I make exceptions.
The best work I read last year was Michaux’s Plume which happens to be a work of prose poetry, a genre which can be traced most readily to Baudelaire and Poe. A genre which is plotless but nevertheless more concrete than pure poetry.
Saturday I bought the work above. It is worth its price for the introductory notes alone.
Gaston Burssens (Dendermonde, February 18 1896 – January 29 1965) was a Flemish poet, usually classified as an expressionist. He died age 68 in Antwerpen en was buried at the Schoonselhof cemetery. He was a member of the “Activists” and studied at the University of Ghent. He also published previously unpublished work by avant-garde poet Paul Van Ostaijen after the latter’s death.
Fabula Rasa by Flemish writer Gaston Burssens is a collection of prose poems and random notes. It is inscribed by two mottos: “Rien n’est plus grave au monde que la bêtise” (Louis XIV) en “Rien n’est plus bête au monde que la gravité” (Stendhal).
Literary critic Paul de Wispelaere reviewed it in the chapter “De groteske wereld en de wereld van de groteske,” in his collection Het Perzische Tapijt (1966). In this essay de Wispelaere juxtaposes Fabula Rasa with the paraprose of Gust Gils, another Flemish writer who wrote in the tradition of the literary grotesque. Fabula Rasa’s Belgian-French counterpart is Plume by Henri Michaux.
While researching this post I also stumbled upon prose by Flanders’ cult poet par excellence Paul Van Ostaijen: De bende van de stronk (The stump gang, 1932, grotesques). I will want a copy of that.