Gillo Dorfles was an Italian art critic, painter, and philosopher best known for his 1968 book on kitsch, Kitsch: The world of Bad Taste.
He was 107.
The photo: When I just started buying books, somewhere in the late 1990s, I saw this at Vulcanus, a book store in the Volkstraat 3 run by a lady named Yvette. I didn’t buy the book. I see they have it at my university. Maybe I’ll lend it one day.
Linda Nochlin was an American art historian.
A prominent feminist art historian, she became well known for her pioneering articles “Why Have There Been No Great Women Artists?” (1971) and “Eroticism and Female Imagery in Nineteenth-Century Art” (1972). The title of the first article speaks for itself. The second article argues that “erotic art” implicitly means “erotic-for-men”.
Photo: Left: Achetez des Pommes ,(Buy Apples), anonymous nineteenth-century photograph, courtesy of Linda Nochlin. Right: Linda Nochlin, Achetez Bananes (Buy My Bananas). This juxtaposition proved that the implication “erotic” is “erotic-for-men.”
I visited the Jozef Peeters apartment on De Gerlachekaai 32 in Antwerp.
The apartment overlooks the Schelde and features artwork by Peeters himself, including murals and furniture he designed. Also, there is work by Michel Seuphor (personal favorite) and Jo Delahaut.
Photo: On the table of the living room: The last book Godelieve Peeters (his daughter who preserved the apartment as total artwork until her death in 2004) was reading before she died. On it are her glasses. It has been conserved as a crime scene. I imagine her falling dead on her book. There is a letter from De Witte Raaf under the book. The book is The Sublime Void.
I used to live in the apartment on the other side of the street, our windows faced each other. At the time, this must ‘ve been around 2000, I did not know who Jozef Peeters was.
While I’m researching my master thesis on the possibility of pornographic art I stumble across new information all the time.
One of the best finds was the cluster theory of art by Berys Gaut.
But the best was this: as I was writing a possible rationale for why pornography had become salonfähig in the 1960s and 1970s and I wanted to write about nobrow and Sontag and Fiedler I did some extra research on Cross the Border — Close the Gap and found the whole transcript of the 1969 Playboy article[1] including the page scans and including the illustration by Karl Wirsum (above).
Boyd Jarvis was an American record producer, remixer and musician, best known for his song “The Music Got Me” released in 1983 by Prelude Records.
Two other perennial favorites are “Hey Boy” by Tammy Lucas and “Nobody’s Business” by Billie.
Jarvis is exemplary in the proto-house tradition.
Dance of the Peacock by Chechen actor/dancer Makhmud Esambayev is a clip[1] which is currently doing the rounds on Facebook.
It intrigued me because of its kitschiness and I decided to investigate.
It did not take long to figure out that the soundtrack to which Esambayev is dancing, is a cover of the theme of The Good, the Bad and the Ugly by Sergio Leone. It has a drum break which is not in the original.
It took me more than an hour to find the original film the clip was taken from.
First I found a version with a little bit more footage at the beginning (below).
For a while I thought it came from a children’s movie and I scrubbed through two. These were actually quite nice.
Then, by machine translating the Russian Wikipedia page of Esambayev I found out that the clip comes from a film called Dances of the Peoples of the World (above) in which the Chechen dancer performs a huge number of various dances: “Chaban” (Chechen-Ingush, Uzbek), “Warrior” (Bashkir), “Golden God” (Indian), ritual “Dance of Fire” to the music of de Falla, “La Corrida” (Spanish ) and “Dance with knives” (Tajik)”.
Jóhann Jóhannsson was an Icelandic composer who first came to my attention in 2016 with his soundtrack for the film Arrival (which is one of my World Cinema Classics).
When someone this young dies suddenly, I always think: suicide.
“Flight from the City” (above) is a musical composition by Jóhannsson from the album Orphée (2016).
Examining the bibliography of Art and Its Objects for my thesis Can Porn Be Art?, I came across Alain‘s System of the Fine Arts which in turn led me anew to the “killing of the hypothetical Mandarin“, a subject I had contemplated in some detail for the first time in 2013. I spent about six hours on the subject over the afternoon, time I did not spend on my thesis.
A new element in this afternoon reading and studying binge was “Killing a Chinese Mandarin“, an essay by Carlo Ginzburg (the current heir to Umberto Eco?) first published in 1994 and essential to the parable, referencing Aristotle’s Rhetoric, “Conversation of a Father with his Children” and “Letter on the Blind” (Diderot), Charles de Pougens, Modeste Mignon (Balzac), Ordinary Men (Christopher Browning) and David Hume.
As far as I’m concerned Alain made the definitive statement about the “hypothetical Mandarin” when he said “everybody continually kills the Mandarin“, proving that we are all victims of collective guilt, a point particularly poignant in the current migrant crisis.
Having lost a lot of time (time I should’ve spent on my thesis), I decided to write this snippet reporting my vagrancies. As I was thinking of a picture that could illustrate it, I suddenly thought of Death by a Thousand Cuts. Are we not guilty — with every Chinese product we buy — of the violations of human rights in China perpetrated on a daily basis? But then I couldn’t. The image is just too cruel.
Instead, I give you a cover of Alain on Happiness [above], from whence came Alain’s dictum on the mandarin, not referenced by Ginzburg in his sublime essay on emotional and social distance.
In the history of 20th century erotica, Walter Sickert kicks off the era with a series of oils known as the The Camden Town Nudes.
Nuit dété (Summer Night) [above] is one of them. Sickert’s erotica is exemplary of the cult of ugliness. Nevertheless, I like his nudes better than Lucian Freud’s, which belong to the same ‘cult of ugliness’ category. Of note is also that Sickert wrote of eroticism in the visual arts in writings such as “The Naked and the Nude“.
I say “writings“, but I’m not sure he did more writing on the nude than this one.
Dennis Edwards was an American singer, notably a lead singer in The Temptations.
He scored a solo hit in 1984 with “Don’t Look Any Further” (day-o day-o, mombajee ai-o!), the video of which [above] is in the top ten of worst videos ever. Just watching it fills you with vicarious shame.
https://www.youtube.com/watch?v=rtXIdykj2QE
For the jaded and tired among us, it’s a good thing to listen to “City Lights” by William Pitt [above], which rips the bassline and chord structure.
The first well-known sample of the song’s distinctive bassline is in Eric B. & Rakim’s 1987 single “Paid in Full” [above].