He was co-author of the witty composition “Gerry and the Holograms” (1979) which shows similarities with “Blue Monday” (1983) but then without the nagging tone which makes the latter nearly impossible to listen to in full.
CP Lee was also an authority on Dylan, a Dylanologist one might say. His comments after Dylan received the Nobel Prize were both deep and sharp.
The Pointer Sisters also did background vocals on “God Make Me Funky” (1975) by The Headhunters, the American jazz-funk fusion band led by Herbie Hancock.
I first learned of P-Orridge in the late 1980s during the acid house period. I remember some of their Psychic TV material from the radio shows by Luc Janssen. However, I can’t seem to find the tracks that I heard at the time.
When I discovered Parliament-Funkadelic in the 1990s, part of the attraction was the visual style and the grand narrative holding the whole project together. This style was just as much due to George Clinton as to Pedro Bell.
A seminal text in his poetic oeuvre is from the sleeve notes of Standing on the Verge of Getting It On (1974):
“AS IT IS WRTTEN HENCEFORTH… On the Eighth Day, the Cosmic Strumpet of Mother Nature was spawned to envelope this Third Planet in FUNKADELICAL VIBRATIONS. And she birthed Apostles Ra, Hendrix, Stone, and CLINTON to preserve all funkiness of man unto eternity… But! Fraudulent forces of obnoxious JIVATION grew…only seedling GEORGE remained! As it came to be, he did indeed begat FUNKADELIC to restore Order Within the Universe. And nourished from the pamgrierian mammaristic melonpaps of Mother Nature, the followers of FUNKADELIA multiplied incessantly!”
