For Les Épaves (1866) by French poet Charles Baudelaire, Belgian artist Félicien Rops was commissioned to design a frontispiece based on the Adam and Eve with the Tree of Knowledge as Death[1] woodcut by Jost Amman as found [2] in Eustache-Hyacinthe Langlois‘s “danses des morts” essay, where it is erroneously attributed to Hans Sebald Beham.