He collaborated with filmmakers Werner Herzog (Nosferatu the Vampyre, 1979), Éric Rohmer (The Marquise of O, 1976), Francis Ford Coppola (Youth Without Youth, 2007), Wim Wenders (The American Friend, 1977 and Wings of Desire, 1987) and Jonathan Demme (The Manchurian Candidate, 2004).
Ganz was internationally lauded for portraying Adolf Hitler in the film Downfall (2004).
For the occasion, I watched Nosferatu the Vampyre (1979)of which the German version is online. Ganz plays Jonathan Harker, Count Dracula is played by a heavily breathing, almost panting Klaus Kinski.
It appears that the introduction of sound film coincides with the drafting of the Production Code. Did sound pose a threat more than imagery? Or was it the combination of sound and image that finally saw film evolving from a mere sideshow attraction to a genuine and ‘real’ mode of fiction consumption?
I remember a scene in Duck Soup where the Marx Brothers poke fun at the Production Code by showing a woman’s bedroom and then showing a woman’s shoes on the floor, a man’s shoes and horseshoes. Harpo is sleeping in the bed with a horse; the woman is in the twin bed next to them.