Ronnie Wilson was American musician, co-founder with his two brothers, of The Gap Band, known for such compositions as “Oops Up Side Your Head (1979), “Outstanding” (1982) and “You Dropped a Bomb on Me” (1982).
Charlie Wilson the only living member of the band.
“I Don’t Want To Be A Freak (But I Can’t Help Myself) ” (1979)
Lakeside is best known for their musical composition “Fantastic Voyage” (1980).
I did not have time to research if Shelby was involved with these two recordings.
However, while researching “I Don’t Want To Be A Freak (But I Can’t Help Myself) ” (1979) I stumbled upon these other specimina of African-American musical compositions from the 1970s and 1980s that feature the word “freak” in their title: “I Want’a Do Something Freaky To You” (1975) is by Leon Haywood; “Le Freak” (1978) by Chic; “Super Freak” (1981) by Rick James and “I Need a Freak” (1983) by Sexual Harassment.
Pee Wee Ellis was an American composer, musician and saxophonist, best-known for co-writing “Cold Sweat” (1967) and “Say It Loud – I’m Black and I’m Proud” (1968) with James Brown and writing “The Chicken” (1969).
Nanci Griffith was an American singer-songwriter working in country, folk, and what she termed “folkabilly.”
She is known for such songs as the anti-war song “From a Distance” (1982) and the anti-racism anthem “It’s a Hard Life Wherever You Go” (1989). That is her socially engaged side, which, as a matter of principle almost, does not interest me very much.
There is another side, the slice-of-life side, represented by her song “Love at the Five and Dime” (1986). This side interests me more, also because the “five and dime” of the title reminds me of Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982) by Robert Altman.
Jon Hassell was an American composer and trumpet player best known for combining elements of various world music traditions with modern electronic techniques.
His music has a mesmerizing quality.
Of note is his collaboration with Moritz von Oswald (Oswald is the new Laswell).