Category Archives: female sexuality

These unnatural cravings of your unbalanced mind and undisciplined body

well

The Well of Loneliness (1928) Radclyffe Hall

Denounced, banned and applauded — the strange love story of a girl who stood midway between the sexes, complete and unabridged.

Stephen begins to dress in masculine clothes made by a tailor rather than a dress-maker. At twenty-one she falls in love with Angela Crossby, the American wife of a new neighbor. Angela uses Stephen as an “anodyne against boredom“, allowing her “a few rather schoolgirlish kisses”. Then Stephen discovers that Angela is having an affair with a man. Fearing exposure, Angela shows a letter from Stephen to her husband, who sends a copy to Stephen’s mother. Lady Anna denounces Stephen for “presum[ing] to use the word love in connection with… these unnatural cravings of your unbalanced mind and undisciplined body“. Stephen replies, “As my father loved you, I loved…. It was good, good, good — I’d have laid down my life a thousand times over for Angela Crossby.” After the argument, Stephen goes to her father’s study and for the first time opens his locked bookcase. She finds a book by Krafft-Ebing — assumed by critics to be Psychopathia Sexualis, a text about homosexuality and paraphilias — and, reading it, learns that she is an invert. —The Well of Loneliness

“I am interested in women as words.”

Thinking About Women

Thinking About Women is work of feminist literary criticism by Mary Ellmann first published in 1968 by Harcourt Brace Jovanovich Inc. In it, she supposedly said “I am interested in women as words.” The publisher describes it as “a scathingly witty attack on literary misperceptions of women and prejudice against women in letters by an Oxonian critic and writer.” From the cover: “An original, often starling, genuinely funny, and deeply serious investigation of our conceptions of femininity as revealed by writers from Jane Austen to Mary McCarthy and Norman Mailer. ”

Anne Koedt used this book to refute Freud’s two-orgasm theory in her “The Myth of the Vaginal Orgasm“.

A tale of two orgasms

The Myth of the Vaginal Orgasm

The Myth of the Vaginal Orgasm

The Myth of the Vaginal Orgasm is a 1968 essay by Anne Koedt. I was very much intrigued by the tale of the two orgasms before I was sexually experienced. In her introduction to the essay, radical feminist Anne Koedt writes:

“Whenever female orgasm and frigidity are discussed, a false distinction is made between the vaginal and the clitoral orgasm. Frigidity has generally been defined by men as the failure of women to have vaginal orgasms. Actually the vagina is not a highly sensitive area and is not constructed to achieve orgasm. It is the clitoris which is the center of sexual sensitivity and which is the female equivalent of the penis.” [1]

Empirical proof of vaginal orgasm came relatively late in my sexual life, and proved to be very liberating.

World cinema classics #22

[Youtube=http://www.youtube.com/watch?v=stth1IlAMk8]

Je t’aime… moi non plus (1976) – Serge Gainsbourg

I’m not sure Je t’aime… moi non plus would work if it was made today. I saw at the local art house cinema in my mid twenties. At the time I was as much in love with the yellow truck as with the decadence of the film, the performances of Jane Birkin, and Joe Dallesandro and the cameo by Gérard Depardieu. As a fan of Serge Gainsbourg, I’m glad to showcase it here today. The striptease scene at the beginning is very typical of this film. Towards the end of this Youtube clip, the footage is underlit.

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Why women love apes

Waarom vrouwen van apen houden

Why women love apes by Stine Jensen

Dedicated to my friend M______. A belated happy birthday.

Twentieth-century western culture is full of examples of erotic relationships between dark-haired apes and blond women: there is a striking connection between woman and ape not only in movies and novels, but also in scientific practice of primatology. In this fascinating study, literary theorist Stine Jensen shows how the roles of ape, woman and man, too, have changed fundamentally throughout the last century.

