I wonder where that came from.
But the Wikipedia article is right, of course, Debord was a vandal, whether he practiced it or not. For example, his movement was the seat of organizations like the Scandinavian Institute of Comparative Vandalism. Moreover, in The Society of the Spectacle, Debord praised “General Ludd”.
I used to be a practicing vandal too when a malcontent teenager.
And I’m still in favor of creative destruction.
I started thinking about vandalism when I researched dérive, which revolves around the “improper use” of certain city quarters, using them for something they were not intended for; and détournement, which is just one step away from vandalism.
I was also reminded of the surrealist architectural project Experimental Research into Certain Possibilities of Irrational Embellishment of a City.
And then the story of Gustave Courbet and the Vendome Column came to mind, “the century’s most radical artistic art,” according to the pamphlet “The Revolution of Modern Art and the Modern Art of Revolution“.
But the ‘Vendome Column’ episode was a tragic one for Gustave Courbet, really.
It ruined Courbet.
Just before he died.