Alberto Grimaldi was an Italian film producer known for producing The Good, the Bad and the Ugly and Last Tango in Paris, but more importantly for us, Salò, or the 120 Days of Sodom by Pasolini.
That Sodom film you don’t need to see to form an opinion about. It’s better just to read about it and let it lead you to the manuscript by Sade on which it was based.
That book has the lines:
“How many times, damn it, have I not desired that one could attack the sun, deprive the universe of it, or use it to set fire to the world”.
Daria Nicolodi tribute set to Joy Division’s “She’s Lost Control”. Clips from Shock (1977), Deep Red (1975), Inferno (1980), Tenebre (1982), Phenomena (1985) and Opera (1987).
In that film Flavio Bucci sports thick glasses and plays the part of a nerdy sociologist who takes notes of the audience’s reactions during the screening of the film.
Afterwards he is interrogated by the police. Has he seen anything which can solve the murder of a man in the audience by a gun man IN the film?
You can see Mr. Bucci from 27:20 onwards.
Mr. Bucci also played in the sex comedy Gegè Bellavita (1978) which can be found in full on YouTube.
On the subject of death: I’m still recovering from the Charlie Hebdo murders. I feel that the world will never be the same again, much more than I felt that about 9/11.
The enigmatic clip above is from La morte ha fatto l’uovo (1968) starring Jean-Louis Trintignant and Ewa Aulin. It appears to be a piece of YouTube bricolage. Perhaps the music in the clip is from the film, music by Bruno Maderna?
The soundtrack is indeed composed, arranged and conducted Bruno Maderna and it appears to be the best thing of the film. However, the high modernism of Maderna in combination with this piece of genre cinema makes the film a perfect example of nobrowartsploitation and had I not been three years old when this film came out, I would have surely wanted to see it.
Thematically, the film reminds me of Pasolini’s Pigsty.That’s probably because in both films a victim is fed as animal food, in Pigsty (“eaten by pigs in the sty”) as pig food, in Death Laid an Egg (“the farm chickens feed on Marco’s ground corpse”) as chicken food. Which reminds me of Soylent Green, the film in which, after euthanasia, dead humans are made into crackers and fed to living humans.