Ruggero Deodato belongs to the same mantle that holds Joe D’Amato, Dario Argento, Mario Bava, Tinto Brass, Ruggero Deodato, Lucio Fulci, Riccardo Freda, Gualtiero Jacopetti, Sergio Leone, Antonio Margheriti and Bruno Mattei.
These were filmmakers of the pre-internet dark ages, the terra incognita of the 20th century, who exploited the ignorance of the general audience regarding prurient matters such as sex, drugs and rock and roll.
In 1979 Deodato started work on Mondo-style Cannibal Holocaust. Deodato caused massive controversy in Italy and the United Kingdom following the release of Cannibal Holocaust, which was accused to be a genuine snuff film. Deodato was forced to reveal the secrets behind the film’s impalement scene and to parade the lead actors before an Italian court in order to prove that they were still alive. More importantly, Deodato was harshly criticized for the use of real animal torture in his films. Deodato’s film license was then revoked and he would not get it back until three years later
Younger viewers may have spotted Ruggero as a client in the film Hostel: Part II.