Terence Stamp as Toby Dammit

From Never Bet the Devil Your Head — A Tale with a Moral (1841)  by Edgar Allan Poe:

Defuncti injuria ne afficiantur was a law of the twelve tables, and De mortuis nil nisi bonum is an excellent injunction — even if the dead in question be nothing but dead small beer. It is not my design, therefore, to vituperate my deceased friend, Toby Dammit. He was a sad dog, it is true, and a dog’s death it was that he died; but he himself was not to blame for his vices. They grew out of a personal defect in his mother. She did her best in the way of flogging him while an infant — for duties to her well — regulated mind were always pleasures, and babies, like tough steaks, or the modern Greek olive trees, are invariably the better for beating — but, poor woman! she had the misfortune to be left-handed, and a child flogged left-handedly had better be left unflogged. The world revolves from right to left. It will not do to whip a baby from left to right. If each blow in the proper direction drives an evil propensity out, it follows that every thump in an opposite one knocks its quota of wickedness in. I was often present at Toby’s chastisements, and, even by the way in which he kicked, I could perceive that he was getting worse and worse every day. At last I saw, through the tears in my eyes, that there was no hope of the villain at all, and one day when he had been cuffed until he grew so black in the face that one might have mistaken him for a little African, and no effect had been produced beyond that of making him wriggle himself into a fit, I could stand it no longer, but went down upon my knees forthwith, and, uplifting my voice, made prophecy of his ruin.

The fact is that his precocity in vice was awful. At five months of age he used to get into such passions that he was unable to articulate. At six months, I caught him gnawing a pack of cards. At seven months he was in the constant habit of catching and kissing the female babies. At eight months he peremptorily refused to put his signature to the Temperance pledge. Thus he went on increasing in iniquity, month after month, until, at the close of the first year, he not only insisted upon wearing moustaches, but had contracted a propensity for cursing and swearing, and for backing his assertions by bets.

Through this latter most ungentlemanly practice, the ruin which I had predicted to Toby Dammit overtook him at last. The fashion had “grown with his growth and strengthened with his strength,” so that, when he came to be a man, he could scarcely utter a sentence without interlarding it with a proposition to gamble. Not that he actually laid wagers — no. I will do my friend the justice to say that he would as soon have laid eggs. With him the thing was a mere formula — nothing more. His expressions on this head had no meaning attached to them whatever. They were simple if not altogether innocent expletives — imaginative phrases wherewith to round off a sentence. When he said “I’ll bet you so and so,” nobody ever thought of taking him up; but still I could not help thinking it my duty to put him down. The habit was an immoral one, and so I told him. It was a vulgar one- this I begged him to believe. It was discountenanced by society — here I said nothing but the truth. It was forbidden by act of Congress — here I had not the slightest intention of telling a lie. I remonstrated — but to no purpose. I demonstrated — in vain. I entreated — he smiled. I implored — he laughed. I preached- he sneered. I threatened — he swore. I kicked him — he called for the police. I pulled his nose — he blew it, and offered to bet the Devil his head that I would not venture to try that experiment again. —continue reading …

This post inspired by the ever excellent Ombres Blanches who notes:

When approached for the Edgar Allan Poe omnibus Histoires Extraordinaires (Spirits of the Dead) Fellini was initially reluctant to do it, but Toby Dammit turned out to be the film’s finest episode … Fellini chose to transpose Poe’s source story Never Bet the Devil Your Head to a contemporary setting …

Histoires Extraordinaires aka Spirits of The Dead (1968) – Louis Malle, Roger Vadim, Federico Fellini [Amazon.com]

Ombres Blanches points us to this wonderful clip of the Fellini short with an OST by Nino Rota. The live band are the Rutles. The scene is euro chic felliniesque.