P. J. O’Rourke was an American libertarian political satirist and journalist.
He wrote books such as Holidays in Hell (1988).
P. J. O’Rourke was an American libertarian political satirist and journalist.
He wrote books such as Holidays in Hell (1988).
This happened two years ago but I only found out today.
Also, I had never heard of Joe Frank.
Today, I googled for Ken Nordine and ASMR (one of my guilty pleasures) and I found Joe Frank.
I listened and liked immediately and immensely. Frank is an absolute genius.
Up there in absurdity with the likes of Roland Topor.
Joe Frank was a French-born American writer radio performer known for his philosophical, humorous, surrealist, and absurd monologues and radio dramas, says Wikipedia.
Typical radio dramas include “Bad Karma” (2000) and “That Night” (1994).
“Bad Karma” opens with:
“I’m sitting at a dinner party attended by Pol Pot, Hitler, Stalin and Mao. Seated at another smaller table are Saddam Hussein, Slobodan Milošević, Pinochet and some others I don’t recognize. And then there’s a third table, sort of a children’s table, it has shorter legs and smaller children’s chairs. And sitting there are Richard Speck, Gary Gilmore, Jeffrey Dahmer, John Wayne Gacy, Ted Bundy and Charles Manson.”
Synopsis from “That Night”:
“Joe’s uncle drowns while fishing a week after retiring, urban animal criminals, voyeur complains about a nude woman, sex with nuns in a limo, an elderly marching band and homecoming parade has been lost for 40 years and is being chased by homecoming queen’s fiance, creating life-size maps, to Jesus: why is there so much suffering, we’re on the edge of chaos, it’s great to feel a part of nature monologue with traffic background, monologue on sleep (repeated in other programs).” [3]
“That Night” also mentions maps on a 1:1 scale, just as Borges did in his one-paragraph story “On Exactitude in Science”.
In the United States, Gahan Wilson died. I saw his death announced on the Facebook page of Tim Lucas.
Gahan Wilson was an American author, cartoonist and illustrator.
I was unacquainted with the work of Wilson. Dave Letterman introduced him in the 1980s as the “guru of gruesome, wizard of the weird and the Michelangelo of the macabre.”
Me being European, Wilson reminds me of Tomi Ungerer (1931- 2019) or Roland Topor (1938-1997) and perhaps more of Topor, since like Topor, Wilson was not political.
Wilson is regarded as the only heir of Charles Addams (1912-1988) and often mentioned in one breath with Edward Gorey (1925-2000) .
The epithet ‘sick humor‘ sometimes pops up, although I have to disagree on this one, as, as a European, I am used to Hara Kiri, most likely the epitome of 20th century sick humor.
Since I found out about his death, I watched the “The Waitress” episode of The Kid (2001) and Wilson’s appearance at David Letterman’s (March 30, 1982) when he published Is Nothing Sacred?. I also listened to a reading of the wonderful story “The Sea was Wet as Wet Could Be” (1967).
His cartoon “I am an insane eye doctor and I am going to kill you now…” is frequently cited as of his best work. In it, a non-suspecting man reading an optometrist’s ‘eye examination’ with the text cited is approached from behind by a knife wielding optometrist.
There are body horror elements in his work and the cartoon “Harry, I really think you ought to go to the doctor.”, in which Harry is a regular man with the head of a prawn, is positively Lovecraftian.
Paul Krassner was an American author, satirist and political activist, founder of the freethought magazine The Realist (1958-2001) and a key figure in the counterculture of the 1960s.
He is famous for writing “The Parts That Were Left Out of the Kennedy Book” (1967), “My Acid Trip with Groucho” (1981) and for designing/and/or/distributing the FUCK COMMUNISM! (1963) and Disneyland Memorial Orgy (1967) poster.
He was severely criticized by Robin Morgan in 1970 in “Goodbye to All That“:
“Goodbye to lovely “pro-Women’s Liberationist” Paul Krassner, with all his astonished anger that women have lost their sense of humor”on this issue” and don’t laugh any more at little funnies that degrade and hurt them: farewell to the memory of his “Instant Pussy” aerosol-can poster[1], to his column for the woman-hating men’s magazine Cavalier, to his dream of a Rape-In against legislators’ wives, to his Scapegoats and Realist Nuns and cute anecdotes about the little daughter he sees as often as any properly divorced Scarsdale middle-aged father; goodbye forever to the notion that a man is my brother who, like Paul, buys a prostitute for the night as a birthday gift for a male friend, or who, like Paul, reels off the names in alphabetical order of people in the women’s movement he has fucked, reels off names in the best locker-room tradition—as proof that he’s no sexist oppressor.”– “Goodbye to All That” (1970) by Robin Morgan
The entire issue where he is depicted with a spray can of “instant pussy” referred to, can be read here[2].