Over the last seven years I have been compiling the Jahsonic 1000, a list of thousand songs I would put on a mixtape if mixtapes were that big. I finished the list a while ago but I only recently made it into a YouTube playlist you can listen to here.
Blurb:
The Jahsonic 1000 (2007-15) is a list of 1000 songs compiled by Jan Willem Geerinck. It was started early 2007 as the World music classics category and concluded in November 2015. Every time Geerinck heard or remembered a recording which he thought fit to be in the Jahsonic 1000, he added it to the category. There were no second thoughts.
The list is not hierarchical and needs to be listened to as a gigantic mixtape put on shuffle, or alternatively, played alphabetically.
Neil Young and Lee Perry are the artists with the highest frequency: both are featured 8 times; they are followed by Serge Gainsbourg (6), Stevie Wonder (5), Herbie Hancock (4), James Brown (4), Kraftwerk (4), Nina Simone (4), Peggy Lee (4), Sylvester (4), The Kinks (4), The Rolling Stones (4) en The Velvet Underground (4).
In Possession, Mark (played by Sam Neill) returns home to Berlin to find his wife Anna (Isabelle Adjani) is leaving him for an unclear reason.
He initially suspects an affair and snoops on his wife, but he gradually discovers clues that something far stranger is afoot. Instead, his wife leaves him and her lover, Heinrich (Heinz Bennent) for a bizarre experience with a strange tentaclecreature.
Celine and Julie Go Boating (French: Céline et Julie vont en bateau) is a 1974 French film directed by Jacques Rivette, often described as surreal in nature. Its plot is non-linear.
Ettore Scola (1931 – 2016) was an Italian film director.
I remember A Special Day fondly. The story of an oppressed housewife and her gay neighbor who stay at home in Rome and enjoy a moment of tenderness on the day that Hitler visits Mussolini.
And then there was the film Brutti, sporchi e cattivi which literally means Ugly, Dirty and Bad but which was released as Down and Dirty (1976).
There is a scene in that film which I’ll never forget (above).
The background: A large and grotesque family live in an extremely poorbidonville of the periphery of Rome. The protagonist is one-eyed patriarch Giacinto (Manfredi). Four generations of his sons and relatives are cramped together in his shack, managing to get by mainly on thieving and whoring.
The scene: One night, a distant family member comes to the shack, sees the buttocks of the sleeping girlfriend of the patriarch, pulls down her underpants and starts to fuck her from behind. When she turns around and asks him quizzically “who are you?”, he answers reassuringly, “I am one from the house.” Whereafter he continues to fuck her (I believe).
This lack of interest on my part is due the fact that when I was fifteen in 1980, the age that you are most susceptible to new music, Bowie was already a ‘commercial artist‘ and I considered him slick, albeit efficient.