Category Archives: art

Placeholder for Icon of erotic art #34

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La Fleuve (1913) – Leon Spilliaert

Ghent today, lovely work by Leon Spilliaert, very sensual, very erotic though not in a stroky way.

Unfortunately permission was not granted to photograph this work.

The work depicts a seated female, seen from behind left from a birdseye perpective. This point of view accentuates here pear-like voluptuousness. The tone is dark, reminiscent of Gauguin’s Tahitian ladies.

The woman is seated on a rock overlooking the sea. Just as the Danish Mermaid [1] protects the city of Copenhagen, this siren has been protecting the imaginary coast of the Belgian seaside since 1913.

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Click for credits

One day I will find a decent online copy of this painting and point you to it. For now, please accept the substitute.

In the meantime, let me show you these:

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A History of Derision, wikified

A History of Derision

A History of Derision

A History of Derision by way of Illusory Confections who wrote on its subject[1]:

“Be still my beating heart, this is practically everything I adore in one tidy 240 page bundle! But it isn’t referenced anywhere online and I couldn’t even find mention of it on the Atlas Press site. So I zipped an email to Atlas inquiring about it, and, sadly, its nonexistence was confirmed. Apparently it was a planned project that fell to the sidelines and “[1]

the website is the accurate source of what is available, the catalogue part bibliography and part fiction, if you like…

Here it is again in a wikified version,

A History of Derision is an aborted project by Arkhive, an Atlas Press imprint.

It builds on André Breton’s Anthology of Black Humour, but is more a history of French avant-garde.

French Romantics: Sade, Lassailly, Rabbe, Forneret, Nodier, Fourier

Bouzingos: Borel and O’Neddy

Hydropathes: Goudeau, Cros, Haraucourt, Lafargue, Richepin, Tailhade, Rollinat, Monselet, Sapeck, Allais.

Hirsutes and the Chat Noir: Salis, Moréas, Lorrain, Verlaine, Sarcey, Haraucourt.

Arts Incohérents: : Lévy, Rivière, Allais.

Zutistes: Allais, Cros, Nouveau, Rimbaud, Ajalbert, Haraucourt, Verlaine.

La Nouvelle Rive Gauche : Trézenick, D’Aurevilly, Verlaine.

Lutèce: Rall, Rimbaud, Corbière, Caze, Rachilde, Floupette (Vicaire and Beauclair).

Symbolists : de Gourmont, Jarry, Tailhade, Huysmans, Pawlowski.

Ecole de Paris : Apollinaire, Jacob, Salmon, Albert-Birot, Cami.

Dada : Aragon, Picabia, Ribemont-Dessaignes, Satie, Arp, Rigaut.

Surrealism : Desnos, Prévert, Péret, Topor, Magritte, Scutenaire, Daumal, Gilbert-Lecomte.

Situationists : Arnaud and Jorn, Dotremont, Mariën.

Daily Bul & Co: Bury, Béalu, Colinet.

Encyclopédie des FARCES et ATTRAPES et des MYSTIFICATIONS

Farcistes: Encyclopédie des farces et attrapes et des mystifications, François Caradec, Noël Arnaud.[2]

Oulipo.

anyspacewhatever, or, in search of philosophical poetry and poetic philosophy

in search of philosophical poetry and poetic philosophy

theanyspacewhatever

Time-image is a concept of French philosopher Gilles Deleuze which argues that because of film’s inherent ambiguity (it must be “read” as much as it is “seen” and “heard”); it produces what Deleuze calls “any-space-whatever.” The theory was first brought up in his books on film in relation to such directors as Yasujiro Ozu. He borrowed the term from Pascal Augé (although some scholars erringly reference Marc Augé).

Now Guggenheim chief curator Nancy Spector appropriates (borrows) French philosopher Deleuze’s concept as  theanyspacewhatever, an exhibition which brings together new installations by 10 artists including Angela Bulloch, Maurizio Cattelan, Liam Gillick, Jorge Pardo and Carsten Höller. Douglas Gordon’s 24 Hour Psycho will be shown backwards in 24-hour sequences during which the museum will remain open.

Any computer-dating questionnaire will try to match intellectual like with like

300px-Madame_X_by_SargeantDying Adonis by Goltzius

Click for credits

“Physically, men and women are generally attracted to each other because of their differences. Ask any group of men from any culture to assess the attractiveness of a female, and they will tend to opt for the figure which curves where they are flat, is soft where they are strong and — though this may be a matter for aesthetic as much as scientific debate — swells where they are narrow. The same, in reverse, is true of women, who will tend to express a preference for men with broad shoulders tapering to narrow hips. … Yet in every other respect, we expect the sexes to be attracted to each other because of their similarities. Any computer-dating questionnaire will try to match intellectual like with like. —Brain Sex


In defense of Michael Jackson

[Youtube=http://www.youtube.com/watch?v=nvWMLAWrEjU]

“They Don’t Care About Us“

“In recent years a workprint of Spike Lee‘s music video to Michael Jackson‘s “They Don’t Care About Us” has appeared, which is a rough cut of the Prison version. This version contains even more violent footage (the Rodney King beating, Los Angeles riots, the Chinese Tank Man, the Vietnam war) than the released video, which also includes scenes of the Holocaust, dead bodies, gunshot and African famine scenes and a kid throwing around a foot detached from its body.” —Sholem Stein

See art and politics

My tongue would penetrate her eyelids

Claude Nicolas Ledoux has the best public domain eye. The best in the non-public domain area is the eye from Bunuel's An Andalusian Dog.

