Category Archives: eroticism

And gratis there she offered me

It is not four years ago,
I offered forty crowns
To lie with her a night or so:
She answered me in frowns.

Not two years since, she meeting me
Did whisper in my ear,
That she would at my service be,
If I contented were.

I told her I was cold as snow,
And had no great desire;
But should be well content to go
To twenty, but no higher.

Some three months since or thereabout,
She that so coy had been,
Bethought herself and found me out,
And was content to sin.

I smiled at that, and told her I
Did think it something late,
And that I’d not repentance buy
At above half the rate.

This present morning early she
Forsooth came to my bed,
And gratis there she offered me
Her high-prized maidenhead.

I told her that I thought it then
Far dearer than I did,
When I at first the forty crowns
For one night’s lodging bid.

It is not four years ago is a poem by John Suckling reminiscent of a scene in the 1969 film Coming Apart. The scene where a young pregnant mother visits the protagonist psychiatrist and offers herself. She asks “Is it worth fifty dollars to you?” And Rip Torn answers: “Baby, you’re worth a million dollars to me”. They then proceed without monetary exchange. Loved the film. The poem came by way of the Kronhausens book Pornography and the law: The psychology of erotic realism and pornography.

The French Decameron

Cent Nouvelle Nouvelles

Les Cent Nouvelles nouvelles, here published as an Ace pulp.

The Cent Nouvelles nouvelles is an anonymous collection of nouvelles supposed to be narrated by various persons at the court of Philippe le Bon, and collected by Antoine de la Sale in the 1456-1457. The work borrowed from Boccaccio‘s Decameron (1350-1353) and has in fact been subtitled as the French Decameron (a title which has also been given to the Heptameron (1558)). It is similar to Chaucer‘s Canterbury Tales (1390s), the Contes et nouvelles en vers (1665-66) by Fontaine and Brantôme‘s Les Vies des Dames galantes (1665-1666).

The nouvelle as genre is considered the first example of literary prose in French, the first text in this category is generally cited as Les Cent Nouvelles nouvelles.

More than thirty-two noblemen or squires contributed the stories, with some 14 or 15 taken from Giovanni Boccaccio, and as many more from Gian Francesco Poggio Bracciolini or other Italian writers, or French fabliaux, but about 70 of them appear to be original.

Stories

 

Here in a Charles Carrington edition

The stories are bawdy, ribald and burlesque, with titles such as The Monk-Doctor, The Armed Cuckold, The Drunkard In Paradise, The Castrated Clerk and the The Husband As Doctor.

 

An ecstatic journey of a boy

Virgin Sperm Dancer by William Levy

Suck special issue (1972) by William Levy

Image sourced here, more here.

The Virgin Sperm Dancer was a Suck magazine special issue by William Levy published in 1972 by Bert Bakker. It was designed by Anthon Beeke and photographed by Ginger Gordon. With Willem de Ridder and Anna Beeke. An ecstatic journey of a boy transformed into a girl for one day only, and her erotic adventures in Amsterdam Magic centrum. Excerpted in London Oz in the same year.

Redrup v. New York and the end of American censorship

The 1967 Redrup v. New York case is generally considered the end of American censorship. Robert Redrup was a Times Square newsstand clerk who sold two Greenleaf Classics pulp sex novels, Lust Pool [1] and Shame Agent [2] to plainclothes police. He was tried and convicted in 1965.

In true nobrow fashion Hamling did not believe he was selling “commercialized obscenity,” nor would he admit to “titillating the prurient interests of people with a weakness for such expression.” Hamling felt his books were giving people who would never have the skills to read and enjoy Ulysses or Fanny Hill or Naked Lunch what they wanted.

With financial backing from William Hamling, Redrup appealed his case to the Supreme Court where his conviction is over-turned by 7-2. The court’s final ruling on May 8 in 1967 affirmed that materials that were not pandered, sold to minors, or foisted on unwilling audiences were constitutionally protected.

After this decision, the Supreme Court systematically and summarily reversed, without further opinion, scores of obscenity rulings involving paperback sex books, girlie magazines and peep shows.

Tip of the hat to Patrick J. Kearney and thanks to Earl Kemp.

Mirror, mirror

I’m totally taken with this photograph by Bellocq which immediately reminded me of Il Bagno by Fernando Botero. Does anyone have an idea on the copyright status of the Bellocq pictures? As is evident from this page at Wikipedia, Bellocq’s photographs are in the public domain in the United States, but the information also states that “this image might not be in the public domain outside the United States.” The page where the first photograph I point to states that the copyright belongs to the estate of E. J. Bellocq/Lee Friedlander. Who has the complete story?

P. S. to circumvent copyright issues, I give you the Bellocq Google gallery.

P. S. #2 To round this post of, a post by Gatochy on the similarity of the said Bellocq photograph with an illustration by Bonfils. Gatochy is Mariana who runs a series of interesting blogs related to visual culture. Here is her Google gallery.

P. S. #3 Check Femme Femme Femme and the work of Delphin-Enjolras

Scherzo infernal

Scherzo infernal (1984) – Walerian Borowczyk

Scherzo infernal (1984) is a short animated French film by Walerian Borowczyk narrated by Yves Robert and produced by Anatole Dauman‘s Argos Films. Beware when watching the current Youtube version of this film, the descriptive text has gotten mixed up with the descriptive text of Michel Follin‘s Ligeti documentary. In reality, the score of this short was composed by Bernard Parmegiani.

Wet Dream Film Festivals

Poster for first the Wet Dream Film Festival (1970) in Amsterdam

At the end of the 1960s and beginning of the 1970s, Amsterdam was somewhat of a countercultural capital. It was where Suck, The First European Sex Paper was published. Around this time two Wet Dream Film Festivals were organized. The first took place in the autumn of 1970, It had an international jury consisting of Germaine Greer, Jay Landesman, Richard Neville, Michael Zwerin, Didi Wadidi and Al Goldstein. The first prize went to Bodil Jensen in A Summer Day. The “Blast from the Past” award went to Jean Genet‘s film: Un chant d’amour. The Walt Disney Memorial Award went to Christie Eriksson‘s Snow White and the Seven Dwarfs. Other prizes were awarded for Peter Flemming, Walter Burns and Falcon Stewart. The Second Wet Dream Film Festival was held in 1971 between October 20 and October 25, again organized by Jim Haynes. Festival jury included Germaine Greer, Al Goldstein, William Holtrop, Didi Wadidi, Anna Beke and Michael Zwerin plus new-comers Mama Cass, Roland Topor, Heathcote Williams, William Burroughs, Carlos Clarens, Tomi Ungerer, Betty Dodson, Marie-France and Miss Angel. Jens Frosen (“Quiet Days in Clichy”) documented the event. Lou Sher, president of Sherpix, who picked up “Adultery For Fun and Profit” at the first festival, put up $1,000 for the first prize this year plus a promise of U.S. theatrical distribution. Organizer Haynes told Variety: “What most people don’t understand about last year’s Wet Dream Festival is that we are not concerned with pornographic aspects primarily, but with the libertarian concept. It is an attack on paternalism because it asks why people can’t see any image they want.”

This post is dedicated to the work of Earl Kemp.