Adams is known for his 1970s and 1980s production, songwriting and engineering work on labels such as Salsoul, Prelude Records and P&P; his associations with recording artists such as Black Ivory, Inner Life, Jocelyn Brown, Loleatta Holloway and Leroy Burgess; and studio projects such as Cloud One, The Universal Robot Band, Logg Phreek, and Musique. He owned and operated PAPMUS (Patrick Adams Productions Music) in New York City.
“Love Bug” (1976), “Atmosphere Strut” (1976), “My Baby’s Got E.S.P.” (1976), “Making Love” (1977), “Keep On Jumpin'” (1978), “In the Bush” (1978), “Make It Last Forever” (1978), “Weekend (Tonight Is Party Time)” (1978), “I’m A Big Freak (R•U•1•2)” (1978), “I’m Caught Up (In a One Night Love Affair)” (1979), “Till You Surrender” (1981) and “Touch Me (All Night Long)” (1984).
Patrick Adams and Gregory Carmichael wrote and produced at least fifty composition which transcend disco as genre. Adams and Carmichael, and maybe August Darnell too, were in many ways the auteurs of disco, more so than Larry Levan, Walter Gibbons or Tom Moulton, who were primarily involved in post-production. The only one to rival Adams, Carmichael and Darnell was Arthur Russell, but his story is different altogether.
Although well-known for writing and producing his own material, one of his biggest successes was his 1981 reinterpretation of Ashford & Simpson’s “Ain’t No Mountain High Enough” (1966) as Inner Life, with vocals by Jocelyn Brown and a remix by Larry Levan.