I often have this dream strange and penetrating
Of an unknown woman, who I love and who loves me,
And who – each time – is never quite the same,
Nor quite another, and yet likes and understands me.
I often have this dream strange and penetrating
Of an unknown woman, who I love and who loves me,
And who – each time – is never quite the same,
Nor quite another, and yet likes and understands me.
[Youtube=http://www.youtube.com/watch?v=4uRNA3SgUG8&]
Lena Horne in Now (1965) by Santiago Álvarez
Now (1965) is the title of a short subject directed by Cuban filmmaker Santiago Álvarez, about racial discrimination towards black people and ensuing race riots in the United States. The propaganda/political film uses morgue photos and newsreel footage and is narrated by Lena Horne by way of a song (words set to the ultimate world music classic “Hava Nagila“) entitled “Now is the Time.”
[Youtube=http://www.youtube.com/watch?v=RA3NRe5kgak]
L’Inferno is a 1911 silent film by Giuseppe de Liguoro, loosely adapted from Dante‘s The Divine Comedy and presented to a Parisian public by Ricciotto Canudo in the same year to inaugurate “The Birth of the Sixth Art“.
[Youtube=http://www.youtube.com/watch?v=6BJ2jai1USY]
The Bed-Sitting Room was an absurdish British comedy film directed by Richard Lester based on Spike Milligan‘s play. Here in a YouTube bricolage accompanied by “Milkshake” by American R&B singer-songwriter Kelis. What I like so much about Youtube bricolages is that they address two senses at once. I used to be somewhat addicted to television, but lots of the time, I used to watch with the sound turned off, and some music playing in the background, finding the combination of visuals and sound found on TV not interesting enough.
Also on YouTube, found by the Greek blog dmtls is Joel-Peter Witkin – L’image indélébile (1994) directed by Jérôme de Missolz a documentary first aired on Channel 4 on the work of Joel-Peter Witkin.
When you find an interesting YouTube clip, always check who uploaded it, you will find more interesting footage. In the case of the Witkin documentary, checking the uploader leonocusto666, I found the Polish artist Zdzisław Beksiński Google gallery.
Some more eye candy: work by Geert Joiris Geert Goiris and a very nice still of the Japanese film Woman in the Dunes, a still which was used on the cover of Kyrou‘s Amour – érotisme & cinéma.
Poster for Pasolini’s Salo film
Cover by Avedon for French arts magazine Egoïste (very expensive second hand) , for sale at the excellent Arcana Books on the Arts

Extremely good album by Hugh Masekela (1984), check a poorly recorded Youtube rendition here.
Losfeld’s Arcanes catalog 1967
Cover for Eroscore, 1970s mag on erotic cinema
“First there is nothing, next there is depth of nothingness, then a profundity of blue”
I recently acquired the book above: “Art in Theory“. This is not a book you read from cover to cover, I am reading it the way I like reading most, by the index (and aided by Google book search). The introductory essays to each chapter are very good.
A copy from my first impressions posted on the Art and Pop wiki:
“One single text” by Bataille
Barthes in the From Work To Text on Georges Bataille:
This reminds me of Richard Simmillion, a recurring character in W. F. Hermans‘s novels and stories. Hermans is also an author who wrote one single text.
On Bachelard
“Facts long amassed, patiently juxtaposed, avariciously preserved, are suspect. they bear the stigma of prudence, of conformism, of constancy, of slowness,” writes Gaston Bachelard. –via ON INVENTING OUR OWN ART by Ibram Lassaw
Bachelard is also mentioned by Barthes in Mythologies.
Bachelard is also mentioned by Yves Klein in a Sorbonne lecture given in 1959.
These are some of the quotes which make this volume worthwhile. I recommend this book.
[Youtube=http://www.youtube.com/watch?v=4oNf2m1gylQ]
The Munchers: a Fable (1973) by Art Pierson
This clip is somewhat of a mystery. Supposedly directed by Arthur P. Pierson, the film nor the director are listed at imdb. The http://www.afana.org/ showed both films during the 2000s:
I cannot track any info on this remarkable little film by Arthur P. Pierson. If you know more, please let me know. A further hint is this description of ‘Whazzat?’.
Been listening to the Lio track below for the better part of the week. It’s similar in structure to “C’est bon pour le moral” (see Rita Cadillac post).
[Youtube=http://www.youtube.com/watch?v=dtlq3lTHa3A]
“Sage comme une image” (1980) by Lio
The title translates literally as “good as a picture” (as in “pretty as a picture”). I showed the clip to my kids but they thought it was awfully slow and old-fashioned. Evident is the 1980s fascination with the 1950s (record player, polka dots skirt, etc…) which ruled popular fashion at that time (the Gaultier era). The record is a good introduction to the work of francophone Belgian producer, musician and radio personality Marc Moulin, whose early work with Telex is still influential to the electroclash scene; the track below, “Moscow Diskow”, being a staple for DJs Frankie Knuckles and Ron Hardy on the dance floors of late 1980s Chicago clubs that were instrumental in the development of Chicago house music, and house music as such. What is to be appreciated is that Telex had a great sense of humor – for example – one of their compositions was called “Temporary Chicken,” which invariably makes me smile when I think of it.
To this day, “Moskow Diskow” remains of one of my favorite records to dance to, I pronounce it wmc #30. And yes, all this is Belgian.
[Youtube=http://www.youtube.com/watch?v=DFWdobNIcPQ&]
“Moscow Diskow” (1979) Telex
Untitled by Nicéphore Niépce
I couldn’t help by noticing how very similar in feel this 19th century photograph is to Marcel Duchamp’s last work Etant donnés (and btw, I am looking for a precise date of when this work was first presented to the general public)
[Youtube=http://www.youtube.com/watch?v=zUkybjwRBns]
“Bleu” by Etants Donnés
Etants Donnés is the name of duo consisting of the brothers Hurtado (Marc and Eric), founded in Grenoble in 1980. Their name takes its direct inspiration from the last work by Marcel Duchamp. They made six films between 1982 and 1994, composed numerous scores and collaborated with major figures of the industrial rock genre: Genesis P-Orridge, Alan Vega, Michael Gira, Lydia Lunch and Mark Cunningham.
Splendor Solis (1532–1535) – Salomon Trismosin
[Youtube=http://www.youtube.com/watch?v=4DR_NMtBEj4]
“I am the Black Gold of the Sun” by the Rotary Connection (Wmc#29)
While researching world peace in relation to Georges Bataille, I found Splendor Solis, which reminded me of Rotary Connection‘s “I am the Black Gold of the Sun” voiced by the late Minnie Riperton (of “Lovin’ You” YouTubefame).