A collection of Semiotext(e) titles that have been read.
In my previous post I wondered why Taschen does not publish on political counterculture since they have a penchant towards the realm where “high and low will no longer be perceived as contradictions”. Andrej Maltar answers in the comments section of that post that Taschen is not interested in subversion outside the aesthetic field and points us in the direction of publishers like Autonomedia [semiotext(e)] or the Pranks-issue of RE/Search. He asks “Aren’t these books very interesting in terms of contemporary political subversion?”
On Autonomedia and Semiotext(e):
Semiotext(e) is an American independent publisher. It is widely credited for having introduced French theory to America in the late 1970s via its magazine issues and Foreign Agents series. In 2000 the MIT Press began distributing Semiotext(e), taking it over from the anarchist publishing collective Autonomedia.
Without realizing it I already have two Semiotext(e) books in my library: Paul Virilio’s Pure War and his Aesthetics of Disappearance. I’ve read and very much enjoyed Pure War and started to tackle Disappearance. I bought Disappearance for its uncanny cover art.
Related: American academia – critical theory – deconstruction theory – Post-structuralism – queer theory
Off-topic, a dedication to all the girls [Youtube] I’ve loved before by way of Carole King’s ‘It’s Too Late’.
So nice! So sad…
Yes, nice and sad, (I presume you refer to Carole King), do check the studio version on Limewire or elsewhere.
I’m an iTune woman 😉
I bought the Carnegie Hall concert version, June 18, 1971.
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