Category Archives: miscellaneity

Elsewhere #8

Lots of interesting linkage from my del.icio.us account, a recommended tool for social bookmarking. Delicious is part of the holy internet tools trinity along with WordPress and Flickr.

  1. The Laughing Bone: The Faustian Flight

    The Laughing Bone is back after an 2 month absence, one of the more original and enigmatic blogs on the web

  2. CinemaCult.com – All your favorite stars naked! » Blog Archive » Esotika Erotika Psicotika

    Erika Remberg and Silvana Venturelli (see picture), together in Esotika Erotika Psicotika. Can it be a coincidence that my favorite film reviewer Esotika (whose nick is derived from the Italian title of this film) simultaneously put up his proper site?

  3. Wikisource:Scan parties – Wikisource

    A list of artists about to go into the public domain for countries who have a death of author + 70 years

  4. Moon River: Harry Callahan

    A red dress, a very simple narrative, but what a photo

  5. Main Page – xyclopedia – the history of pornography and sexual expression

    A wiki dedicated to pornography, edited by the enigmatic Tranquileye, brought to my attention by Esotika

  6. YouTube – The Cabinet of Maria Beatty

    Very stylish erotica

  7. Kumi Monster

    An international fetish model

  8. Gilles Berquet & Kumi Monster « ponyXpress

    Photos by Gilles Berquet of Kumi Monster, Pony Express is my hottest discovery as far as blogs go. See also this , this , and THIS from this super collection of nun’s erotica.

  9. DC’s: Your Basic Jay Adams Day

    The original skate boy, a truly beautiful boy

  10. Main Page – S23Wiki

    A wiki: Non-hierarchical geek contents dis-organization by uncensored, decentralized, transglobal multi-user hypertext editing without restrictions.

  11. YouTube – Dante Tomaselli’s “Horror”

    So very few films are scary, this one by American director Tomaselli is horror we might like, have you seen this one Groovy Age ?(I haven’t yet) From an interview: Reverend Salo, an enigmatic preacher/faith healer. Kreskin paralyzed actors during a scene.

The Elsewhere concept was borrowed from the excellent 2blowhards blog.

Synchronicity and Drs. P

Synchronicity and Drs. P

https://www.youtube.com/watch?v=ygvkZ35Z0-0

De veerpont (‘Heen en weer…’), one of the better-known songs of Drs. P.

We zijn hier aan de oever van een machtige rivier
De andere oever is daarginds, en deze hier is hier
De oever waar we niet zijn noemen wij de overkant
Die wordt dan deze kant zodra we daar zijn aangeland
En dit heet dan de overkant, onthoudt u dat dus goed
Want dit is van belang als u oversteken moet
Dat zou nog best eens kunnen, want er is hier veel verkeer
En daarom vaar ik steeds maar vice versa heen en weer

English rough translation, see untranslatability

We are here at the shore of a mighty river
The other shore is over there, and this one is over here
The shore where we are not is called the other side
Which will become this side as soon as we land there
And this then we call the other side, please remember well
This is important if you want to cross
And that is very possible, there’s lots of traffic here
And that is why I cross the river vice versa “to and fro”

When I was 23, I spent six months with my wife in Shanghai at Fudan University. Among the numerous great things that happened when I was there was meeting André.

André was one of a kind and we hit it off immediately. He had I believe only just finished high school and was 18 or 19 at the time. He was smart and creative, had theories on dancing (“when I dance, it’s all in the face”) and one on synchronicity which has stayed with me all this time. He was convinced that there was a Chinese equivalent to every American actor, and was thus constantly on the look-out for the Chinese Woody Allen.

Whether he found him or not, I don’t know, and – sadly – I also lost track of André. My wife and I were supposed to stay in Shanghai for a year but we left after six months, just before the Tank Man incident. I was young and when André and I parted ways I did not exchange addresses with him, thinking that if I was supposed to meet him again it would surely happen.

You probably ask yourself, what does this have to do with the Youtube clip above by Drs. P? Well, every country has a couple of artists, musicians or writers which are one-of-a-kind (sui generis). Drs. P is one of those people, he is a genius and cannot be compared to anyone within the Dutchophone area of Europe I live in.

