Vlasta Pospíšilová was a Czech animator, director and screenwriter.
As an animator, she became famous for her work on Jan Werich’s fairy tales Fimfárum Jana Wericha (2002).
Vlasta Pospíšilová was a Czech animator, director and screenwriter.
As an animator, she became famous for her work on Jan Werich’s fairy tales Fimfárum Jana Wericha (2002).
Letizia Battaglia was an Italian photographer whose photos documented Sicilian life, but especially the Sicilian Mafia.
Kurt Westergaard was a Danish cartoonist famous for drawing the cartoons of Mohamed that were the object of the Jyllands-Posten Muhammad cartoons controversy in 2005.
These cartoons made him the target of multiple death threats and assassination attempts. As a result, Westergaard lived, for the rest of his life, under police protection and in hiding.
Johnny Pacheco was a Dominican musician and record producer.
He is best known as the founder of Fania All-Stars and for his recording “Quimbara” (1974) with Celia Cruz.
Joan Micklin Silver was an American filmmaker.
My film bible Cult Movie Stars lists Chilly Scenes of Winter (1979) and Between the Lines (1977) as noteworthy.
I feel I have to add Crossing Delancey (1988).
David Prowse was an English bodybuilder and actor known for his parts in Star Wars, A Clockwork Orange and Jabberwocky.
In my book, he is the Frankenstein on the cover of Midi Minuit Fantastique 24 (12/1970) in a still from Frankenstein and the Monster from Hell (1974), see above.
Gary Peacock was an American jazz double-bassist. He recorded a dozen albums under his own name, and also performed and recorded with major jazz figures such as Albert Ayler, Paul Bley, Bill Evans, Keith Jarrett and Tony Williams.
On Life Time (Blue Note, 1964), Gary Peacock plays bass on tracks one to three.
Zeev Sternhell was an Israeli scholar known for his study of fascism, The Birth of Fascist Ideology (1989).
I headed for the university library and found that book.
I read the introduction and the rest of the book ‘by index’.
Doing that, I stumbled upon the grand sweeping statements by T. E. Hulme on his hatred for the Renaissance, Rousseau and Romanticism:
“That is why he [Hulme] was so hostile to romanticism: underlying romanticism and the French Revolution, he believed, was the Rousseauist concept of the individual. Rousseau, he wrote, taught the people of the eighteenth century “that man was by nature good,” that he was “an infinite reservoir of possibilities,” and that the source of all evils was “bad laws.” According to Rousseau, the destruction of the existing oppressive order would open up infinite possibilities of progress. Classicism, wrote Hulme, was defined by an opposite conception, namely, that “man is an extraordinarily fixed and limited animal whose nature is absolutely constant. It is only by tradition and organization that anything decent can be got out of him.””
The citations are from T. E. Hulme’s Speculations (1936).
It is interesting to note that Sternhell locates the origins of fascism within the artistic realm:
“A desire to cleanse the world of the defilements of the eighteenth century and to introduce various forms of discipline such as classicism and nationalism, no less than a rejection of liberal and bourgeois “decadence,” united in a single tide of sentiment some of the most important literary and artistic avant-gardes in Europe.”
Christo was a Bulgarian-American artist best-known for wrapping up monument-sized objects.
Maj Sjöwall was a Swedish author known as the co-author of the ten Martin Beck (1965-1975) novels.
She was with her partner Per Wahlöö (1926 – 1975) the spiritual co-parent of Nordic noir.
In my universe she is important for having been published in the Zwarte Beertjes collection of pocket books.
To an international audience she is all but forgotten.
I believe all of the duo’s books were made into films.
I give you the trailer of The Laughing Policeman (1973) featuring Walter Matthau and Bruce Dern.