“”Baudelaire en vers et Flaubert en prose” said Péladan in 1885: the analogy could not be juster and is today taken for granted. Baudelaire and Flaubert are like the two faces of a Herm planted firmly in the middle of the century, marking the division between Romanticism and Decadence, between the period of the Fatal Man and that of the Fatal Woman, between the period of Delacroix and that of Moreau.” —The Romantic Agony