Monthly Archives: March 2019

RIP Gillian Freeman (1929 – 2019)

Gillian Freeman was a British writer best known for her book The Undergrowth of Literature (1967), a pioneering study of pornography.

At first I thought I’d not pay her death any attention, since I do not own a copy of The Undergrowth of Literature, the reason I discovered Mrs. Freeman in the first place. But I changed my mind when I found out that the Hendrik Conscience Heritage Library had a copy of this book in its warehouses, so off I was.

Leafing through the book (200 pp.) one finds references to other studies of porn from that era but most of all one is struck by the female point of view. Mrs Freeman is one of the first porn researchers to put forward that female sexual fantasies can be found in women’s magazines:

“I have merely made a survey of current fantasy literature which overtly or covertly, supplies the stimulus which so many people need, from the romance of Woman’s Own to the sado-masochism of Man’s Story” — p. 1

As always the negative criticism is most amusing:

“[the book is] nothing more than a collection of quotes, précis, paraphrases and photographs from current pornographic publications and glossy magazines … there is no love like the liberal prig‘s love for perverts and perversions”. –Stephen Vizinczey,The Times, 4 November 1967

Since Undergrowth is not in Google Books, I thought I’d give you the index. This may be useful to the aspiring pornosopher  although apart from its focus on herstory it does not come near the qualities of Sex in History (1954) and Eros Denied (1964).


Gillian Freeman also wrote the thought sequences dialogue for The Girl on a Motorcycle (1968).

I wonder who is inheriting Mrs. Freeman’s library.

RIP André Previn (1929 – 2019)

André Previn was a German-American musician best known for his film scores.

He first came to my attention when his ex-wife Dory Previn died in 2012.

After some quick glancing through my archives, I find that a ‘porn groove’ on the compilation The Mood Mosaic Vol. 3 “The Sexploitation” is of Previn’s hand, a track called “Executive Party” composed for the film Rollerball.

In the clip above that song is heard in a wonderfully strange scene “shot in the pre-dawn “magic hour,” as the wealthy, decadent upper-class fire explosive rounds at a line of towering trees, setting fire to them one after another, reveling in destruction” [1].

A example of pure wanton waste of excess energy.