Belgian bloggers #1

Rafaela
Rafaela by carmendevos

I met Rafaela in January 2005. That was before she became SensOtheque. She blogged as Bitterzoet [1], a very personal blog about here sexual encounters, fantasies, likes and dislikes. It featured some of the best writing in the Belgian blogosphere at that moment.Since then, Rafaela has become a name in the world of Belgian erotomania, she launched SensOtheque; a website dedicated to eroticism, was featured in Feeling and De Morgen, and contributed to the most recent issue of TicKL Magazine [2] [3], a Belgian magazine launched by carmendevos [4].

I remember quite clearly what I liked about Rafaela. She managed to physically visualize a space hitherto primarily mental. She fleshed out this pornotopia as Le Château d’O[5].

“The Château d’O features erotically decorated bedrooms with luxury bathrooms, but also houses common lounge spaces with a cinematheque, a print cabinet, a sens’Othèque where one can use sex toys, a well-furnished library and a atmospheric bar and restaurant, a bathhouse with sauna and a BDSM attic.” [6]

Later, after she’d launched the SensOtheque “a guide to refined Literotica, Cinerotica & Bedroom Arts” [7], she incorporated these early comments into her mission statement.

“The sensOtheque is a dream that comes true, an empire of kinky chic, with an air of boudoir romanticism, of the voluptuous and the sumptuous. The sensOtheque represents a passion for far-off, more glorious days: the times of the courtesans and the distinguished geishas, the red velvet atmosphere of The Story of O and Venus in Furs, the decadent world of the 18th century Salons, where women were educated in the field of sexual pleasure.”

TicKL 2 can be ordered here. It includes the only and very short piece of fiction I have ever written, called “Brahms II“, version homme, inspired by Brahms I, by Rafaela.

This post is the first of a new series on blogs from Belgium

World cinema classis #31

[Youtube=http://www.youtube.com/watch?v=tdr_FRp3RWs&]

Gas-s-s-s (1971) – Roger Corman

I’ve talked about my love for “small smart films” and Roger Corman directed and produced lots of this variety.

I was reminded of Gas-s-s-s when I did my unusual westerns post. In a reversal of “sticks and stones will break my bones but words will never harm me” there is a most memorable scene in this countercultural film in which the protagonists participate in a “shoot out” where no bullets are shot as the only ammunition is yelling out the names of famous cowboy actors like Gene Autry, Tom Mix, James Arness, John Wayne and so forth, the more macho the actor, the more likely the kill. “John Wayne!” inevitably administers the coup de grace.

In the particular scene above, books by are used as fire logs. When the girl protests, the man brings in. What? This is Jacqueline Susann and there is more Harold Robbins outside!

Brilliant postmodernism avant la lettre but please proceed with caution if you’re only into ‘serious’ films.

Previous “World Cinema Classics” and in the Wiki format here.

David Bowie @61

Happy Birthday Mr. Bowie

[Youtube=http://www.youtube.com/watch?v=ueUOTImKp0k&]

Life on Mars (1972) by Bowie

David Bowie was 25 when he made this composition. As with many artists, their most productive and innovative period is between 20 and 30.

I loved the androgynous persona of Amanda Lear-ish Ziggy. I wonder who did the make-up.

Some Amanda Lear androgyny Euro-disco:

[Youtube=http://www.youtube.com/watch?v=lxFHfOsxx_w&]

“Enigma (Give A Bit Of Mmmmh To Me)” (1972) Amanda Lear

Previously on Jahsonic: Seu Jorge, a cover version of “Is there Life on Mars”

Elsewhere #7

  1. A Funny Thing Happened on His Way to the Movies « OMBRES BLANCHES

    Did Dulac betray Artaud’s intentions?
  2. Morbid Anatomy: Wonderful Depiction of a Popular Anatomical Museum, 1913

    “A. Friedländer, Plakat für ein anatomisches Museum, Hamburg, 1913”

  3. documents: Mauss / Bataille (part 1)

    There is a strong thematic unity between the teachings of the great French ethnologist Marcel Mauss and the work of the so-called ‘philosopher of evil’, Georges Bataille: sacrifice, the sacred, power, shamanism, secret societies are themes that were taken up by Mauss and figured largely in Bataille’s oeuvre.

  4. Cimetières dans la falaise [Cemeteries in the cliffs] « >dmtls Merzbau

    documentary by Jean Rouch on the Dogon [in Mali], shot during a 1950-1951 expedition with Marcel Griaul. Witness sacred death and burial rituals

  5. Propaganda Postcards of the Great War – Alberto Martini (1)

    Introducing Alberto Martini’s horrific cartoons
  6. DC’s: The day my blog becomes a movie projector, screen, a bunch of folding chairs, and a storefront in a bad part of town in honor of Bruce Conner

    Dennis Cooper on Bruce Connor

  7. The art of Jean-Paul Faccon

    Another European artist who enjoys invented and ruined architecture.

82 tracks from 34 of The WIRE’s Top 50 albums from 2007

Listen to 82 tracks from 34 of The WIRE’s Top 50 albums from 2007 at Swen’s blog

The whole list: The WIRE – 50 Records of The Year 2007

The Wire is a British avant garde music magazine. It was founded in 1982 by jazz promoter Anthony Wood and journalist Chrissie Murray, and concentrated on contemporary jazz and improvised music. From about 1990 it branched out into covering left-field rock and “post-rock” (a term coined in the pages of The Wire), hip hop, modern classical, free improvisation and various forms of electronic music.

Blazon of the Ugly Tit

Contreblason du Tetin (1535) (Eng: Blazon of the Ugly Tit) is a poem by Clément Marot on ugly female breasts.  Here in a translation by Helene Marmoux [1]. Clément Marot (14961544), was a French poet of the Renaissance period, for his poems on body parts, known as blasons and contreblasons. The  ugly woman is a surprisingly common figure in Renaissance poetry, one that has been frequently appropriated by male poetic imagination to depict moral, aesthetic, social, and racial boundaries. The subject has been treated in dept by Patrizia Bettella in The Ugly Woman: Transgressive Aesthetic Models in Italian Poetry from the Middle Ages to the Baroque ( 2005).

Tit, skinny tit,
flat tit that looks like a flag,
big tit, long tit,
tit, must I call thee bag?
Tit with its ugly black end,
forever moving tit.
Who would boast having touched you?
With their hand fondle you? more…

Tip of the hat to On Ugliness

Unusual westerns

[Youtube=http://www.youtube.com/watch?v=FYdYIISecWE&]

[Youtube=http://www.youtube.com/watch?v=xrRLrJb01T8]

Matalo! (Eng: Kill Him!) is a 1970 western film directed by Cesare Canevari, considered one of the most violent and original spaghetti westerns. Released in France as Matalo and in Germany as Willkommen in der Hölle.

Other unusual westerns include:

RIP Alain Payet (1947 – 2007)

Nathalie rescapée de l’enfer / Nathalie, Fugitive from Hell (1978) – Alain Payet

Alain Payet (January 17, 1947December 13, 2007) was a French writer-director.

Payet started his career in regular cinema as second assistant director on Philippe Labro‘s L’ Héritier (The Exterminator), which starred Jean-Paul Belmondo.

He directed 1970s Nazi exploitation movies (Nathalie, Fugitive from Hell) and “porno chic” features. He also made “porn versions” of some famous French films such as Astérix, Les Tontons flingueurs, and Les Visiteurs.

He died of cancer in Paris.