However, I am convinced that every country in the world has its Drs. P. There must be one in Spain, New Zealand or the United States. Drs. P.’s sensibilities (word play, absurdism, playful narrativity, humor) must be synchronously present in every country in the world.

The question is for you dear reader, who is your country’s Drs. P. Or who is your country’s Woody Allen?

David Bowie @61

Happy Birthday Mr. Bowie

[Youtube=http://www.youtube.com/watch?v=ueUOTImKp0k&]

Life on Mars (1972) by Bowie

David Bowie was 25 when he made this composition. As with many artists, their most productive and innovative period is between 20 and 30.

I loved the androgynous persona of Amanda Lear-ish Ziggy. I wonder who did the make-up.

Some Amanda Lear androgyny Euro-disco:

[Youtube=http://www.youtube.com/watch?v=lxFHfOsxx_w&]

“Enigma (Give A Bit Of Mmmmh To Me)” (1972) Amanda Lear

Previously on Jahsonic: Seu Jorge, a cover version of “Is there Life on Mars”

Elsewhere #7

  1. A Funny Thing Happened on His Way to the Movies « OMBRES BLANCHES

    Did Dulac betray Artaud’s intentions?
  2. Morbid Anatomy: Wonderful Depiction of a Popular Anatomical Museum, 1913

    “A. Friedländer, Plakat für ein anatomisches Museum, Hamburg, 1913”

  3. documents: Mauss / Bataille (part 1)

    There is a strong thematic unity between the teachings of the great French ethnologist Marcel Mauss and the work of the so-called ‘philosopher of evil’, Georges Bataille: sacrifice, the sacred, power, shamanism, secret societies are themes that were taken up by Mauss and figured largely in Bataille’s oeuvre.

  4. Cimetières dans la falaise [Cemeteries in the cliffs] « >dmtls Merzbau

    documentary by Jean Rouch on the Dogon [in Mali], shot during a 1950-1951 expedition with Marcel Griaul. Witness sacred death and burial rituals

  5. Propaganda Postcards of the Great War – Alberto Martini (1)

    Introducing Alberto Martini’s horrific cartoons
  6. DC’s: The day my blog becomes a movie projector, screen, a bunch of folding chairs, and a storefront in a bad part of town in honor of Bruce Conner

    Dennis Cooper on Bruce Connor

  7. The art of Jean-Paul Faccon

    Another European artist who enjoys invented and ruined architecture.

World music classics #12

Where Did You Sleep Last Night  (1870s) – traditional

I wanted to let you hear the version that made this song popular to me, by my favourite Charlie Feathers (who recorded it on the French label New Rose Records in the late 1980s), but it’s not available on Youtube. The clip above mixes between Lead Belly (who made it popular in 1944) and Nirvana (who made it popular in the late 20th century). The lyrics are difficult to grasp: a girl is unfaithful, a man is decapitated, his body never found.

From Youtube:

“Cobain started to love leadbelly after the words of his biggest hero William S. Burroughs :
(Kurt Cobain’s words) “I remember him saying in an interview, “These new rock’n’roll kids should just throw away their guitars and listen to something with real soul, like Lead Belly.””

Introducing Opicino de Canistris

Canistris

 Via a re-reading of Gordon Rattray Taylor‘s Freudian interpretation of history Sex in History (1954) chapter on Renaissance sexual morality, titled “Fay ce que vouldras” (“Do what thou wilt”, the motto from Rabelais) comes the work of Opicino de Canistris. With only 659 Google hits, this 13th century Italian writer appears to be a relative rarity. Canistris would have been a perfect entry for the late blog Il Giornale Nuovo.

See also Canistris’s Google gallery

Unlikely musical cross-fertilizations and guilty pleasures

[Youtube=http://www.youtube.com/watch?v=mOf4uNwvC6c]

The first part is Afrikaan Beat

Afrikaan Beat is a 1962 song by German musician Bert Kaempfert, which in a strange twist of fate became the basis of a very famous Jamaican riddim named African Beat, also known as Under Me Sensi, first recorded by Studio One, widely credited to Don Drummond. Listen to the jamaican riddim at jamrid.com (does not feature Kaempfert’s distinctive horn line). The Kaempfert song is an exquisite guilty pleasure.

Kaempfert would have become 87  tomorrow, had he not gone on a permanent vacation in 1980.