RIP Gillian Freeman (1929 – 2019)

Gillian Freeman was a British writer best known for her book The Undergrowth of Literature (1967), a pioneering study of pornography.

At first I thought I’d not pay her death any attention, since I do not own a copy of The Undergrowth of Literature, the reason I discovered Mrs. Freeman in the first place. But I changed my mind when I found out that the Hendrik Conscience Heritage Library had a copy of this book in its warehouses, so off I was.

Leafing through the book (200 pp.) one finds references to other studies of porn from that era but most of all one is struck by the female point of view. Mrs Freeman is one of the first porn researchers to put forward that female sexual fantasies can be found in women’s magazines:

“I have merely made a survey of current fantasy literature which overtly or covertly, supplies the stimulus which so many people need, from the romance of Woman’s Own to the sado-masochism of Man’s Story” — p. 1

As always the negative criticism is most amusing:

“[the book is] nothing more than a collection of quotes, précis, paraphrases and photographs from current pornographic publications and glossy magazines … there is no love like the liberal prig‘s love for perverts and perversions”. –Stephen Vizinczey,The Times, 4 November 1967

Since Undergrowth is not in Google Books, I thought I’d give you the index. This may be useful to the aspiring pornosopher  although apart from its focus on herstory it does not come near the qualities of Sex in History (1954) and Eros Denied (1964).


Gillian Freeman also wrote the thought sequences dialogue for The Girl on a Motorcycle (1968).

I wonder who is inheriting Mrs. Freeman’s library.

RIP André Previn (1929 – 2019)

André Previn was a German-American musician best known for his film scores.

He first came to my attention when his ex-wife Dory Previn died in 2012.

After some quick glancing through my archives, I find that a ‘porn groove’ on the compilation The Mood Mosaic Vol. 3 “The Sexploitation” is of Previn’s hand, a track called “Executive Party” composed for the film Rollerball.

In the clip above that song is heard in a wonderfully strange scene “shot in the pre-dawn “magic hour,” as the wealthy, decadent upper-class fire explosive rounds at a line of towering trees, setting fire to them one after another, reveling in destruction” [1].

A example of pure wanton waste of excess energy.

RIP Mark Hollis (1955 – 2019)

Mark Hollis was an English musician and singer-songwriter, the co-founder, lead singer and principal songwriter of the band Talk Talk.

I never knew their song “Such a Shame” was inspired by Luke Rhinehart’s The Dice Man (1971).

In fact, I never really knew Talk Talk at all, outside of the hits.

Tonight, I played some of their music and put “The Rainbow” from the 1988 album Spirit of Eden on repeat.

RIP Stanley Donen (1924 – 2019)

Stanley Donen (1924 – 2019) was an American film director and choreographer best-known for Singin’ in the Rain (1952).

We remember him fondly for directing Bedazzled, an updated version of the Faust legend set in 1967.

Dudley Moore plays a lonely young man whose unrequited love of his co-worker drives him to attempt suicide. Just then the devil (Peter Cook) appears and offers him seven wishes in exchange for his soul.

The film’s fun-loving association with the Swinging London of the 1960s is smart and well-executed.

Love it.

RIP Henry Jacobs (1924 – 2015)

Via the death of Ken Nordine I find out that Henry Jacobs died.

Interview with Dr. Sholem Stein” (1955)

Henry Jacobs was an American sound artist and humorist, known for the radio program Music and Folklore, the TV program The Fine Art of Goofing Off (1971–1972) and compositions such as “Sonata For Loudspeakers” (1955).

Sonata For Loudspeakers” (1955), it’s hard to tell whether this is serious or comical.

He also invented the fictional characters Sixt Von Arnim, Sholem Stein and Shorty Petterstein.

The Fine Art of Goofing Off 

Of these three, Sholem Stein is my favorite. I used him as a mystification in my book on the history of erotica in which I put the following words into his mouth:

“Man reveals his true nature in his fears and desires. Show me what he is afraid of, show me what excites him, I will tell you who he is.”

I use Sholem Stein off and on nowadays, I usually have him cite dicta I don’t know who to ascribe to.

RIP Ken Nordine (1920 – 2019)

From Word Jazz (1957)

Ken Nordine (1920 – 2019) was an American voice artist, best known for his series of spoken word jazz poetry albums, the first of which was Word Jazz (1957).

A Passion in the Desert” (1955)

He also recorded a version of Balzac’s risque story “A Passion in the Desert” (1955).

RIP Lonnie Simmons (date of birth unknown – 2019)

RIP Lonnie Simmons, American record producer (“Don’t Stop the Music“).

Don’t Stop the Music” (1981)

Lonnie Simmons was an American record producer best-known for co-writing “Don’t Stop the Music” (1978).

In 1981, the song was successfully covered by Bits & Pieces [above].

RIP Bruno Ganz (1941 – 2019)

https://www.youtube.com/watch?v=Hl0nO3e6SKg
Nosferatu the Vampyre, 1979

Bruno Ganz was was an internationally renowned Swiss actor.

He collaborated with filmmakers Werner Herzog (Nosferatu the Vampyre, 1979), Éric Rohmer (The Marquise of O, 1976), Francis Ford Coppola (Youth Without Youth, 2007), Wim Wenders (The American Friend, 1977 and Wings of Desire, 1987) and Jonathan Demme (The Manchurian Candidate, 2004).

Ganz was internationally lauded for portraying Adolf Hitler in the film Downfall (2004).

For the occasion, I watched Nosferatu the Vampyre (1979)of which the German version is online. Ganz plays Jonathan Harker, Count Dracula is played by a heavily breathing, almost panting Klaus Kinski.

Pay special attention to the beauty of Isabelle Adjani; the opening sequence of the Mummies of Guanajuato; the film score by Krautrock outfit Popol Vuh and Richard Wagner’s prelude to Das Rheingold, Charles Gounod’s “Sanctus” from Messe solennelle à Sainte Cécile and traditional Georgian folk song Tsintskaro; and the frantic mad scenes by Roland Topor.

The film is wonderful. It’s an hommage to the 1922 version by F. W. Murnau.

Here is the original film.

Nosferatu, 1922

RIP Tomi Ungerer (1931 – 2019)

Fornicon (1969)

Tomi Ungerer was a French illustrator known for his children’s books, as well as his satirical and erotic work for adults.

I attended an interview with Ungerer in 2014 and wrote this small piece in Dutch after the occasion and also did a post on Tumblr[1].

I’ll never forget the moment at he end of the interview when he started singing “Die Gedanken sind frei” and many of the German-language invites joining in.

Fornicon (1969) [above] is a collection of 60 prints of scenes of funny machine-aided sadomasochistic male domination. When I say machine-aided, think Rube Goldberg machine. Box sets of these prints are being sold for as high as 3,000$. Books can be had for as little as ten dollars.

Ungerer’s humor is quite like that of Roland Topor.