“The Seed 2.0” (2002) The Roots feat. Cody ChesnuTT
Previous World Music Classics.
Strut is a British record label dedicated to unearthing the lost gems of dance music past. Disco Not Disco is the title of their series of avant-garde disco compilations published since the early 2000s. They feature late 1970s and early 1980s atypical dance music and have highlited the work of Arthur Russell with tracks such as “Kiss Me Again“.
The subtitle of this third volume is “Post Punk, Electro, & Leftfield Disco Classics 1974 to 1986” and the CD features the tracks “Mind Your Own Business” [1] by Delta 5, “Crunch Cake” by Isotope, “Your Life (party mix)” by Konk, “Launderette” by Vivien Goldman, “My Spine Is The Bassline (12″ edit)” by Shriekback, “Contort Yourself (August Darnell rmx)” by James White & The Blacks, “Love Tempo (rmx)” by Quando Quango, “Sharevari (inst)” by A Number Of Names, “Silent Street/Silent Dub)” by Maximum Joy, “Shake It Right” by Six Sed Red, and “Los Ninos Del Parque (12″ mix)” by Liaisons Dangereuses.
A foretaste of the CD and World music classic #19
[Youtube=http://www.youtube.com/watch?v=xonezVB_4xI]
“Mind Your Own Business” (1979) Delta 5
Also, there are five more days to listen to an Arthur Russell interpretation by Arthur’s Landing [1] (a group of musicians who knew and played with Russell)
Previous World Music Classics.
[Youtube=http://www.youtube.com/watch?v=4vACvafOvq0&]
“Rotation” (1979) Herb Alpert
This is a slow groove and an eternal up-market dance floor classic, for a similar track see Wally Badarou’s releases of the early eighties on Island Records, especially “Chief Inspector”, which I’ve posted here.
Previous World Music Classics.
Ron Murphy (March 3, 1948 – January 13, 2008) was an American audio engineer at Detroit’s NSC/Sound Enterprises. Murphy was responsible for the mastering of some of the most respected Detroit techno vinyl releases, for such labels as Underground Resistance, KMS, Metroplex, Black Nation, Direct Beat, Axis, Planet E, Basic Channel and many others.
Ron Murphy was the reason that the Detroit techno records sounded crisp and clear, in contrast to contemporary Chicago house music, whose records were mastered under the direction of Larry Sherman, and which sounded like they were recorded on sandpaper, due to his use of recycled vinyl.
New York house music’s records were mastered and pressed by Herb Powers, Jr., much to everyone’s satisfaction.
Along with Chicago house, Detroit techno was my earliest musical love all of my own, a love that was probably fueled when first seeing Farley Jackmaster Funk’s 1986 “Love Can’t Turn Around” [Youtube] on Dutch television.
Via phinnweb
Synchronicity and Drs. P
https://www.youtube.com/watch?v=ygvkZ35Z0-0
We zijn hier aan de oever van een machtige rivier
De andere oever is daarginds, en deze hier is hier
De oever waar we niet zijn noemen wij de overkant
Die wordt dan deze kant zodra we daar zijn aangeland
En dit heet dan de overkant, onthoudt u dat dus goed
Want dit is van belang als u oversteken moet
Dat zou nog best eens kunnen, want er is hier veel verkeer
En daarom vaar ik steeds maar vice versa heen en weer
English rough translation, see untranslatability
We are here at the shore of a mighty river
The other shore is over there, and this one is over here
The shore where we are not is called the other side
Which will become this side as soon as we land there
And this then we call the other side, please remember well
This is important if you want to cross
And that is very possible, there’s lots of traffic here
And that is why I cross the river vice versa “to and fro”
When I was 23, I spent six months with my wife in Shanghai at Fudan University. Among the numerous great things that happened when I was there was meeting André.
André was one of a kind and we hit it off immediately. He had I believe only just finished high school and was 18 or 19 at the time. He was smart and creative, had theories on dancing (“when I dance, it’s all in the face”) and one on synchronicity which has stayed with me all this time. He was convinced that there was a Chinese equivalent to every American actor, and was thus constantly on the look-out for the Chinese Woody Allen.
Whether he found him or not, I don’t know, and – sadly – I also lost track of André. My wife and I were supposed to stay in Shanghai for a year but we left after six months, just before the Tank Man incident. I was young and when André and I parted ways I did not exchange addresses with him, thinking that if I was supposed to meet him again it would surely happen.
You probably ask yourself, what does this have to do with the Youtube clip above by Drs. P? Well, every country has a couple of artists, musicians or writers which are one-of-a-kind (sui generis). Drs. P is one of those people, he is a genius and cannot be compared to anyone within the Dutchophone area of Europe I live in.
However, I am convinced that every country in the world has its Drs. P. There must be one in Spain, New Zealand or the United States. Drs. P.’s sensibilities (word play, absurdism, playful narrativity, humor) must be synchronously present in every country in the world.
The question is for you dear reader, who is your country’s Drs. P. Or who is your country’s Woody Allen?
Happy Birthday Mr. Bowie
[Youtube=http://www.youtube.com/watch?v=ueUOTImKp0k&]
David Bowie was 25 when he made this composition. As with many artists, their most productive and innovative period is between 20 and 30.
I loved the androgynous persona of Amanda Lear-ish Ziggy. I wonder who did the make-up.
Some Amanda Lear androgyny Euro-disco:
[Youtube=http://www.youtube.com/watch?v=lxFHfOsxx_w&]
“Enigma (Give A Bit Of Mmmmh To Me)” (1972) Amanda Lear
Previously on Jahsonic: Seu Jorge, a cover version of “Is there Life on Mars”
Listen to 82 tracks from 34 of The WIRE’s Top 50 albums from 2007 at Swen’s blog
The whole list: The WIRE – 50 Records of The Year 2007
The Wire is a British avant garde music magazine. It was founded in 1982 by jazz promoter Anthony Wood and journalist Chrissie Murray, and concentrated on contemporary jazz and improvised music. From about 1990 it branched out into covering left-field rock and “post-rock” (a term coined in the pages of The Wire), hip hop, modern classical, free improvisation and various forms of electronic music.
Sad, after Giornale Nuovo quit last year, musical blog Woebot decided to do the same. He will be sorely missed. If you are new to his writing just check his penultimate entry on jazz.
Questions have been raised (by John Coulthart amongst others, though I can’t find his post) on what will happen to the archives of the writing of these wonderful blogs. Other than books, which are disseminated, web content is stored in a centralized fashion. If a source disappears, it’s usually gone forever. Services such as the Wayback machine may help. Check the archives for Woebot there.
[Youtube=http://www.youtube.com/watch?v=K2i5QZS44DE]
“Et si tu n’existais pas” (1975) – Joe Dassin
Previous guilty pleasures.
[Youtube=http://www.youtube.com/watch?v=iju1_DhH2Qs&]
“Je pense a toi” (19__) Amadou & Mariam
Amadou and Mariam are a musical duo from Mali, composed of the couple Mariam Doumbia (vocals) and Amadou Bagayoko (guitar and vocals). The pair, known as “the blind couple from Mali” met at Mali’s Institute for the Young Blind, and found they shared an interest in music. They first came to international attention at the beginning of the 2000s via radio stations such as Radio Nova from Paris.
Please also enjoy “Dimanches a Bamako (c’est le jour du mariage)”, “Sundays at Bamako, (it’s the wedding day)” below.
[Youtube=http://www.youtube.com/watch?v=OuwAzh1b8CA&]
Previous World Music Classics.