Category Archives: 1001 things to do before you die

Durtal is fascinating.

Self portrait, 1885, oil on canvas, by Félix Vallotton

Imaginary portrait of Durtal (2009)

Durtal is fascinating.

Durtal is the name of the the recurring fictional character in J.-K. Huysmans‘s novel sequence Là-Bas, En route, La Cathédrale.

Norman Mailer appropriated Durtal to rewrite Là-Bas — a novel by Huysmans about the first documented serial killer and pratictioner of Satanism, Gilles de Rais — in Trial of the Warlock, a novelette I am currently reading in a Dutch version in the collection Playboy Stories: The Best of Forty Years of Short Fiction.

Joseph Losey @100

Joseph Losey @100

[Youtube=http://www.youtube.com/watch?v=SaVXuBW1Y2s]

Famous seduction scene (with dripping water faucet and many Pinter pauses) of The Servant

Joseph Losey was an American theatre and film director (19091984). One-time student of Bertolt Brecht, his best-known film is The Servant (1963).

The Servant stars Dirk Bogarde, Sarah Miles, Wendy Craig, and James Fox and was adapted for the screen by Harold Pinter (the first of his three collaborations with Losey, the others are Accident (1967) and The Go-Between (1970)) from the novel of the same name by Robin Maugham. It is a tightly woven psychological drama that focuses on the relationships between the four central characters. The intricacies of class, servitude, ennui, role reversal and Pyrrhic victory are examined and exploded.

Each of the collaborations with Harold Pinter examined aspects of the British class system in their reflection of the master-servant relationship.

Outside of The Servant, I’ve seen The Go-Between (1970), The Prowler (1951) and Galileo (1975).

On my wishlist are:

Introducing the late Tina Aumont

Tina Aumont in Frédéric Pardo‘s Home Movie

Male viewers pressed for time may want to scrub to 2.37

Tina Aumont (14 February 1946 – 28 October 2006) was an American actress of French, and Dominican descent.

Her parents

She was born in Hollywood, California, the daughter of actors Jean-Pierre Aumont and Maria Montez who he had met in Hollywood. Maria Montez was known as the Queen of Technicolor, an early camp icon and idol to American experimental filmmaker Jack Smith, whose Flaming Creatures (1963) is basically a travesty on Hollywood B movies and tribute to actress Maria Montez.

Back to Tina

Tina married actor and film director Christian Marquand in 1963, at the age of 17.

She made her debut as Tina Marquand in Joseph Losey‘s 1966 movie Modesty Blaise. She worked in Italian cinema with, among others, Alberto Sordi (Scusi, lei è favorevole o contrario?, 1966), Tinto Brass (L’urlo, 1968 and Salon Kitty, 1975), Mauro Bolognini (Fatti di gente perbene, 1974), Francesco Rosi (Cadaveri eccellenti, 1975), and Federico Fellini (Fellini’s Casanova, 1976).

In 2000 she retired from film work and died in France at age 60.

PS: Tina Aumont was brought to my attention via a Dutch blog. Moon in the Gutter was there[2] before me. Here[3] is a Tina Aumont photo taken by Frédéric Pardo from the site http://paris70.free.fr/ dedicated to French counterculture of the fashionable variety (as contrasted to the political variety). I discover Philippe Bone.

RIP Bill Landis (1959 – 2008)

Via Tim Lucas comes the news that Bill Landis is dead.

Bill Landis (1959 – 2008) created the Xeroxed fanzine Sleazoid Express in 1980. It featured reviews of the exploitation films playing New York City’s Times Square’s 42nd Street grindhouse and reports on the local scene. The later issues also featured reviews from acclaimed Jimmy McDonough.

Sleazoid Express (1980-1983, and later editions) was the house journal of the grindhouse movie scene in New York circa 1964-1984. Edited by Bill Landis, a projectionist and devotee of the crime-ridden sleaze houses, the magazine not only captured the genre affections but the whole Times Square milieu of drugs, violence and prostitution. Typical films shown in the movie houses, which centred around the city’s 42nd Street, included Bamboo House of Dolls, Blood Sucking Freaks, The Corpse Grinders, Mad Monkey Kung Fu, Miss Nymphet’s Zap-In and The Ultimate Degenerate.

Far from representing a marginal off-shoot of the movie business, the grindhouse films would be later plundered for ideas and imagery by mainstream cinema, while the trash ethic and aesthetic of the magazine itself would be effortlessly copied by many others.

Bill Landis co-wrote with his wife for 22 years Michelle Clifford, who is the principal author of Metasex.

Footnote: Bill Landis was fond of Alice Arno and Karin Schubert

Gratuitous nudity #15

Gratuitous nudity #15

Serena Grandi in Frivolous Lola

From the back (do you see the other man?)

Serena Grandi in Frivolous Lola front shot

From the front (see the other man and mind the mirror)

Since my musical activities have moved to Facebook, the only way I can put the popular in the title of the blog to credit is by introducing gratuitous nudity.