For example, the famous film classic King Kong from 1933, was born of the nineteenth-century obsession with the rape-ape, but at the same time it presented the ape as an ambiguous creature – both malicious and gentle. Thereafter, mostly female researchers, such as Jane Goodall, Dian Fossey and Biruté Galdikas, ensured that the image of the primate changed from killer king to gentle giant. In their endeavours to make primates seem milder these women pushed such issues as the killing of younger troop members and other violence within ape society into the background.

See previous posts here and here.

 

Batailleana #1 and 2

Ma Mère by Bataille, cover by publisher domaine francais

Ma Mère by Bataille, cover by publisher 10 | 18

#1) 10/18 is a publisher in France (with a sub collection named domaine français). Their series of Georges Bataille novels are illustrated by Hans Bellmer. One of the nicer book illustrations around. I like the overall feel of the design. Can someone tell me more about the graphic designer over at the 10/18 publishing imprint?

Here is the 10/18 cover of Madame Edwarda.


#2) In 1997 André S. Labarthe produced a documentary on Georges Bataille. The focus was Bataille’s extreme, perverse, surreal story ‘Madame Edwarda‘ where the prostitute reveals that she *is* God (‘je suis DIEU’) – perfectly merging the sacred and profane, a key notion for Bataille … in the final section of the clip, the infamous Chinese torture victim is shown … in his last work, the heavily-illustrated ‘Tears of Eros,’ Bataille said this about these photos:

“What I suddenly saw, and what imprisoned me in anguish-but which at the same time delivered me from it-was the identity of these perfect contraries, divine ecstasy and its opposite, extreme horror.”

posted by hiperf289 (check his other Youtube clips)

Cherchez la femme #1

Colette Peignot

Unidentified photo of Colette Peignot sourced here.

“I believe in our life together . . . I believe in it the way I believe in everything that brought us together: in the most profound depths of your darkness and of mine. I revealed everything about myself to you. Now that it gives you pleasure to laugh at it, to soil it––this leaves me as far away from anger as it is possible to be. Scatter, spoil, destroy, throw to the dogs all that you want: you will never affect me again. I will never be where you think you find me, where you think you’ve finally caught me in a chokehold that makes you come. . . . As for me I am beyond words, I have seen too much, known too much, experienced too much for appearance to take on form. You can do anything you want, I will not be hurt.” Colette Peignot in a letter to Georges Bataille via Laure: The “True Whore” as Muse by Jason DeBoer

Laure [Colette Peignot] began her affair with Bataille in 1934, and it proved to become one of the more tormented love stories of modern letters. Their correspondence reveals a mutually influential sharing of transgressive ideas: she was the woman of action, and he was the man versed in scholarly knowledge. Her uncompromising, anguished lifestyle proved very inspirational to Bataille, especially Laure’s own infatuation with the sacred and communication, two important ideas in Bataille’s later work. source

Colette was born 104 years ago today.

Happy birthday Laura

[Youtube=http://www.youtube.com/watch?v=XGNvAsImwn8]

The Laura Gemser interview from the Alex Cox documentary “A Hard Look”

What a pleasure to hear Alex “Repo Man” Cox’s voice again. Alex was responsible for a substantial part of my 1980s and 1990s film education with his show Moviedrome. Laura turns 67 today, let’s hear it for Laura. “A Hard Look” is a documentary tv film about the Emmanuelle movies, looking at their making as well as their social and cultural impact. The Emanuelle films‘ primary interest is paratextual: its poster art, the scenery, the OSTs, the odd characters.

World cinema classics #16

[Youtube=http://www.youtube.com/watch?v=XdFjxhDOKNQ]

sex, lies, and videotape (1989) Steven Soderbergh

sex, lies, and videotape (the title is always given in lower case letters) is the film that brought director Steven Soderbergh to prominence. It tells the story of an impotentvoyeur” who films women discussing their sexuality, and his impact on the relationship of a troubled married couple.

This clip features the unforgettable quote: “being happy is not that great … I mean … the last time I was really happy … I got so fat … I must have put on 25 pounds”

In 2006, sex, lies, and videotape was added to the United States National Film Registry as being deemed “culturally, historically, or aesthetically significant.”

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