French Undressing – Naughty Postcards from 1900 to 1920,

L’age d’or de la carte postale and

Kaarten.

I went to De Slegte and found French Undressing by Paul Hammond, along with the previously acquired L’age d’or de la carte postale and Kaarten, a good start for a bibliography regarding postcards, and certainly naughty postcards.

Paul Hammond is a cultural critic on a pair with Colin Wilson, Ado Kyrou and Greil Marcus, to name but a few. He wrote The Shadow and its Shadow (2000) and Marvellous Méliès (1974).

On the first page of French Undressing Hammond quotes from Rimbaud‘s A Season in Hell (“The Alchemy Of The Word“), possibly the earliest defense of popular culture/mass culture. Such a defense always comes from an intellectual, and thus qualifies as a nobrow manifesto, possibly the first of its kind (see prev. once below). I include it here as Nobrow manifesto #3.

“For a long time I boasted that I was master of all possible landscapes– and I thought the great figures of modern painting and poetry were laughable.

What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children’s books, old operas, silly old songs, the naïve rhythms of country rimes.” –Translation Paul Schmidt

[Youtube=http://www.youtube.com/watch?v=RWrFUR_CF6c]

Here is a spoken word version of “The Alchemy Of The Word.”

What else did I buy at De Slegte? A silly volume on Baudrillard (pictured below) and an issue of Le Magazine Littéraire dedicated to drug lit, entitled La littérature et la drogue[1] and The Quincunx (I’ve enjoyed this one while on holiday in Malaysia (Tioman Island) twenty years ago).

I did not buy A Humument, Will Self‘s Tough, Tough Toys for Tough, Tough Boys, Le Fantastique dans l’art Flamand by Paul Fierens, Catalog of Unfindable Objects by Carelman, Dictionary of the Khazars by Milorad Pavic and Eros du dimanche by Anatole Jakovsky.

P. S. Previous nobrow manifestos included Sontag’s The Pornographic Imagination [2] and Fiedler’s “Cross the Border — Close the Gap” [3]