Ocular eroticism II

The ocular eroticism mentioned in my previous post appears to be a niche art criticism trope.

Evidence:

Essays in Critical Materialism

Reconfiguring the Renaissance: Essays in Critical Materialism – Page 159

by Jonathan V. Crewe – Renaissance – 171 pages

37 The same model of what we may call “ocular eroticism” informs secular literature as well: one thinks of Wyatt’s “Through mine eye the stroke from her did
Transcendence, Desire, and the Limits of ...

Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of … – Page 103

by Celia R. Daileader – Performing Arts – 1998 – 194 pages

displacing the “ocular eroticism” prevalent from Plato through Wyatt – an eroticism which pertained to the longing for one’s lady as well as the longing
Reading the Medieval in Early Modern England

Reading the Medieval in Early Modern England – Page 208

by Gordon McMullan, David Matthews – Drama – 2007 – 287 pages

point is that Mary’s ‘erotic fragrance’ — a vestigial remnant of medieval ‘ocular eroticism‘ — presupposes the importance of Mary’s physical knowledge
Shakespeare the Actor and the Purposes of Playing

Shakespeare the Actor and the Purposes of Playing – Page 134

by Meredith Anne Skura – Performing Arts – 1993 – 325 pages

particularly of the erotics of the gaze.50 The ocular eroticism associated with the hunt in general in Love’s Labour’s Lost is here epitomized in
The Madness and Perversion of Yukio Mishima

The Madness and Perversion of Yukio Mishima – Page 70

by Jerry S. Piven – Literary Criticism – 2004 – 273 pages

which is also consistent with Mishima’s ocular eroticism as simultaneously retaining, destroying, and merging with those on whom he gazes,

Sexual Aliveness: A Reichian Gestalt Perspective

by Edward W. L. Smith – Self-Help – 1987 – 126 pages

Gotta love Google books.