RIP Lucy Gordon (1980 – 2009)

RIP Lucy Gordon (1980 – 2009)

via upload.wikimedia.org RIP Lucy Gordon (actress) I’m skipping Arthur Conan Doyle @150,  Arthur Cravan @120 and Carl Craig &@40 to announce the sad death of British actress Lucy Gordon, a couple of days before her 29th birthday. Sad because she chose to end her life violently. She was set to play Jane Birkin in Joann Sfar’s Serge Gainsbourg : vie héroïque, scheduled for release in 2010.

May 2007 photo of Lucy Gordon by David Shankbone[1][2]

I’m skipping Arthur Conan Doyle @150, Arthur Cravan @120 and Carl Craig &@40 to report the sad death of British actress Lucy Gordon, a couple of days before her 29th birthday. Sad because she chose to end her life violently. She just finished shooting Jane Birkin in Joann Sfar‘s Serge Gainsbourg : vie héroïque, scheduled for release in 2010.

Introducing Joel Brodsky (1939 – 2007)

via www.wfnk.com Joel Brodsky Joel Brodsky, American photographer, noted for Ohio Players album cover photography.

Pleasure

Joel Brodsky (7 October 1939 – 1 March 2007) , American photographer, best-known for his risqué Ohio Players album cover photography. His photographs are also featured on the covers of The DoorsStrange Days[1], The Stooges debut album[2], Herbie Mann’s Memphis Underground[3] and the Ohio Players’ Ecstasy[4] and Pleasure[5].

His best-known picture, according to a Washington Post story, was used as the cover of the 1985 The Best of The Doors[6] album. It made in late 1966 and shows a bare-chested Jim Morrison of the Doors, with his arms outstretched.

Brodsky’s photographs appeared on over 400 album covers.

Christophe Bruno’s Dadameter

Via Bright Stupid Confetti[1] comes Christophe Bruno‘s Dadameter

bright stupid confetti: packets of future transmission See Dadameter

The Dadamap

Christophe Bruno (born July 1, 1964) is a French artist. He began his artistic activity in 2001, influenced by the net.art movement. His thesis is that through the web, and especially through the ability to search and monitor it thoroughly by means of Google, we are heading towards a global text that among other things enables a new form of textual, semantic capitalism, which he explores in his work. His artworks include Iterature, Logo.Hallucination, The Google Adwords Happening and many other pieces.

The Dadameter is an art project by French artist Christophe Bruno first presented in 2008. It was inspired by the work of french writer Raymond Roussel use of homophony described in How I Wrote Certain of My Books.

In the words of the Bruno “the project is a satire about the recent transmutation of language into a global market ruled by Google et al. and uses the most up-to-date technologies of control to draw cartographies of language at large scale.”

It was co-produced by the Rencontres Paris-Berlin-Madrid 2008 for contemporary art and new cinema and programmed by Valeriu Lacatusu.

The result of the project is the so-called Dadamap[2][3] in which each pixel corresponds to one couple of words. The project started from “a lexicon of several thousands of words which correspond to about 800,000 couples (as many pixels then), and we looked for homophonic correlations, as in billard / pillard [see Roussel], or for semantic correlations.”

The procedure provides three measurements for each couple of words corresponding to homophony (the Damerau-Levenshtein distance), Google Similarity (or semantic relatedness) and thirdly equivocation (to which extent a word has a univocal meaning or at the contrary is polysemic or equivocal).

The Dadamap is a topographical map resembling an ocean floor, it features green for wasteland, light blue for utilitarianism, blue for mainstream, deep blue for boredom and brown for homophony[4]. There is an equivocation separation line which roughly splits the map into two, or maybe that is a rift. From left to right, the map contains the following lemmata: OuLiPo, Roussel, Dada, rap, Tecktonik, 911, pop, Warhol, Fluxus, Duchamp, Jarry, Baudrillard, reality TV, spam, neen, bling-bling, net.art, Debord, Burroughs, Mallarmé, spam, Hapax, Googlewhacks, epiphanies, infotainment, Joyce, Nouveau Réalisme, Sarkoland, recycling, Deleuze and Google.

James Fox @70

James Fox @70

James Fox (born 19 May 1939) is an English actor best-known for his portrayal of Chas in Performance (1970, directed by Donald Cammell and Nicholas Roeg).

Chas (James Fox) is a “performer,” an ultra-violent enforcer for an East London gang who begins to enjoy his work a little too much, culminating in the murder of an associate. He goes on the run, both from the police and from his former colleagues and finds himself a hideout in the house of a reclusive, eccentric rock star named Turner (Mick Jagger) who lives there with his female friends. Chas and Turner are initially repelled by each other, but come to see that the worlds of the rock star and the gangster are not as different as they first appear.

His previous cult film was The Servant (1963, directed by Joseph Losey) in which Tony (James Fox), a wealthy young Londoner, hires Barrett (Dirk Bogarde) as his manservant. Nothing being what it seems, the characters manoeuvre around each other until roles reverse and Tony emerges enslaved to his butler.

Both Performance and The Servant are WMCs.

Of a Fool, Who Thought His Wife Had Two Openings

Poggio

I have a definite fondness for crude humour of the Middle Ages. The history of the genre was first documented in Italian scholar Poggio‘s Facetiae, a collection of humorous and indecent tales.

There is a presumably American 1930 private edition titled Facetia Erotica. Its full text can be found here.

It features such stories as Of a Fool, Who Thought His Wife Had Two Openings.

