Heaven is where the police are British, the cooks

Furthering my post on national stereotypes I present you a joke related to the subject:

“Heaven is where the police are British, the cooks are French, the mechanics are German, the lovers are Italian and it is all organised by the Swiss. Hell is where the police are German, the cooks are English, the mechanics are French, the lovers are Swiss, and it is all organised by the Italians”. [Nov 2006]

Carnography

Carnography (from latin “carnis” meaning “meat” and Greek grafi “writing”) is a neologism for writing, films, images, or other material that contains gratuitous amounts of bloodshed, violence and/or weaponry. It is named by analogy to pornography (although it is often mistaken for a portmanteau of “carnage” and “pornography”, this is not strictly the case), and is sometimes referred to as “violence porn”.

The mere depiction of violent acts, or of their results, does not necessarily qualify a film as carnography, just as the mere depiction of sex acts does not necessarily qualify a film as pornography. —http://en.wikipedia.org/wiki/Carnography [Nov 2006]

I have discovered a haunted house in the midst of London

A friend of mine, who is a man of letters and a philosopher, said to me one day, as if between jest and earnest,–” Fancy! since we last met, I have discovered a haunted house in the midst of London.”

“Really haunted?–and by what? ghosts?”

“Well, I can’t answer that question; all I know is this–six weeks ago my wife and I were in search of a furnished apartment. Passing a quiet street, we saw on the window of one of the houses a bill, ‘Apartments Furnished.’ The situation suited us: we entered the house–liked the rooms–engaged them by the week–and left them the third day. No power on earth could have reconciled my wife to stay longer; and I don’t wonder at it.” —The House and the Brain, also know as The Haunted and the Haunters (1857) by Lord Edward Bulwer-Lytton via here.

Lytton is famous for his cliché first sentence: “It was a dark and stormy night”

See also: haunted – horror fiction – 1857

Larry Levan MP3s

Via analog giant:

Mp3: Joubert Singers – “Stand of the Word” (Levan Remix)
Mp3: Grace Jones – “Pull Up to the Bumper” (Levan Garage Remix)
Mp3: Inner Life – “Ain’t No Mountain High Enough” (Levan 12″ Mix)
Mp3: Chaka Khan – “Tearin‘ It Up” (Levan Mix)

Pay special attention to ‘Ain’t No Mountain High Enough‘ (1981), especially the break. Vocals are by Jocelyn ‘Somebody Else’s Guy’ Brown, mix by Larry Levan, keys by Michael De Benedictus.

Another Jocelyn fave is ‘Make It Last Forever’ (1979).

Larry Levan produced over 70 remixes. To me his best record is the Padlock EP (1983).

More info on the Joubert track here.

Slavoj Žižek and the chicken joke

Slavoj Žižek and the chicken joke from The Parallax View (2005):

“For decades, a classic joke has been circulating among Lacanians to exemplify the key role of the Other’s knowledge: a man who believes himself to be a grain of seed is taken to a mental institution where the doctors do their best to convince him that he is not a grain of seed but a man; however, when he is cured (convinced that he is not a grain of seed but a man) and allowed to leave the hospital, he immediately comes back, trembling and very scared—there is a chicken outside the door, and he is afraid it will eat him.“My dear fellow,” says his doctor,“you know very well that you are not a grain of seed but a man.” “Of course I know,” replies the patient, “but does the chicken?””

What is hauntology?

Spending time on Padraig’s Subject-barred brought the concept of hauntology to my attention via this piece titled The Gramophone’s Technological Uncanny which furthers Mark K-Punk’s investigation of sonic hauntology. In its origins hauntology is Jacques Derrida‘s neologism which is, in French, a pun on ontology and refers to, in the words of the Halflives website: “the paradoxical state of the specter, which is neither being nor non-being.”

Besides by K-Punk (here in a piece on Kubrick), hauntology is also used by Simon Reynolds here and by Woebot here.

No doubt the term goes back 1848 when Marx and Engels stated “A spectre is haunting Europe, the spectre of Communism.” Haunting is about ghosts, and one of the first people to use the word haunting in a musical context was David Toop’s Haunted Weather : Music, Silence, and Memory (2004).

About four weeks ago, The Existence Machine also wondered just what is hauntology.

K-Punk thinks this is a good summary of the concept.

Someone wrote an Wikipedia entry on hauntology in October of 2006 but it was deleted by consensus. It finally passed Wikipedia stringent notability criteria in August 2007.

See hauntology at artandpop.

New David Lynch film

Subject-barred goes by the name of $. The blog is one of the more enigmatic ones on the web. I first found him via his transcript of Zizek’s The Pervert’s Guide to Cinema (2006). Subject-barred now presents a short video “Without cheese there wouldn’t be an INLAND EMPIRE,” recorded by two guys who “made/accidentally-captured this 2-minute video – of Lynch in a suitably bizarre “performance art” promotion of his latest film on a Hollywood sidewalk – sound like the two guys from the Black-Book office scene/massacre in Lynch’s Mulholland Dr …”. –subject-barred

Lasse Braun, the sexual revolution came from the cold

Yesterday evening on Arte TV (along with the BBC, one of the best television stations in Europe) there were two documentaries about the sexual revolution in Europe. The first documentary was on Lasse Braun and it was followed by a documentary on the sexual revolution as it happened in Denmark, what I have called the ‘Danish experiment’ before. I fell asleep during this second part, so some notes about the Braun feature:

Worth remembering about Lasse Braun (born 1936) is that he spent some time in Breda, The Netherlands, which was his most fruitful time; that he was/is somewhat of an intellectual/guru type of person (equalling pornography to anarchism (a practice which started in 18th century Europe)) and that he is a sexually dominant who works with women who were/are in love with him.

Sensations (1976) – Lasse Braun

There was an interesting interview with Tuppy Owens (Britain’s leading “pro-sex” (a radical group within the post-feminist camp) writer and activist, comparable to the likes of Annie Sprinkle, Susie Bright etc in America). Tuppy Owens appeared in the 1976 film Sensations, Braun’s first feature film and a good illustration of the shift of pre-1970s pornographic film (usually filmed on 8mm and 16mm formats and distributed in brothels and peep show booths) to porn chic films (filmed on professional stock and shown in ‘mainstream’ theatres.)

The end of the documentary saw Lasse Braun in Susan Block’s TV show, a very sad affair indeed.

The Pianist (2002) – Roman Polanski

I saw Roman Polanski’s 2002 film The Pianist today. The story about a Jewish piano player and his time in the Warsaw Ghetto. I have never seen a bad film by Polanski, in my view he is one of the greatest post-war cineasts and this film is no exception. While I recently said that there can be no fictional narrative of Auschwitz (thinking of the faux realism of Schindler’s List black and white footage) this film sort of changed my mind. I thought that it was very realistic in its portrayal of the atrocities committed by the Germans and the gradual build-up of the dehuminazation of the Jews. The film is also a testament to the value of art and music, a bit contrary to Adorno’s famous statement that “there can be no art after Auschwitz.”

Searching for polanski+pianist+schindler+black and white+spielberg+verisimilitude brings up two good reviews, the first by Clive James and one by kamera.co.uk.

Trivia: I cried when the wheel-chaired bound man was thrown of the balcony and the men were shot and driven over by the Germans. I laughed when one of the brothers told the story of the surgeon who was brought to the ghetto to operate on someone, and was subsequently shot along with the anaesthetized patient.

Jahsonic

Burgemeester van Dodenstad