Category Archives: absurd

World cinema classics #23

[Youtube=http://www.youtube.com/watch?v=Md-LwM0s9fY]

Daisies (1966) – Věra Chytilová

It was against my rules to include films in this series that I had not seen. However, on the basis of this superb excerpt and some very warm recommendations of fellow bloggers, here is Daisies, a 1966 Czech film by director Věra Chytilová. It’s included in Film as a Subversive Art.

If everything’s going bad … so … we’re going … bad … as … well!

Previous “World Cinema Classics” and in the Wiki format here.

Introducing Gabriel von Max

Monkeys as Judges of Art, 1889

Monkeys as Judges of Art, 1889

 

Äffchen mit Zitrone Gabriel von Max Saure Erfahrung

Monkey with Lemon

Die ekstatische Jungfrau Katharina Emmerich, 1885

Katharina Emmerich, 1885

 

Der Anatom, 1869

The Anatomist, 1869

Gabriel Cornelius Ritter von Max (August 23, 1840, Prague – November 24, 1915, München) was a Prague-born Austrian painter. His themes were parapsychology and mysticism. He surrounded himself and with monkeys and painted them often, sometimes portraying them as human.

See also: Monkeys in art

Everything you know is wrong: uncanny Spoerri

An Anecdoted Topography of Chance

An Anecdoted Topography of Chance by Something Else Press

Perhaps Spoerri‘s fascination with displacing the horizontal with the vertical began when he created the first “tableau-piège” in 1960, “The Resting Place of the Delbeck Family”, by gluing a number of dinner-table objects on a board [1] and then hanging it on a wall. Or it could have begun with “Dylaby” in 1962 [2], in which he turned the orientation of a whole room clockwise. Objects as well as actors were put in a horizontal position whereas the visitors stayed vertically according to gravity. Being the only ones that had this orientation they felt wrong however.

I don’t get it

[Youtube=http://www.youtube.com/watch?v=orDR4JA91F4]

“Maintenant je sais” (1954) by Jean Gabin

Jean Gabin sings that now he knows he’ll never know. Like in South Park episode 1101 (#154), the “With Apologies to Jesse Jackson” episode, popularly known as the “Nigger guy” episode to which the conclusion was “I don’t get it” and Luc Tuymans current photo exposition in Antwerp with the same title.