Category Archives: politics

What Andrew Keen does not understand

Via a local newspaper last Friday I was introduced to the reactionary thought of Andrew Keen (a self-proclaimed “leading contemporary critic of the Internet”) who is doing a book tour through Europe to launch his 2007 book The Cult of the Amateur in which – among other things – he states that “real” writers do not blog. A conspirator of thought of Keen, Marshall Poe, states that Wikipedia is not an encyclopedia, but a repository of common knowledge.”

Both Andrew Keen and Marshall Poe completely miss the point of blogging, Wikipedia and the nature of the internet in general. Even more, it’s not just that they don’t understand. The fact is is that they are fundamentally and ethically wrong.

1) A. Keen and M. Poe underestimate the importance of information access in the third and fourth worlds (and poor people everywhere) to a repository of books, encyclopedias and common knowledge:

Extremely knowledgeable people are paraphrasing information from a canonical list of books into Wikipedia, towards a new and yet unseen educational perennialism . People in such countries as Chad, Burkina Faso now have access to verifiable info and would not have it, if it were not for Wikipedia.

2) A. Keen and M. Poe underestimate the importance of common knowledge.

Common knowledge is good. We need common ground when discussing subjects. An encyclopedia=common knowledge copied from books (or from expert’s own minds). When Marshall Poe states that “Wikipedia is … not an encyclopedia, but a repository of common knowledge,” he forgets that people such as David Hume before him stated that “nothing is more usual than for philosophers to encroach on the province of grammarians, and to engage in disputes of words, while they imagine they are handling controversies of the deepest importance and concern.”

3) A. Keen and M. Poe fail to see what makes Wikipedia an interesting place for people who do have access to physical libraries:

For those of us who live in the First World, who do have access to the physical books, Wikipedia discloses info on the nature of knowledge and the social construction of knowledge via such features as the “what links here” and “disambiguation” pages.

I do not feel that strongly about points 2 and 3, which is intellectual nitpicking which makes no difference to the stomachs of people in the world, but point one, information access in the third and fourth worlds, is something I feel very strongly about and leads me to conclude that Keen and Poe do not have their hearts in the right places.

Strange things happening in Holland

First Pim Fortuyn was assassinated for his anti-immigration positions during the 2002 elections.

In 2004 Theo van Gogh is killed because he consistently referred to Muslim community as geitenneukers (goat-fuckers).

Now Dutch politician Geert Wilders is making an anti-Islam film, and he literally says that Islamic culture is a retarded culture Youtube. Why would anyone do something like that?

I know that The Netherlands have a very long tradition in candidness and open-mindedness, as well as being staunch defenders of freedom of speech; but I live in the vicinity of their country and I feel that they are threatening my safety.

The Netherlands have installed the terrorist-alarm on the all but one highest level because Fitna, the new film by Geert Wilders is about to be aired.

I do not wish to return to the Baader-Meinhoff climate of the seventies I grew up in, nor want another 9/11 scenario.

The near-encounter as plot device

[Youtube=http://www.youtube.com/watch?v=GxBrMrLjnAM&]

The Edge of Heaven (2007) Fatih Akın

The near-encounter is a plot device I first spotted in the French film L’Auberge Espagnole but I had already seen elements of it in the romantic comedy Serendipity. The Edge of Heaven, the latest film by Gegen die Wand director Fatih Akın is constructed around this plot device.

The premise of the near-encounter is simple: Two people, who are supposed to meet according to the plot, cross each other without noticing. The audience is aware of the near-encounter, the fictional characters are not. An example from the film L’Auberge Espagnole: a protagonist is tying his shoelaces while another protagonist walks by. Due to the shoe lacing, the “shoe lacer” cannot see the other, and the other cannot see the “shoe lacer” because of his bended position.

The Edge of Heaven is highly recommended.

Icons of counterculture #2

Utopia, United States

Utopia in the United States

Founded by Charles Fourier, died 170 years ago today

François Marie Charles Fourier (April 7, 1772 – October 10, 1837) was a French utopian socialist and philosopher. Fourier coined the word féminisme in 1837; as early as 1808, he had argued that the extension of women’s rights was the general principle of all social progress. Fourier inspired communism, situationism, 1960s countercultures and Hakim Bey. He was the subject of a study by Roland Barthes Sade, Fourier, Loyola (1971), is mentioned in André Breton‘s Anthology of Black Humor (1940) and has a whole convolute dedicated to him in Walter Benjamin‘s Arcades Project.

Previous Icons of Counterculture.

See also: Knots of indecision

The Trap: What happened to our dreams of freedom

Photo courtesy of the BBC

Reader Christopher Larner alerts us to an interesting documentary which:

“has started showing on BBC2 in the UK – It is made by Adam Curtis who also made ‘The Century of the Self’ and ‘The Power of Nightmares’. This new one is called ‘The Trap: What happened to our dreams of freedom’ and attempts to show how our/and our politicians notions of freedom were born out of the cold war and ‘game theory’ – as a filmmaker he perhaps ties too many disparate narratives together into a seemingly cohesive whole – the editing, footage and insight provided are nevertheless compelling.”

Here is the link. YouTube has, for some unknown reason, deleted parts 5 and 6. Amongst other subjects, these segments criticize psychiatry.

“After being flagged by members of the YouTube community and reviewed by YouTube staff, the video below has been removed due to its inappropriate nature.”

Internet pundit Momus was luckier than us (dependent on YouTube), he was sent the documentary on DVD. He appropriately labels Curtis a television essayist and juxtaposes his documentary to Nicolas Bourriaud’s Relational Aesthetics.

K-Punk has this (There’s nothing very surprising in Adam Curtis’ The Trap: What happened to our dreams of Freedom, compelling as it is.).

See also: freedom