Les téléclitoridiennes

Princess Marie Bonaparte

The story of Princess Marie Bonaparte is as least as strange as that of her contemporary, Serge Voronoff who grafted monkey testicle tissue on to the testicles of men while working in France in the 1920s and 1930s.

[Youtube=http://www.youtube.com/watch?v=dlJG_Qct-mY]

Princesse Marie directed by Benoît Jacquot

Princess Marie Bonaparte (1882–1962) was a French psychoanalyst, closely linked with Sigmund Freud. Her wealth contributed to the popularity of psychoanalysis, and enabled Freud’s escape from Nazi Germany.

According to the 2008 book Bonk: The Curious Coupling of Science and Sex by Mary Roach, Marie first consulted Sigmund Freud for treatment of what she described as her frigidity, which was later described as a failure to have orgasms during missionary position intercourse. After conducting research on women’s orgasms, she concluded the reason was the distance between clitoris and vagina. She called those, like herself, the “téléclitoridiennes” — “she of the distant clitoris.” She then attempted to “cure” her own failure to orgasm by having her clitoris moved, surgically, closer to her vagina; although the removal worked, the reattachment was not successful. It was to Marie Bonaparte that Sigmund Freud remarked, “The great question that has never been answered and which I have not yet been able to answer, despite my thirty years of research into the feminine soul, is ‘What does a woman want?’”.

Her story of her relationship with Sigmund Freud and how she helped his family escape into exile was made into a television film, released in 2004. Princesse Marie YouTube was directed by Benoît Jacquot and starred Catherine Deneuve as Marie Bonaparte, and Heinz Bennent as Sigmund Freud.

World cinema classic #49 and 50

While looking for YouTube footage of the Henry Jaglom film Can She Bake a Cherry Pie, I saw my first episodes of Gene Siskel and Roger Ebert thumbs down/up film criticism show Siskel & Ebert at the Movies. My sympathies went out to Ebert, who I’d formerly dismissed as too mainstream, but who surprised me when he rooted for both Can She Bake a Cherry Pie YouTube, scrub to 5:35 and Joe Versus the VolcanoYouTube trailer, two of my World Cinema Classics. They are WMC #49 and 50 respectively.

World music classics #39, 40 and 41

Beastie Boys - Cooky puss
Beastie Boys – Cooky puss
04:30
Added: 6 months ago
From: iwillluvher
Views: 7,489
Ciccone Youth -
Ciccone Youth – “Into the Groovey”
02:47
Added: 3 months ago
From: dipsetmuthafucka
Views: 2,381
Liquid Liquid -
Liquid Liquid – “Cavern” 1983
04:38
Added: 6 months ago
From: tertolkin
Views: 7,336

Background info:

Notes: There is a better version on Youtube of “Cavern” (sound-wise), but the one featured here has the original music video, and the only one commissioned by New York record label 99 Records. “Cooky Puss” was a revelation when it came out, and my first exposure to the Beastie Boys. “Into the Groove(y)” was also my first exposure to SY, there are two alternative versions of this Madonna spoof/cover.

If you have the time, check dipsetmuthafucka‘s Youtube channel, he, or rather his musical selection, is the incarnation of taste.

IoEA #25: man’s most honest organ

“Sensitive but resilient, equally available during the day or night with a minimum of coaxing, it has performed purposefully if not always skillfully for an eternity of centuries, endlessly searching, sensing, expanding, probing, penetrating, throbbing, wilting, and wanting more. Never concealing its prurient interest, it is man’s most honest organ.” —Thy Neighbor’s Wife, (1981), Gay Talese.

It’s time for the 25th installment in our series of mini-articles on icons of erotic art. Today’s item is an unabashed tribute to man’s most honest organ, that wonderful extension to the human male’s groin, the wondrous complex of bulging blood vessels, the source of pride of alpha through zeta males: the penis. Here represented by Le Dieu Priape[1] (ca. 1779 – 1795) by French visionary architect and draughtsman Jean-Jacques Lequeu, it shows a large, elegant and powerful phallus. Calling it a phallus, makes it clear that the penis is erect, because let’s face it, in a flaccid state our pride is pretty preposterous.

