Yearly Archives: 2009

“Lesson #1 for Electric Guitar” is WMC #342

[Youtube=http://www.youtube.com/watch?v=w9lwuojEREI]

Lesson #1 for Electric Guitar[1] was the first album released by Glenn Branca, originally in 1980 on 99 Records as a mini-album. It was re-released in a remastered form in 2004 by Acute Records and is variously classified as no wave or noise rock. It combines punk aesthetics with those classical music.

Glenn Branca[2] is an avant-garde composer and guitarist of the New York “downtown music” scene known for his use of volume, repetition, droning, and the harmonic series.

99 Records was an independent record label that existed from 1980–1984. 99 (pronounced Nine Nine) Records was run out of a record store with the same name, located at 99 MacDougal Street in New York City’s Greenwich Village, and owned by Ed Bahlman. Artists included ESG, Liquid Liquid, Bush Tetras, Glenn Branca, Y Pants, and others.

Downtown music is a name given to the New York music scene from the 1960s to the 1980s. A scene that suppposedly began in 1960, when Yoko Ono — one of the Fluxus artists, at that time still seven years away from meeting John Lennon — opened her SoHo loft to be used as a performance space for a series curated by La Monte Young and Richard Maxfield.

RIP Ali Akbar Khan (1922 – 2009)

Psychedelic Music of India is an album by Ali Akbar Khan released on El records.

Here is a recording of a live concert at the Ali Akbar College 1981.

[Youtube=http://www.youtube.com/watch?v=qzDx7vgluq0]

Ali Akbar Khan (April 14, 1922 – June 19, 2009) was an Indian sarod player. Khan was the first Indian musician to record an LP album of Indian classical music in the United States and to play sarod on American television. He came to prominence during the first and second waves of world music, otherwise known as the cultural appropriation of non-western music.

Recordings to seek out are In Concert 1972[1] by Ravi Shankar & Ali Akbar Khan on Apple Records and Karuna Supreme[2] on MPS Records.

RIP Bob Bogle (1934-2009)

RIP Bob Bogle (1934-2009) of the The Ventures

[Youtube=http://www.youtube.com/watch?v=lJ11y7pYl-8]

“Walk Don’t Run“

American guitarist Bob Bogle of surf music act The Ventures, died age 75.

The Ventures are an American instrumental rock band formed in 1958 in Tacoma, Washington. The band had an enduring impact on the development of music worldwide, having sold over 100 million records, and are to date the best-selling instrumental band of all time. They are known for such singles as “Walk Don’t Run“[1] and “Perfidia “[2], both cover versions. The sound of The Ventures influenced punkabilly band and Jahsonic favorite The Cramps.

Herschell Gordon Lewis @80

[Youtube=http://www.youtube.com/watch?v=DJ2t0et8wWc]

“Ladies and gentlemen, you are about to see scenes from the most unusual picture of all time. We urgently recommend if you have a heart condition, or if you are with a young and impressionable child, that you leave this auditorium.” –trailer for Blood Feast

Blood Feast, a 1963 film directed by Herschell Gordon Lewis, is an American exploitation film often considered the first “gore” or splatter film.

Renaissance erotica and icons of erotic art #49, #50, #51 and #52

After ending a brief survey of medieval erotica, I’ve come upon Renaissance erotica, where I must tell you of Venus and Nini.

Sleeping Venus (c. 1510) Giorgione

Venus of Urbino (1538) by Titian

Venus and Nini are two terms of art to denote the female nude, the first is divine, the second is a mere mortal. They are illustrated here by the Venus (Giorgione) vs. Venus of Urbino (1538) by Titian.

My most astonishing find was the 16th century Testa di cazzi, which reminded me of the 18th century anonymous caricature of the Cardinal Armand de Rohan-Soubise [1].

Testa di cazzi by Francisco Urbini

The works shown are icons of erotic art #49, #50, #51 and #52.

