RIP Tom Wilkes (1939 – 2009)
RIP Drake Levin (1946 – 2009), 62, American guitarist (Paul Revere & the Raiders), cancer.
“(I’m Not Your) Steppin’ Stone”
Drake Levin (August 17, 1946 – July 4, 2009) was an American musician who performed under the stage name Drake Levin. He was best known as the guitarist for Paul Revere & the Raiders.
Paul Revere and the Raiders is an American rock band that saw enormous mainstream success in the second half of the 1960s and earlier 1970s, best-known for hits like “Indian Reservation (The Lament of the Cherokee Reservation Indian)“ (1971), “Steppin’ Out” & “Just Like Me” (1965), “Kicks” (1966) (ranked #400 on the Rolling Stone magazine’s list of The 500 Greatest Songs of All Time) , “Let Me” (1969), and “Hungry“(1966).
- see also(I’m Not Your) Steppin’ Stone, garage rock, Nuggets
I know that it is probably sacrilege to some of you but here is a blasphemous version of “Indian Reservation” by German disco band Orlando Riva Sound:
RIP Allen Klein, 77, American businessman, Beatles and Rolling Stones manager, Alzheimer’s disease.
RIP Sky Saxon, 63, American, a minor rock musician known of his work with The Seeds has vanished from the firmament of 20th century music. Saxon enjoyed his floruit in the 1960s, his success was limited to North America.
Sky “Sunlight” Saxon (1946 – June 25, 2009) was best known as the leader and singer of the 1960s Los Angeles garage rock band The Seeds, and his hit single “(You’re) Pushin’ Too Hard” (1965).
The Seeds‘ raw and abrasive energy and simple, repetitive lyrics came to exemplify the garage rock style of the 1960s. Other notable recordings include “Mr Farmer” (1967), “Can’t Seem To Make You Mine” and “Two Fingers Pointing on You,” which was included in Psych-Out, directed by Richard Rush in 1968.
“Pushin’ Too Hard“, released in 1965 as a single, is a musical composition by The Seeds, dealing with teenage angst about an unfaithful girl. “Lying girls” was a common theme of garage rock compositions.
Garage rock is a raw form of rock and roll that was first popular in the United States and Canada from about 1963 to 1967. During the 1960s, it was not recognized as a separate music genre and had no specific name. In the early 1970s, some rock critics retroactively labelled it as punk rock. However, the music style was later referred to as garage rock or ‘60s Punk to avoid confusion with the music of late-1970s punk rock bands such as the Sex Pistols and The Clash. The garage rock revival can be traced to the early 1970s, following the release of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 in 1972.
pHinn has more clips 
“Lesson #1 for Electric Guitar” is WMC #342
Lesson #1 for Electric Guitar was the first album released by Glenn Branca, originally in 1980 on 99 Records as a mini-album. It was re-released in a remastered form in 2004 by Acute Records and is variously classified as no wave or noise rock. It combines punk aesthetics with those classical music.
Glenn Branca is an avant-garde composer and guitarist of the New York “downtown music” scene known for his use of volume, repetition, droning, and the harmonic series.
99 Records was an independent record label that existed from 1980–1984. 99 (pronounced Nine Nine) Records was run out of a record store with the same name, located at 99 MacDougal Street in New York City’s Greenwich Village, and owned by Ed Bahlman. Artists included ESG, Liquid Liquid, Bush Tetras, Glenn Branca, Y Pants, and others.
Downtown music is a name given to the New York music scene from the 1960s to the 1980s. A scene that suppposedly began in 1960, when Yoko Ono — one of the Fluxus artists, at that time still seven years away from meeting John Lennon — opened her SoHo loft to be used as a performance space for a series curated by La Monte Young and Richard Maxfield.
RIP Ali Akbar Khan (1922 – 2009)
Psychedelic Music of India is an album by Ali Akbar Khan released on El records.
Here is a recording of a live concert at the Ali Akbar College 1981.
Ali Akbar Khan (April 14, 1922 – June 19, 2009) was an Indian sarod player. Khan was the first Indian musician to record an LP album of Indian classical music in the United States and to play sarod on American television. He came to prominence during the first and second waves of world music, otherwise known as the cultural appropriation of non-western music.
Recordings to seek out are In Concert 1972 by Ravi Shankar & Ali Akbar Khan on Apple Records and Karuna Supreme on MPS Records.
RIP Bob Bogle (1934-2009) of the The Ventures
“Walk Don’t Run“
American guitarist Bob Bogle of surf music act The Ventures, died age 75.
The Ventures are an American instrumental rock band formed in 1958 in Tacoma, Washington. The band had an enduring impact on the development of music worldwide, having sold over 100 million records, and are to date the best-selling instrumental band of all time. They are known for such singles as “Walk Don’t Run“ and “Perfidia“, both cover versions. The sound of The Ventures influenced punkabilly band and Jahsonic favorite The Cramps.
RIP Barry Beckett (1943 – 2009)
Barry Beckett (February 4, 1943 – June 10, 2009) born in Birmingham, Alabama was a keyboardist who worked as a session musician with several notable artists on their studio albums. He was also a record producer.
He was involved in the “Muscle Shoals Sound”, being a member of the Muscle Shoals Rhythm Section, and in 1969, one of the founders of the Muscle Shoals Sound Studio.
Lynyrd Skynyrd famously mentions the Muscle Shoals sound in “Sweet Home Alabama“:
“Now Muscle Shoals has got the Swampers;
And they’ve been known to pick a song or two.
Lord they get me off so much.
They pick me up when I’m feeling blue
Now how about you?”
Bernard Purdie turns 70 today. He is best-known in rare groove circles for his “Funky Donkey,” collected on Last Night a DJ Saved my Life (1999), played on Gabor Szabo‘s “Jazz Raga” and did the soundtrack for the blaxploitation flick Lialeh.
RIP Hugh Hopper (1945 – 2009)
Volume Two by Soft Machine
Yesterday, Hugh Hopper, British progressive rock and jazz fusion bassist and composer (Soft Machine) died at age 64. He was a prominent member of the Canterbury scene, as a member of Soft Machine and various other related bands. The Soft Machine was a pioneering English psychedelic band from Canterbury, named after the book The Soft Machine by William S. Burroughs.
Hopper’s role with Soft Machine was initially as the group’s road manager, but he already composed for their first album The Soft Machine and played bass on one of its tracks. In 1969 he was recruited to be the group’s bassist for their second album, Volume Two and, with Mike Ratledge and Robert Wyatt, he took part in a recording session for The Madcap Laughs of Syd Barrett. Hopper continued with the Softs, playing bass and contributing numerous compositions, until 1973. During his tenure the group evolved from a psychedelic pop group to an instrumental jazz-rock fusion band. In 1972, shortly before leaving Soft Machine, he recorded the first record under his own name, 1984 (named after George Orwell‘s novel). This was a decidedly non-commercial record featuring lengthy solo pieces using tape loops as well as shorter pieces with a group.
In one of the myriad connections in (un)popular music, New York based No Wave music group Material led by Bill Laswell covered Hopper’s “Memories” on their One Down album. The song was written by Hopper just prior to his joining Soft Machine, but most well known from Daevid Allen‘s Banana Moon album which featured a lead vocal from Robert Wyatt.
The vocal here is performed by Whitney Houston in one of her first ever featured lead performances.
“Memories” is World Music Classic #329.