Staying on the subject of penises, most recently Trevor Brown showed eyeing[2][3] instances of the male and female anatomy by the 21st century fantaste Paul Rumsey.

P.S. The quote of Thy Neighbor’s Wife by Gay Talese came my way via a Dutch translation of Louise Kaplan’s recently acquired Female Perversions, from the first cursory reading, a very good study of female sexual behavior and its representation in psychoanalytic theory and western literature and Emma Bovary in particular.

Message to all

“Today is my 43d birthday. I would like all lurkers to come out and say hello. Best-wishes, congratulations, happy birthdays from denizens and other fellow psychonauts welcomed. Remember: the journey is the reward.”

Robert Rauschenberg (1925 – 2008)

Addio Rauschenberg

Retroactive I (1964) by Robert Rauschenberg

Photo from the Flickr collection of ALFAP

Robert Rauschenberg (October 22 1925 – May 12 2008) was an American artist who came to prominence in the 1950s transition from Abstract Expressionism to Pop Art and best-known for such works as Retroactive I (1964) which “collaged” images of current events gathered from magazines and newspapers. A large press photograph of John F. Kennedy speaking at a televised news conference was the source for this screen print on canvas. He juxtaposed the image of Kennedy with another photo silkscreen of a parachuting astronaut. The overlapping, and seemingly disparate, composition creates a colorful visual commentary on a media-saturated culture struggling to come to grips with the television era. (see Susan Hapgood’s Neo-Dada, Redefining Art 1958-1962)

The painting was described by John Coulthart in 2008 as a work that could easily serve as an illustration to J. G. Ballard‘s The Atrocity Exhibition. Coulthart added that “Rauschenberg was one of a handful of artists who seemed to depict in visual terms what Ballard was describing in words. In this respect Robert Hughes’s discussion of the “landscape of media” [in The Shock of the New (1980)] (Ballard’s common phrase would be “media landscape”) is coincidental but significant.” [1]

Icons of erotic art #24, or a pale, tender rose-tint almost like that of her cheeks

Clemente Susini

Clemente Susini’s wax Venus

Venus spied upon

“Venus (or a Nymph) Spied On by Satyrs” by Poussin

In a recent post [1], on a perceived likeness between a Poussin painting and a wax anatomical model, Evan, a friend of Morbid Anatomy notes:

“I was taking in the wonderful “Poussin and Nature: Arcadian Visions[2],” exhibition currently up at the Metropolitan Museum, when I was struck by his famous “Venus (or a Nymph) Spied On by Satyrs”. The falling of the drapery, the hand gesture, and the blatantly revelatory pose – all very, very reminiscent of [ Clemente Susini‘s ] wax Venus models found at La Specola, the Josephinum, and beyond.” .

To me, the painting in question was reminiscent of both the 1937 novel Blue of Noon (published in 1957) by Georges Bataille and the 1838 novella One of Cleopatra’s Nights by Théophile Gautier. The latter includes a fantastic—and an undisguisedly fetishistic—description of the Egyptian queen Cleopatra‘s body post-mortem:

“Her sole vestment was the linen shroud that had covered her upon her state bed, and the folds of which she drew over her bosom as if she were ashamed of being so little clothed, but her small hand could not manage it. It was so white that the colour of the drapery was confounded with that of the flesh under the pale light of the lamp. Enveloped in the delicate tissue which revealed all the contours of her body, she resembled an antique marble statue of a bather…Dead or living, statue or woman, shadow or body, her beauty was still the same; only the green gleam of her eyes was some what dulled, and her mouth, so purple of yore, had now only a pale, tender rose-tint almost like that of her cheeks.”

The Poussin painting is Icon of erotic art #24