This happened some time ago. But the general public only found out years later that Emmanuelle Arsan had died. At first it said that it happened in 2007, but later it appeared to be in 2005.
More than any fictional character Emmanuelle was the symbol of the sexually liberated woman, celebrating her new freedom because of the pill, the main cause of the sexual revolution.
The funny thing about this Thai born woman, is that nobody today can confirm that it is she who wrote the Emmanuelle novels, some say it was her husband.
What is certain though, is that my hero Eric Losfeld published the first novel of the series clandestinely in 1959 as Emmanuelle (1959).
About the re-writing that has happened since 1959, the book Censure, autocensure et art d’écrire: de l’antiquité à nos jours (2004) by Jacques Domenech notes that the first version was ‘harder‘, more hardcore.
For the occasion of this post, I watched the Italian film Io, Emmanuelle (1969), which seems a better film than the 1974 Sylvia Kristel vehicle.
But this 1969 version has nothing to do with Emmanuelle.
The name Emmanuelle has gone on to become a by-word for erotic films and conjures up an image of the rotan peacock chair which was used as a publicity shot in the 1974 film starring Sylvia Kristel.
Now the two last two last survivors of that sensibility are Radley Metzger (born 1929) and Roger Corman (born 1926).
My first exposure to Larraz was the VHS cover of La visita del vicio (The Coming of Sin). For the infamous Pasiphae scene from La visita del vicio shot scroll to 15′:32”.