John Steiner was an English actor known for his work in Italian B-movies.
I remember him for Salon Kitty (1976).
Marino Masé (1939 – 2022) was an Italian actor. He appeared in more than 70 films between 1961 and 2006 and is known for performances in such films as Nightmare Castle (1965), Tenebrae (1982) and The Belly of an Architect (1987).
Above is the full version of Nightmare Castle (1965) a mad doctor and the new flesh type of plot film starring a whipped Barbara Steele.
Two actors died. Both played a role in paracinema.
Traffic Jam is reminiscent of the eight minute traffic jam scene in Weekend by Truffaut which is based on the infinitely more interesting short story “La autopista del sur” by Julio Cortázar.
Monica Vitti was an Italian actress best known for starring in L’Avventura (1960), La Notte (1961) and L’Eclisse (1962).
These films were directed by Michelangelo Antonioni.
Mariano Laurenti was an Italian film director known for his work in the commedia sexy all’italiana genre.
In that genre he directed several films in the ‘decamerotico’ subgenre, like the one above.
Ubalda, All Naked and Warm (1972) is nothing more than one big excuse to show the naked breasts of Edwige Fenech and Karin Schubert.
Lina Wertmüller was an Italian film director best known as the auteur of The Seduction of Mimi (1972), Love and Anarchy (1973), Swept Away (1974), and Seven Beauties (1975).
Since I had not seen any of Lina Wertmüller’s movies yet, I watched all four of these over the weekend. One dubbed in English with Spanish subtitles, two in Italian with Portuguese subtitles, one in Italian with no subtitles.
There was a Belgian film critic on Facebook who said that he’d never liked Wertmüller’s films, Patrick Duynslaegher is his name. He called the performances in her films exaggerated and he wondered how she could have merited the success she had once had.
One person commented on the good man’s post that his disapproval probably meant that these films were good films. Ever since the days, she said, when he still wrote for Knack, when he panned a film, she had gathered it was probably a masterpiece, and it usually was. He replied graciously to her comment that he was glad that he had been able to guide her through the film landscape in this special way.
I watched the four films and as could be expected I felt different about these films than Duynslaegher. I was amused, I laughed, I thought they were very witty films, I didn’t find them pretentious anywhere.
The scene in Seven Beauties where the picaro in a concentration camp seduces the ugly, obese camp commander is masterful.
The flirtation scene in The Seduction of Mim‘ is, if anything, even more masterful.
The f***ing scene in Mimi with the obese ‘mama’ is hilarious.
Giancarlo Giannini is excellent in each of those films, he reminds me very much of Patrick Dewaere.
I don’t really understand your problem with her films, I said to Patrick. Surely Fellini is just as grotesque and unrealistic?
I found the rape scene in Swept Away hot and it reminded me of the extended scene in Irréversible, which was repulsive.
The sadomasochism in the seduction of the female prison guard in Seven Beauties is not the only bout of sadomasochism, because before the rape scene he had forced her to kiss his hand and after the rape scene the woman becomes as docile as ever and even kisses his feet.
And then there is the opening montage of Seven Beauties, where we see historical footage from WWII, with a song by Enzo Jannacci superimposed. In that song, titled “Quelli che” (English “those who”), Enzo sings cynical commentary phrases in parlando style. And after every sentence he says “oh yeah”, in a crooner-like way.
Gianfranco D’Angelo was an Italian actor and comedian. In Italy known for television variety and comedy shows; outside of Italy for commedia sexy all’italiana such as Biancaneve & Co. (1982) and B-movies such as Mondo candido (1975) in the late 1970s and early 1980s.
Mondo candido (1975) is an interesting product.
It is an Italian film in the acclaimed mondo genre directed by Gualtiero Jacopetti and Franco Prosperi. The film is a liberal adaptation of Voltaire’s 1759 novel Candide.
It was partly shot on location at Château de Pierrefonds.
Researching Mondo candido, I find out that there is actually a book on shockumentaries: Sweet & Savage (2006) by Mark Goodall.
From that book on Mondo candido:
“He skips off back to the castle and we are back where we started on his metaphysical journey, older if not wiser. Although considered a failure, artistically and conceptually, Mondo Candido still enjoys a strange allure. There are still glimpses of the Jacopetti and Prosperi spirit in this unforgettable overblown, Technicolor indulgence.”
Check out the bibliography of Sweet & Savage. I’ve taken the liberty to put on my pages.