RIP Barry Beckett (1943 – 2009)

[Youtube=http://www.youtube.com/watch?v=RHsDa9_HSlA]

Barry Beckett (February 4, 1943 – June 10, 2009) born in Birmingham, Alabama was a keyboardist who worked as a session musician with several notable artists on their studio albums. He was also a record producer.

He was involved in the “Muscle Shoals Sound”, being a member of the Muscle Shoals Rhythm Section, and in 1969, one of the founders of the Muscle Shoals Sound Studio.

Lynyrd Skynyrd famously mentions the Muscle Shoals sound in “Sweet Home Alabama“[1]:

“Now Muscle Shoals has got the Swampers;
And they’ve been known to pick a song or two.
Lord they get me off so much.
They pick me up when I’m feeling blue
Now how about you?”

RIP Huey Long (1904 – 2009)

RIP Huey Long

[Youtube=http://www.youtube.com/watch?v=rvwfLe6sLis]

Huey Long (April 25, 1904 – June 10, 2009) was an African American singer and musician and the last living member of the Ink Spots.

[Youtube=http://www.youtube.com/watch?v=_SZHMySBX_A]

The Ink Spots were a popular African American vocal group that helped define the musical genre that led to rhythm & blues and rock and roll, and the subgenre doo-wop. They and the Mills Brothers, another black vocal group of the 1930s and 1940s, gained much acceptance in the white community. They are known for such songs as “If I Didn’t Care“[1] and “Don’t Get Around Much Anymore“[2].

Bernard Purdie @70

[Youtube=http://www.youtube.com/watch?v=5kx6-raGX6U]

“Funky Donkey“

[Youtube=http://www.youtube.com/watch?v=fi_z7rvASQg]

From Lialeh.

Bernard Purdie turns 70 today. He is best-known in rare groove circles for his “Funky Donkey [1],” collected on Last Night a DJ Saved my Life (1999), played on Gabor Szabo‘s “Jazz Raga” and did the soundtrack for the blaxploitation flick Lialeh[2].

Gustave Courbet @190 and IoEA #47 and 48

Gustave Courbet @190

The Origin of the World (1866) by Gustave Courbet

Le Sommeil (1866) by Gustave Courbet

Gustave Courbet (1819 – 1877) was a French painter who led the Realist movement in 19th-century French painting, best-known today paintings The Origin of the World, The Stonebreakers and Burial at Ornans.

He was one of the firsts to criticize Academic art and denounce the use of pretexts for depicting certain subjects when he said that:

“I have studied the art of the masters and the art of the moderns, avoiding any preconceived system and without prejudice. I have no more wanted to imitate the former than to copy the latter; nor have I thought of achieving the idle aim of ‘art for art’s sake.’ No! I have simply wanted to draw from a thorough knowledge of tradition the reasoned and free sense of my own individuality. To know in order to do: such has been my thought. To be able to translate the customs, ideas, and appearance of my time as I see them — in a word, to create a living art — this has been my aim.” Gustave Courbet, preface to World’s Fair catalogue, 1855.

The Origin of the World is IoEA #47 and Le Sommeil IoEA #48.

Medieval erotica and Icon of Erotic Art #46

Medieval erotica

Hell detail from Giotto‘s Last Judgement

As Peter Webb notes in his excellent The Erotic Arts, eroticism is rare in the art of the Early Christian period and the Middle Ages. Pagan monuments were often overtly sexual, but Christian art shunned the world of physical love. Christianity was a non-sexual religion (Virgin birth of Jesus, Saint Paul advocating clerical celibacy).

Mooning gargoyle, Frieburg, GER, photographed by macg.stiegler on 4/9/2004.

It was an era of sexual repression, but there are exceptions of course. There were elegiac comedies such as Lidia, erotic folklore such as the fabliaux, seductive enchantresses such as the Morgan le Fay, succubi and incubi, sexual church gargoyle ornamentations and Sheela na Gigs and sexual misericords.

The Christian repression of sexuality led to the depiction of erotic horrors in various frescos such as Giotto‘s Last Judgement.

The mooning gargoyle of Frieberg is Icon of Erotic Art #46.