The Move (1967) is a ‘roman dur’ by Belgian writer Georges Simenon.
I intend to read every roman dur by Simenon.
The Move is both a flawed novel and at the same time one of his more interesting ones due to its near total plotlessness and focus on psychological detail.
Its sub-theme is a criticism of the anonymity of modern high rise, the lack of social control, a side effect of living in the banlieue, in the same vein as Jacques Tati’s films Mon oncle (1958) and Playtime (1967).
Its protagonist is an unwilling eavesdropper.
Another of its themes is an exploration of dark sexuality, a recurring motif with Simenon, such as in Un nouveau dans la ville (1950).
I’ve never been able to find out the identity of the author of the illustration on the cover. It’s in the skinny style of Raphael Kirchner (1867– 1917) and Léo Fontan (1884 – 1965) which was popular in the late 19th and early 20th centuries. That’s all I know. Anyone?
The statement baffled me and I knew right away that I would not be able to find whether this was true or not, the only thing I could hope to discover is who first spread this piece of information.
After some googling I found this information cited in Take Back the Night (1980) by Laura Lederer. Some more googling and I discovered that it can be pinpointed to Pamela Hansford Johnson’s statement “when the Nazis took on the government of Poland, they flooded the Polish bookstalls with pornography” recorded in On Iniquity (1967), an attack on permissive society occasioned by the Moors murders.
I’ve previously mentioned why I like the rhetoric of censors so much but must write more about it, see in praise of censorship. This documentary is up here in its entirety but for how long considering the amount of explicit imagery?
PS 1. There is another explicit video on censorship, which has escaped the YouTube censor, I’ve written on it here and the video is still there.
PS 2. If you know where Pamela Hansford Johnson got her info from, I’d love to hear from you.