Today I started out with a still from a film by favourite Euro director Tinto Brass, a dream sequence in Frivolous Lola with generously bottomed Serena Grandi.

Researching Serena brings up this stupendous clip from a 1987 Lamberto Bava erotic thriller, Le foto di Gioia.

[Youtube=http://www.youtube.com/watch?v=-9XD778ntSU&]

Le foto di Gioia.

Other women of Brass who may be of interest to you:

Stefania Sandrelli, Serena Grandi, Anna Ammirati

Dedicated to b.

RIP Ray Dennis Steckler (1938 – 2009)

RIP Ray Dennis Steckler, iconic director of Incredibly Strange Films.

Incredibly Strange Films by you.

Incredibly Strange Films (1986) – V. Vale , Andrea Juno [Amazon.com] [FR] [DE] [UK]

[Youtube=http://www.youtube.com/watch?v=nPnIsifeE70&]

If Al Adamson was the poor man’s Roger Corman, then Ray Dennis Steckler was the poor man’s Al Adamson.

Ray Dennis Steckler (January 25, 1938January 7, 2009) was an American film director, born in Pennsylvania.

When he was reportedly fired for almost knocking an A-frame onto Alfred Hitchcock, Steckler turned to the then fledgling B-movie circuit. Steckler made his directorial debut in the Hall vehicle Wild Guitar and co-starred under his on-screen name Cash Flagg.

Kogar & Rat Fink & Boo Boo

In 1963 he co-produced his first solo film, The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?, co-starring his then-wife, Carolyn Brandt. Reportedly filmed for a budget of $38,000, the film was photographed by then newcomers László Kovács and Vilmos Zsigmond, a fact that both men acknowledged as their first big break.

Steckler’s next film was his answer to Psycho, entitled The Thrill Killers, released in 1964.

Steckler continued to produce a number of low-budget but fanciful films which soon attained cult status, including Rat Pfink a Boo Boo (a spoof of Batman) and Lemon Grove Kids Meet the Monsters (an homage to the East Side Kids films). By the late 1960s, he also directed the video for Jefferson Airplane‘s “White Rabbit.”

With the decline of drive-in horror films of the nature Steckler was producing in the 1960s, and following his divorce from Brandt, Steckler dabbled with producing porn films during the 1970s and 1980s, and catering to the home video market.

Never tell the truth to an old woman, especially if she asks for it

Robert Monell‘s Jess Franco blog alerts [1] me to the death of Italian-based British actor and film director Edmund Purdom.

RIP Edmund Purdom

I had never heard of him, but the film still of poliziottesco Mister Scarface [2] was intriguing. Besides, I follow each death of the Jess Franco blog, I wish my wiki to become Jess Franco‘s wiki too.

[Youtube=http://www.youtube.com/watch?v=xdUAzuNSdjE]

The Egyptian

Researching Purdom (December 19 19241 January 2009) I find the 1954 The Egyptian[3], one of the most-lavishly produced epic films. It is based on Finnish writer Mika Waltari‘s historical novel The Egyptian. The Egyptian remained the most sold foreign novel in the US before its place was taken over by The Name of the Rose, by Umberto Eco. The Egyptian has been translated into 40 languages.

I watch the clip on YouTube:

I hear this fabulous oneliner:

“Never tell the truth to an old woman, especially if she asks for it” (1:15)

I listen to the rest of the clip. The film’s dialogue is of an almost Shakespearian eloquence.

Robert Duncan @90

Robert Duncan @90

Robert Duncan, Audit

Robert Duncan, American poet (19191988)

Robert Duncan (January 7, 1919February 3, 1988) was an American poet and a student of H.D. and the Western esoteric tradition who spent most of his career in and around San Francisco. Though associated with any number of literary traditions and schools, Duncan is often identified with the New American Poetry and Black Mountain poets. Duncan’s mature work emerged in the 1950s from within the literary context of Beat culture and today he is also identified as a key figure in the San Francisco Renaissance.

Robert Duncan also translated Nerval’s Les Chimères, famous for being referenced by Eliot‘s Waste Land. I am very much fascinated these days by poetry and the translation of poetry.

Marilyn Manson and Kool & The Gang drummer @40 and 60

Marilyn Manson, American singer @40*

[Youtube=http://www.youtube.com/watch?v=jU6iP0WLsU8]

Tim Burton‘s The Nighmare Before Christmas re-cut with Marilyn Manson‘s version of “This Is Halloween“.

George Brown, American drummer of Kool & The Gang @60

[Youtube=http://www.youtube.com/watch?v=kfxaNR71tYM&]

Summer Madness” (1974)

*I think many people underestimate Marily Manson, I find his recycling of my intellectual darlings in such products as The Golden Age of Grotesque (which practically cannibalizes the whole of Voluptuous Panic: The Erotic World of Weimar Berlin) endearing. However, I do not count myself a fan.