He also recorded a version of Balzac’s risque story “A Passion in the Desert” (1955).
“War is good business – invest your son”, a criticism of war.
“Milk in such containers may be unfit for human consumption”, a criticism of DDT.
A Roland Topor graphic on censorship used by Scanlan’s, criticism of Nixon.
A poster mentioning the “Chicago Seven trial, G. Harold Carswell, The Cattonsville 9, Jackson State, Invasion of Cambodia, Kent State, My Lai Massacre, Alaskan pipeline, ITT scandal, Watergate Caper, 20,000 Americans dead, ? Asians dead, 26,000,000 bombs, General Lavalle, Wheat Scandal, Unemployment.”
“Jesus was an only child”, criticism of anticonception. Correction: Jesus was apparently not an only child, he had brothers.
It appears that the introduction of sound film coincides with the drafting of the Production Code. Did sound pose a threat more than imagery? Or was it the combination of sound and image that finally saw film evolving from a mere sideshow attraction to a genuine and ‘real’ mode of fiction consumption?
I remember a scene in Duck Soup where the Marx Brothers poke fun at the Production Code by showing a woman’s bedroom and then showing a woman’s shoes on the floor, a man’s shoes and horseshoes. Harpo is sleeping in the bed with a horse; the woman is in the twin bed next to them.