast.

Quince, Cabbage, Melon and Cucumber (1602) by Juan Sánchez Cotán. This is the central piece of the exhibition. Jaw-droppingly beautiful. Below detail of the cucumber.

Still Life with Fruit and Vegetables (c.1600) by Juan Sánchez Cotán. Another Cotan, a little too full to my liking but still a top work.

Still Life With Bream, Oranges, Garlic, Condiments, and Kitchen Utensils (1772) by Luis Egidio Meléndez (detail)

Vanitas (Goya’s Skull) (1849) by Dionisio Fierros. This painting has a nice phrenology story behind it. Kind of similar to what happened to Sade’s skull.

There were two Goya’s: Still Life with Golden Bream and one with a bird (I was  unable to find the title, it’s this one). There were no Zurbaráns. I would have paid the price of the entrance for the two Cotans alone.

Of obfuscation and elucidation 

I finally hold a copy of Lequeu : An Architectural Enigma (1986) in my hand, a book on the oeuvre of French visionary architect Jean-Jacques Lequeu.

It is a strange mix of obfuscation and elucidation by its author Philippe Duboÿ.

It drew — among many other things — my attention to the satirical vignette against Bertrand Chaupy (above), an engraving better known as the “turd engraving by Piranesi.”

Regarding the obfuscation in this book, Robert Harbison says in The Built, the Unbuilt, and the Unbuildable (1993):

“Recently the idea has infiltrated academic consciousness that the eighteenth-century crank Lequeu, one of the world’s fringiest paper architects, is really Marcel Duchamp inserting himself Trojan-horse-like into the musty tomes of the Bibliotheque Nationale, whiling away countless hours creating a large hollow space in which a few hundred pseudo-eighteenth-century beings can roost.”

See on elucidation and obfuscation the dictum by Cioran:  between the demand to be clear, and the temptation to be obscure, impossible to decide which deserves more respect.

Back from London …

I spent the day in London yesterday. I arrived at St Pancras railway station, headed for the University of London in Russell Square where there was a day on political myth and Hans Blumenberg. I skipped class and went to the National Gallery and saw:

Lady Standing at a Virginal by Johannes Vermeer, detail

The Vision of the Blessed Gabriele by Carlo Crivelli (left, the yoni detail), right other detail.

Witches at their Incantations by Salvator Rosa, full and cooking hag detail

Two Followers of Cadmus devoured by a Dragon by Cornelis van Haarlem, detail

Forgotten which this one is, I was quite impressed by it, I think it’s Dutch, detail

The Agony in the Garden by Andrea Mantegna, detail

The Fight between the Lapiths and the Centaurs by Piero di Cosimo, detail

The Death of Procris by Piero di Cosimo, detail

Meeting Place of the Hunt by Adolphe Joseph Thomas Monticelli, detail

Rain, Steam and Speed – The Great Western Railway by J. M. W. Turner, detail

Forgot, probably a Jupiter and Antiope, I loved the way the nipple was pinched, detail

Portrait of the Artist’s Wife, Cunera van der Cock by Frans van Mieris the Elder, very small and delicate painting, this one.

The Ugly Duchess by Quentin Matsys, cleavage detail

The Agony in the Garden by Bellini, detail of village in the distance

A Scene from El Hechizado por Fuerza (‘The Forcibly Bewitched’) by Francisco Goya, apparently a portrait of Charles II of Spain, detail

Still Life with a Nautilus Cup by Gerrit Willemsz. Heda, detail

RIP André S. Labarthe (1931 – 2018)

André S. Labarthe was a French actor, film producer and director.

He starred alongside Anna Karina in the 1962 film Vivre sa vie and was a celebrated television documentary maker.

He directed the documentary Georges Bataille – À perte de vue (1997) and David Cronenberg: I Have to Make the Word Be Flesh (1999).

Georges Bataille – À perte de vue (1997)

David Cronenberg: I Have to Make the Word Be Flesh (1999)