Claude Nicolas Ledoux has the best public domain eye.

The best in the non-public domain area is the eye from Bunuel’s An Andalusian Dog.

French blog Au carrefour étrange has a post on ocular eroticism.

Story of the Eye invariably comes to mind, but to our subject at hand:

I quote from Au carrefour étrange[1] who quotes from La vie sexuelle de Robinson Crusoe:

« J’ai connu une femme dont j’embrassais l’œil en introduisant ma langue entre ses paupières et son orgasme alors était intarissable » (Michel Gall. p.89)
« I once knew a woman whose eyes I kissed and my tongue would penetrate her eyelids, she would then climax to the point of exhaustion» (Michel Gall. p.89)

I love books or films which start with the sexual life of….

La vie sexuelle de Robinson Crusoe

Examples in this category include The Sexual Life of Catherine M., The Sexual life of the Belgians, The Sexual Life of the Savages and now this The Sexual life of Robinson Crusoe.

Emmanuel Pierrat has called The Sexual life of Robinson Crusoe a small masterpiece. It is not available in an English translation.

Digression:

Here the An Andalusian Dog eye, just before being slashed, with the beautiful Argentinian tango in the background.

I’ve posted the razor scene before, it’s about the last place online where you can still see the still and the film[3]

Here is the tango scene with a nice colorized pre-razor still of the film.

[Youtube=http://www.youtube.com/watch?v=P17OAI5M4tI]

Un Chien Andalou (1929) – Luis Buñuel [Amazon.com] [FR] [DE] [UK]

Un Chien Andalou is World Cinema Classic @69

Simon Vinkenoog at Demian yesterday

Simon Vinkenoog at Demian today

Simon

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Vinkenoog

Simon Vinkenoog at Demian yesterday where he read from Goede Raad is Vuur to me (and the rest of Demian).

“The Right Mask” by Brian Patten was translated by C. Buddingh’ is included in Goede Raad is Vuur, a poetry book by Simon Vinkenoog.

“The Right Mask” is the ultimate mask allegory and a piece of cult poetry.

I know own a signed and author-illuminated copy of Goede Raad is Vuur.

Goede Raad is Vuur is the first book on poetry I own.

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Goede Raad is Vuur

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The window display

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Simon in de verte

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Simon van dichtbij

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Simon

Introducing Wim T. Schippers

Wim T. Schippers by Marco Raaphorst

Wim T. Schippers

This post is mainly intended for people living in Antwerp or the environs.

Tonight, “Pollens, wat een heisa!,” an homage to Dutch artist Wim T. Schippers starts at the Monty in Antwerp.

There are many things to be said about Wim T. Schippers, but since I write this blog in English and most of my readers are from all over the globe, these things will be of interest to few. Suffice it to start by saying that Schippers belongs to the Dutch Dada tradition.

Digression #1

I say Dada because Surrealism is to weak a word; and it can be agreed upon that surrealism was not but an insipid decoction of Dada; Dada having the chronological benefit of course. On the other hand, I realize there is no use bemoaning the insipidness of Surrealism, since Surrealism was its best possible replacement. Nevertheless, Surrealism to my liking has always been too formalistic and dogmatic.

In discussing Schippers, a number of comparisons are called for. In the Dutch language geographical area, we have Doctorandus P. whom I celebrated here[1] and [2] and who is most certainly a precursor of Schippers. Internationally, one can compare Schippers to Monty Python.

[Youtube=http://www.youtube.com/watch?v=_azDvJdRC2Y]
Famous banana clip (I can’t hear you, I have a banana in my ear!)

Now the force of Schippers resides in his mainstream influence, most Dutch-speakers know him without knowing him, he is voice actor of a number of voices of the local version of Sesame Street, most famously Ernie. In The Netherlands he is also known by face as the presenter of a popular science quiz show.

Outside of some dim recollections of his 1970s TV shows, he crossed my personal path each Wednesday afternoon when I listened to his radio show on VPRO (Schippers in the persona of Jacques Plafond (Eng: Jacques Ceiling) [3]. These shows were hilariously irreverent. It was love at first sight.

Garage, Haarleem by Andy Field (Hubmedia)

Shit, I forgot my car, from a Sjef Van Oekel comic

Later still, there were the comics of Sjef Van Oekel, the brain of which was again Schippers.

In Belgium, the Dutch-speaking part where I live, there are two soul brother of Schippers: Kamagurka and Herr Seele. And perhaps Hugo Matthysen.

To conclude: Schippers is the nobrow example and canonical to this blog, even if you’ve never heard of him, try to find his equivalent in your country.

Ernies Drol by Laurens Bontes

Ernie’s drol (Ernie’s Turd)

photo Laurens Bontes

Much better than the similar work of Paul McCarthy

[Youtube=http://www.youtube.com/watch?v=qbBRVUjWKUg]
Going to the Dogs -Part 01 – This is the famous play for dogs by Dutch Wim T. Schippers.

[Youtube=http://www.youtube.com/watch?v=vAVOOn-Ill4]

The song “Pollens, wat een heisa!,” from which the homage’s title was taken. Notice the naked ladies towards the end

[Youtube=http://www.youtube.com/watch?v=Cl0EFJWx-bg]

Phil Bloom, reading the news naked, in 1967 on national television.