Just a quick note to ask you for an image identification. I am currently “investigating” aesthetic universalism and relativism, see prev post. I came across the photo below by googling for “ugly plants”:
Please help me identify the name of this moss species
Ugliness in nature is best represented by the notion of the sublime. But there are many animals and plants out there which we just plain consider ugly, without an inkling of sublimity. See for example the Komodo dragon, and this.
If you know of more pointers, please let me known.
The moss photo was probably taken at Bolivia’s salt flat Salar de Uyuni, see this photo.
Death by a Thousand Cuts is certainly one of the most gruesome photographs in the history of visual culture. I first encountered the photo online and later when I purchased Georges Bataille’s The Tears of Eros (currently available from City Lights). The version above is from the Dutch booklet Kaarten (1967, published by Born N.V.) an excellent little study by Drs. P on his postcards with a full bibligraphy on contemporary books on collecting postcards which even mentions Ado Kyrou’s treaty of the subject, L’age d’or de la carte postale (1966) which I have in my collection.
What is particular of this postcard is its obvious censorship. And actually, for once I’m really satisfied that the photograph has been censored, because I would not like to show it to you in its original version. The notes to the postcard read “Ling-chi” or “One thousand cuts”, the barbarous death penalty for a parricide in China. Published by Karl Lewis, no. 102, Honmura Road, Yokohama, Japan.
Anton van Dalen is a Dutch illustrator residing in the United States. He was during a period of 30 years the “secret” assistent to Saul Steinberg. His style is unique but reminds of Bracelli‘s work in the 17th century and its somewhat distanced pov feels a bit like Glen Baxter‘s absurd illustrations.
Here is a set of motor vehicle impressions via Bibliodyssey:    
Bibliodyssey brought this set to my attention, if you are not already subscribing to his feed, you should. Since the demise of Il Giornale Nuovo, Bibliodyssey is the best hang-out for your daily dose of vintage visual culture.
For those of you unfamiliar with Bracelli’s work here is an example of his proto-surrealism:
From the Bizzarie di varie figure (1624) by Giovanni Battista Braccelli
Here is perhaps a better example, showcasing Bracelli cubism comparable to the one of van Dalen.
“Amigo” (1980) – Black Slate
I was going to give you the rarer track “Sticks Man” (robberman … why you do dat?), but it’s not on Youtube.
Notice in this clip the use of Spaghetti Western imagery, which was quite common at the time in reggae circles and exemplified by Lee Perry’s late 1960s and early 1970s output with The Upsetters.
Previous World Music Classics.
I dedicate this Princian song to you. The song is by Romanthony, you need the nearly a cappella version that came out on prescription Records at the end of the 20th century.
Fantastic Planet (1973) – René Laloux
Fantastic Planet is the English title of La Planète sauvage (literally “The Savage Planet”), an animated 1973 science fiction film directed by René Laloux. Based on a novel, Oms en Série, by the French writer Stefan Wul, the film was an international production between France and Czechoslovakia and was distributed in the United States by Roger Corman. The film is chiefly noted for its surreal imagery, the work of French writer and artist Roland Topor. Alain Goraguer provides a fitting early electronic soundtrack.
Previous “World Cinema Classics” and in the Wiki format here.
Jeff Bark (born 1963) “Untitled (Dusk)” (2004–05), of the Abandon series, provided me with an immediate frisson. It laterally depicts a kneeling woman, her hands stretched out over a sofa, something that appears to be a whip to her side. The colors are very suede-like.
“The Belt“, a short story by Italian author Alberto Moravia, provided me with a very similar frisson.
Previous entries in Icons of Erotic Art here, and in a Wiki format here.
Tip of the hat to L’@mateur.
“The act of coition and the members employed are so ugly that but for the beauty of the faces, the adornments of their partners and the frantic urge, Nature would lose the human race.” (Leonardo Da Vinci quoted in Bataille’s Erotism: Death and Sensuality, translation by Mary Dalwood).