Category Archives: juxtapoetry

Music writing informed by critical theory

[Youtube=http://www.youtube.com/watch?v=Y66nvB-PvZQ]

Beau Mot Plage (1999) by Isolée

This post dedicated to Woebot. Who else could write an article on canonical house music informed by critical theory? The answer is below the quote.

“I really admire exercises like Harold Bloom‘s “The Western Canon” and F. R. Leavis‘s “The Great Tradition“. It’s not just the critic’s job to dissect, it’s a crucial task to re-imagine and assemble. My recent idea has been, in the absence of any other strong generic competitor to it, to try and extract from within the tradition of House-music-proper a strand of what I’m calling “Mauve House”. If the methodology used in tackling the pyramidic proliferation of dance music genres, used to be naming each subset, nowadays a more appropriate approach might be like filleting a joint of beef, that’s to say stripping out one strand from the carcass.” http://www.woebot.com/2007/06/mauve_house.html

Answer: Simon Reynolds. Internal links are mine.

Eno on Can

[Youtube=http://www.youtube.com/watch?v=yErXSlbJseo]

Although once described as not requiring real effort in a Curt (Groovy Age) interview, the practice of choosing Youtube clips requires knowledge and patience. So it is with great pleasure I present you this brilliant clip of musician/artist/theorist Brian Eno on German Krautrock band Can. The source of this clip is as of yet unestablished.

Speaking of Groovy Age, guest editor Jaakko is doing a series of posts on Terror Blu, a previously unknown (to me at least) Italian fumetti series. Jaakko has also what appears to be the largest online collection of fumetti available.

HER LOVER one day takes O for a walk

Parc Monceau by Monet

Monceau Park (1878) – Claude Monet

 

In search of Borgesian elements in Story of O.

From the opening lines of Story of O:

“HER LOVER one day takes O for a walk in a section of the city where they never go – the Montsouris Park, the Monceau Park.”

Where did her lover take her? To the Monceau Park or the Montsouris Park? Or both?

I’ve written about O here.

Somewhat related linkcandy: sinnliches.ch and and accompanying Google gallery (nsfw).

Limbo, weightlessness, and uncertainty

Have you ever reached out for something that was so tangible as to be almost in your grasp… that you realized you had to let go of what you were holding on to – to be able to reach even further out towards the object of your interest? The letting go is reminiscent of limbo, weightlessness, and uncertainty; that ‘far away, so close’ feeling.

Download the_one_moment.mp3 via Kierkegaardian

Oh how I love the plentiful emptiness of Michael Nyman.

When you fall for a boy

Fat Girl/À ma soeur! (2001) – Catherine Breillat

“When you fall for a boy, you try to pin him down too soon. After three days, he wants to kick his way free and get as far away as he can.”

“Oh, yeah? So let’s see who can pick up a decent boy first. Any boy. Even a fat slob like you.”

“That shows how dumb you are. You’re great physically but once they get to know you, they run a mile. They run before even getting to know you!”

“I’m just too young. They’d be scared to sleep with me.”

“But you reek of loose morals.”

“I don’t sleep around.”

“That’s the only thing you don’t do. You have a weird notion of what ‘not sleeping around’ means.”

“That’s what matters, you know.”

“I don’t think so. If I meet a man I love, I’d want to be broken in. He won’t think my first time counts. The first time should be with nobody. I don’t want a guy bragging he had me first. Guys are all sick.”

[….]

Catherine Breillat’s obsession with the dialectical nature of love and violence could not be better articulated than in the haunting last words echoed by Anaïs:

Police officer: She was in the woods. She says he didn’t rape her.

Anaïs: Don’t believe me if you don’t want to.

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