Poggio: Facetia Erotica, Title Page Poggio ‘s Facetiae, a collection of humorous and indecent tales is his best known work: it is available in several English translations. There is a public domain 1930 edition titled Facetia Erotica. It features such stories as Of a Fool, Who Thought His Wife Had Two Openings.

Facetiae, here published as Facetia Erotica. (source)

A peasant of our district, a stupid devil, who was utterly ignorant in matters of sex, got married. Thus it happened one night that his wife turned her back to him in bed, so that her buttocks rested in his lap. He had his weapon ready and landed by chance right in the goal. Marveling at his success, he inquired of his wife if she had two openings. And when she answered in the affirmative, he cried: “Hoho! I am content with but one; the second is entirely superfluous.” Upon which the sly woman, who was secretly consorting with the local priest, replied: “Then we can give the second away to charity. Let us grant it to the church and our priest.” The peasant, thinking to be relieved of an unnecessary burden, agreed [read the rest].

James Mason @100

James Mason @100

via img.youtube.com James Mason @100

James Mason (15 May 1909 – 27 July 1984) was an English actor who attained stardom in both British and American films. He acted in such films as Madame Bovary (1949), The Tell-Tale Heart[1] (1953) (animated short subject) (voice), 20,000 Leagues Under the Sea (1954), North by Northwest (1959), The Trials of Oscar Wilde (1960), Lolita (1962) and Mandingo (1975).

[Youtube=http://www.youtube.com/watch?v=W4s9V8aQu4c]

To me the man is remembered by his voice, there are even spoken word albums by him. Listen to it in the Youtube clip of The Tell-Tale Heart, the cinematic animated adaptation of Poe‘s story about the compulsion to confess, a psychological complex first described by Theodor Reik in The Compulsion to Confess in 1925.

La Merditude des choses (2009)

De helaasheid der dingen will premier at Cannes[1] this Saturday as La Merditude des choses.

[Youtube=http://www.youtube.com/watch?v=7FxKWAuf-4E]

The De helaasheid der dingen (French title: La Merditude des choses) is a 2009 film by Belgian director Felix van Groeningen (co-written by Christophe Dirickx), based on the eponymous novel by Dimitri Verhulst. The film stars Koen De Graeve, Johan Heldenbergh, Gilda De Bal, Pauline Grossen and Wouter Hendrickx.

Felix van Groeningen (1978) is a Belgian filmmaker. Van Groeningen came to the attention with his debut Steve + Sky which starred former model Delfine Bafort (his girlfriend at the time) and the Flemish actor Titus De Voogdt. He studied at the KASK in Gent and graduated in 2000. He also directed short subjects and theatrical work.  In 2007 he released Dagen Zonder Lief, with An Miller and a soundtrack by Jef Neve.

His latest project is De Helaasheid der dingen (2009), is a film adaptation of De helaasheid der dingen, a novel by Dimitri Verhulst.

The 2009 Cannes Film Festival opened yesterday

2009 Cannes Film Festival

The 2009 Cannes Film Festival opened yesterday

The 2009 Cannes Film Festival opened yesterday evening. On my list of faves there is Antichrist (by Lars von Trier), Bright Star (by Jane Campion), La Merditude des choses (by Felix van Groeningen), Les Herbes folles (by Alain Resnais), Los Abrazos Rotos (by Pedro Almodovar), Soudain le vide (by Gaspar Noe), Taking Woodstock (by Ang Lee), Thirst (by Park Chan-Wook), Vincere (by Marco Bellocchio) and The White Ribbon (by Michael Haneke).

Harvey Keitel @70

Harvey Keitel (born May 13, 1939) is an American actor best-known for the “tough-guy” characters he portrays and for his memorable roles from Quentin Tarantino’s Reservoir Dogs and Pulp Fiction, Martin Scorsese’s Mean Streets and Taxi Driver, Ridley Scott’s The Duellists and Thelma and Louise, Jane Campion’s The Piano and Abel Ferrara’s Bad Lieutenant.

Bad Lieutenant (1992) – Abel Ferrara [Amazon.com]

But surely, his most unsettling film is the Bad Lieutenant by bad boy of American cinema Abel Ferrara.

The film is squarely located in the oasis of American cinema known as the NC-17 pond. Its thematics are religion, rape revenge and general hardboiled existentialism. Its protagonist is Keitel who is tagged as Gambler. Thief. Junkie. Killer. Cop. Keitel’s nameless character is a corrupt police lieutenant who, throughout the movie, is spiralling rapidly into various drug addictions, including cocaine and heroin. His lack of success at gambling reflects his lack of faith. The turning point in the film arrives when the Lieutenant investigates the rape of a nun and uses this as a chance to confront his inner demons and perhaps achieve redemption.

The film features male frontal nudity of Keitel, a rarity in American cinema.

Most recently, erotic photographer Roy Stuart, in his Roy Stuart, vol. 5 reenacted the scene when Keitel stops two young girls in their car, discovers that they have no driver’s license and forces one to bare her behind and the other to simulate fellatio, while he masturbates.

Werner Herzog is to release a similarly titled film in 2009: Bad Lieutenant: Port of Call New Orleans starring Nicolas Cage and Val Kilmer. According to Herzog, the film is not a remake of the original. In fact, Herzog claims to have never seen Bad Lieutenant, nor to know who Abel Ferrara is.

Bad Lieutenant is World Cinema Classic #101.