Tag Archives: 1940

RIP Noel ‘abolish whiteness’ Ignatiev (1940 – 2019)

Noel Ignatiev was an American author and historian known for his radical views on whiteness.

He belongs to a category of extreme left-wing American professors to which also belongs Ward Churchill (“On the Justice of Roosting Chickens“).

These radicals came to my attention when I wrote a review of Whiteshift (2018) by Eric Kaufmann.

Googling for Noel Ignatiev does not bring up pages of left-wing political propaganda but pages of right-wing political propaganda. Of right wing white supremacists upset by what Ignatiev is saying.

Below is a transcript of a video of which you’ll find several copies on YouTube. It is a spliced video and I do not know where it was recorded nor who interviewed Ignatiev.

“My concern is doing away whiteness. Whiteness is a form of racial oppression, sure. The suggestion is that it is somehow possible to separate whiteness from oppression and it is not. There can be no white race without the phenomenon of white supremacy. If you abolish slavery you abolish slave holders. In the same way, if you abolish racial oppression you do away with whiteness, treason to whiteness is loyalty to humanity.” Interviewer: “Your views are fairly well received in academia” … “Yes the they are legitimate, not to say that everyone agrees but sure … I could not point to any examples where it has provoked political censorship … whiteness is an identity that arises entirely out of oppression … whiteness is not a culture … it’s not a religion, it’s not a language, it’s simply an oppressive social category …. Blackness is an identity that can be plausibly argued, black studies is a study of a people that has formed itself in resistance to its oppression. The task is to bring this minority together in such a way that it makes it impossible for the legacy of whiteness to continue to reproduce itself.”

I have not read books by Ignatiev but I do wonder how he would have gone about doing away with whiteness.

RIP Peter “Easy Rider” Fonda (1940 – 2019)

Peter Fonda was American actor.

The Hired Hand (1971)

Everyone knows Peter Fonda from the film Easy Rider (1969) a cult film which is so well-known that it is actually a mainstream film.

I saw the film somewhere in the 1990s but hardly remember anything about it. Given the choice — knowing what I know now — between watching Easy Rider and its predecessor The Wild Angels (1966) I’d watch the latter, being that it is as hilarious as it is historiographical (in the sense that Wild Angels tells us more about the sixties zeitgeist than Easy Rider, I refer specifically to the speech featuring “We wanna be free to ride our machines without being hassled by The Man!”)

But now Fonda is dead and despite the dictum “de mortuis nisi nihil bonum“, a few things need to be said before the praise can begin:

“[Peter Fonda] had nowhere near the talent of his father Henry Fonda or sister Jane Fonda, but he was popular with young audiences from the early sixties to early seventies because he was good-looking, knew how to ride a motorcycle, made “hip” pictures with drug-related themes, and, to hide his acting limitations, smartly played characters who were tight-lipped, unemotional, and often wore shades.” —Cult Movie Stars (1991) by Danny Peary

Now for the praise.

Upon the death of an actor or director, I check YouTube for films featuring the corpse in question. And so it happened that I stumbled upon The Hired Hand (1971). Never heard of it before. Started reading about it. Appeared to be a revisionist western. Interesting category. Started watching. Liked the music. The story is that of a man who is tired of drifting the Wild West and returns home to the wife and child he left seven years earlier. She accepts him, not as a husband, but as a hired hand.

That same Danny Peary who called Fonda not a good actor calls The Hired Hand a “feminist western”.

Why?

Because the film pays lots of attention to the abandoned woman and her sexual needs during the departure of her husband. A sort of Penelope vs. Odysseus.

On two occasions Hannah (the abandoned wife) ruminates about her lust for sex. These dialogues are extremely interesting and the second scene, in which Oates touches the ankle of Bloom, is actually quite sexy.

The first conversation of her sex life is with returned husband (Fonda) who has heard rumors in town of her sexual escapades [47:00]:

“You hired men to sleep with,” says he.

She responds:

“Sometimes I’d have him or he’d have me whatever suits you.”

And in a second scene she says to Arch Harris (Oates) [54:00]:

“You probably think I’m pretty hot … Well I am … don’t wannabe but I am … I don’t know how many nights I set on the porch … watching the shed … hoping whoever was in there would come out … hoping and terrified in case he did … wouldn’t really matter whether it was you or him tonight.”

Anyway, above is the complete film.

I loved it.