The final frontier in cinephilia is silent cinema.
I just discovered Ménilmontant.
Opening scene of Ménilmontant (no intertitles, a flurry of quick close-up shots depicting an axe murder)
Ménilmontant (1926) is a silent film by Russian film director Dimitri Kirsanoff. His best-known work, it takes its name from the Paris neighborhood of the same name. The film is a silent, but does not contain any intertitles. It begins with a flurry of quick close-up shots depicting the axe murder (see death by bisection or dismemberment (excluding decapitation)) of the parents of the protagonists, two girls. As young women, they are portrayed by Nadia Sibirskaïa, Kirsanoff’s first wife, and Yolande Beaulieu; their mutual love interest is played by Guy Belmont. The film uses many other techniques that were relatively new at the time, including double exposure.