“The two lovers are able to experience a feeling of unrestrained and untamed abandonment to one another. It is not necessary for them to pay attention either to what the self is doing or what the partner is doing. All the movements take care of themselves, as if reflexively. The sensations greedily absorbed by the vulva, externally and through deep interior pressure, tell the vaginal cavity how to selfishly pulsate, ripple, quiver, and contract on the penis, in order to release itself in orgasm. Reciprocally, the penis selfishly probes and presses, twists a little, withdraws and tantalizes at the portals, and sinks deeply again, it too greedily building up its own orgasmic pleasure. The two bodies writhe, unheedingly. The two minds drift into the oblivion of attending only to their own feeling, so perfectly synchronized that the ecstasy of the one is preordained to be the reciprocal ecstacy of the other. Two minds, mindlessly lost in one another. This is the perfect orgasmic experience. This is how an orgasm sighs, moans, exclaims, expires, exhausts itself into exultant repose.” —John Money, Love and Love Sickness: The Science of Sex, Gender Difference and Pair-bonding, pp. 118-119. John Hopkins University Press (Baltimore, London) 1980.
World cinema classics #36
I agree “to meet Mr Neville in private and to comply with his requests concerning his pleasure with me.”
[Youtube=http://www.youtube.com/watch?v=KlEo563RJZI]
The Draughtsman’s Contract (1982) – Peter Greenaway
The Draughtsman’s Contract is a 1982 British film written and directed by Peter Greenaway. The score was by Michael Nyman and borrows extensively from Henry Purcell, forming a substantial attraction of the film. It was most recently re-used in Winterbottom’s A Cock and Bull Story.
Previous “World Cinema Classics” and in the Wiki format here.
Give me your tired, your poor
Icons of erotic art #16
Frontispiece by Fernand Khnopff for Joséphin Péladan’s Istar (1888)
Istar is a novel by Joséphin Péladan first published in 1888 with a frontispiece by Fernand Khnopff, depicting a woman, head thrown back in ecstasy and completely devoid of surrounding except for a phallic tentacled plant that grows toward her pubic area.
Eroticism 4/5, because of its “his hands were all over me” thematics first celebrated in icons #12 and 13.
Previous entries in Icons of Erotic Art here, and in a Wiki format here.
Eye candy #6
I had been intrigued by this cover of French decadent author Rachilde’s Monsieur Vénus for a while, and I always wondered what the cover was, even asking the blog Morbid Anatomy, which specializes in this kind of material, what it was.
It turns out that this is the origin of the photograph. The anatomical sculpture was produced by André Pierre Pinson (1746-1828), a French ‘medical artist’, who made the sculpture called La Femme assise (the seated woman). Voila. Case closed.
Previously on Eye Candy.
World cinema classics #35
[Youtube=http://www.youtube.com/watch?v=pMI-iQdHJkE&]
Knife in the Water (1962) – Roman Polański
Knife in the Water is a 1962 film directed by Roman Polański. It features only three characters and deals with rivalry and sexual tension. Polanski would return to those themes in the 1966 film Cul-de-sac.
Previous “World Cinema Classics” and in the Wiki format here.
Know this my son: when grief turns into life, life stops being grief

This image to introduce you in the obliquest of ways to Simon Vinkenoog, a Dutch poet (Welk Masker Zal Ik Dragen) I have taken a liking to.
Yesterday, Vinkenoog introduced me to one of his favorite poems: De Stem van Vincent; which Vinkenoog called on his non-rss blog “one of the most impressive poems in the Dutch language”. It is a poem by Flemish poet Paul van Ostaijen dedicated to Vincent van Gogh. I will translate the first sentence:
Some excerpts in Dutch:
“Niet het te zijn of niet te zijn is de levensopgaaf,
maar het misterie van het zijn vult alles,
Het eigen zijn. Dat over alles te leggen.”
“En telkens woont
‘t woord onder ons
dat ons bewoont, –
nieuw.
De weg van de Verlosser,
de weg van het leed;
een hoogvlakte van geluk.”
Icons of erotic art #13, 14 and 15
Grand bath at Bursa (1885) by Jean-Léon Gérôme
The Turkish Bath (1862) – Jean Auguste Dominique Ingres
I quote from my text on Ingres’s Turkish Bath, but the validity is for all three paintings:
When Jean Auguste Dominique Ingres, director of the French Académie de peinture painted a highly-colored vision of a turkish bath, he made his eroticized Orient publicly acceptable by his diffuse generalizing of the female forms, who might all have been of the same model. If his painting had simply been retitled “In a Paris Brothel,” it would have been far less acceptable. Sensuality was seen as acceptable in the exotic Orient.
Most of my renewed interest in these painting has been thinking about books such as the Pre-Victorian British erotic literature epistolary novel The Lustful Turk and reading Turkish author Bedri Baykam’s pamphletish but nonetheless thought provoking history of modern art Monkeys’ Right to Paint , which contends that modern art (he means modernist art) is largely influenced by non-Western arts. Baykam takes the 1984 MoMA exhibition Primitivism in 20th Century Art as a starting point for his rant against the art establishment.
Ode to MTV and the contemporary grotesque
If – as Adonis Kyrou contended – “the modern marvelous is popular, and the best and most exciting films are, beginning with Méliès and Fantômas, the films shown in local fleapits” – the contemporary marvelous is shown in video games and on MTV. I’m not an video game expert, but have been a big fan of MTV since its inception, and it still is my favorite television station, celebrating the wonder of visual culture hour after hour.
So if the modern marvelous is popular, the modern grotesque is popular as well.
Here is an example of those sensibilities we look for in visual culture: “Perfect”, a single by Princess Superstar. The sound is similar to Bodyrox‘s “Yeah Yeah”, the visuals (the make-up of the ladies) fit our bill.
https://www.youtube.com/watch?v=nZl165WDjDA
“Perfect” by Princess Superstar
And here is the clip by Bodyrox I referred to.
https://www.youtube.com/watch?v=w8YqHu3k7pU
“Yeah Yeah” by Bodyrox (uncensored version)
Icons of erotic art #12 and 13
Previous entries in Icons of Erotic Art here, and in a Wiki format here.




