Yearly Archives: 2009

RIP Karl Malden (1912 – 2009)

Click for sources

Carroll Baker in
Baby Doll (1956) – Elia Kazan [amazon.com]
image sourced here.

Karl Malden is personally best-remembered for his portrayal of vulnerable and gullible chumps. The epitome of the weak character is the naive cuckold in Baby Doll.

Baby Doll is a 1956 film which tells the story of the childlike bride of a Mississippi cotton gin owner, who becomes the pawn in a battle between her husband and his enemy.

The movie was written by Tennessee Williams and was based on his one act play 27 Wagons Full of Cotton. It was directed by Elia Kazan.

The film is credited with both the name and originating the popularity of the babydoll nightgown, which derives from the costume worn by Baker’s character.

The Catholic Legion of Decency succeeded in having the film withdrawn from release in most U.S. theaters because of their objections over its sexual themes. The movie was banned in many countries like Sweden, due to its allegedly exaggerated sexual content. The film was also condemned by Time, which called it the “dirtiest American-made motion picture that had ever been legally exhibited”.

Baby Doll is World Cinema Classic #110

PS In one of my other favorite performances he plays a blind man in The Cat o’ Nine Tails (Dario Argento) in which he reminded me of the blind mother in Peeping Tom. There he is quite different from the chump stereotype.

Introducing Anton Solomoukha and Icon of Erotic Art #53

Via Ponyxpress comes Anton Solomoukha

via vonneumannmachine.files.wordpress.com

Anton Solomoukha (born 1945, Kiev) is an Ukrainian painter and photographer, currently living in Paris, France. He graduated from the Fine Arts School of Kiev and left the USSR in 1978. His works are mostly neoclassicist; Sigmund Freud, eroticism and psychoanalysis are recurring themes in his works.

RIP Mollie Sugden (1922 – 2009)

RIP Mollie Sugden, 86, British actress (Are You Being Served?).

Mrs. Slocombe at the hairdresser’s

Mary Isobel Sugden (21 July 1922 – 1 July 2009) was an British comedy actress, known as Mollie Sugden, who is best known for playing Mrs. Slocombe in the popular and long running British sitcom Are You Being Served? from 1972 to 1985.

Are You Being Served? rarely left the store, and to parody the stereotype of the British class system, characters rarely addressed each other by their given names, even after work.

Mrs. Slocombe was the Head of the Ladies Department in a department store. She frequently died her hair unusual colours such as lime green or orange. Mrs. Slocombe’s husband left her and she lived with her cat, Tiddles, which she referred to as “my pussy;” this was the source of many a double entendre, most of which Mrs. Slocombe herself completely misses. It is often suggested that when she was younger she had quite a wild life and possibly even worked in a bar.

At various times, Mrs. Slocombe has (often while drunk) tried to flirt unsuccessfully with various members of the male staff.

RIP Pina Bausch (1940 – 2009)

[Youtube=http://www.youtube.com/watch?v=KXVuVQuMvgA]

Le Sacre du printemps[1] by Igor Stravinsky choreographed by Pina Bausch.

Philippine “Pina” Bausch (July 27, 1940 – June 30, 2009) was a German-born modern dance choreographer, best-known for her piece Café Müller (1978).

Modern dance is a dance form developed in the early 20th century with its golden age in the 1960s and 1970s. Although the term Modern dances has also been applied to a category of 20th century ballroom dances, Modern dance as a term usually refers to 20th century concert dance. Generally mentioned in this category are Loie Fuller, Isadora Duncan, Martha Graham and Merce Cunningham.

Pina Bausch also had a small part in Spanish director Pedro Almodóvar‘s Talk to Her (2002), where she is a bailarina in Café Müller. Bausch also appeared in Federico Fellini‘s 1983 film And the Ship Sails On.

Stonewall riots @40

From the New York Times of June 29, 1969:

HUNDREDS OF YOUNG MEN WENT ON A RAMPAGE IN GREENWICH VILLAGE, shortly after 3 A.M. yesterday after a force of plain-clothes men raided a bar that the police said was well known for its homo-sexual clientele.

Thirteen persons were arrested and four policemen injured. The young men threw bricks, bottles, garbage, pennies and a parking meter at the policemen, who had a search warrant authorizing them in investigate reports that liquor was sold illegally at the bar, the Stonewall Inn, 53 Christopher Street, just off Sheridan Square.–New York Times, June 29, 1969[2]

The Stonewall riots were a series of violent conflicts between New York City police officers and groups of gay and transgender people that began during the early morning of June 28, 1969, and lasted several days. Also called the Stonewall Rebellion or simply Stonewall, the clash was a watershed for the worldwide gay rights movement, as gay and transgender people had never before acted together in such large numbers to forcibly resist police.

Except for Illinois, which decriminalized sodomy in 1961, homosexual acts, even between consenting adults acting in private homes, were a criminal offense in every U.S. state at the time the Stonewall Riots occurred: “An adult convicted of the crime of having sex with another consenting adult in the privacy of his or her home could get anywhere from a light fine to five, ten, or twenty years—or even life—in prison. In 1971, twenty states had ‘sex psychopath‘ laws that permitted the detaining of homosexuals for that reason alone. In Pennsylvania and California sex offenders could be locked in a mental institution for life, and [in] seven states they could be castrated.” (Stonewall: The Riots That Sparked the Gay Revolution, by David Carter, p. 15) Castration, emetics, hypnosis, electroshock therapy and lobotomies were used by psychiatrists to attempt to cure homosexuals through the 1950s and 1960s.(Katz, pp. 181–197.)(Adam, p. 60.)

Subsequent nightclubs, such as The Sanctuary, often billed as the first modern DJ-led nightclub of New York, epitomized the post-Stonewall era, “when gay men had won the right to dance intimately together without worrying about the police.” —Peter Braunstein

RIP Sky Saxon (1946 – 2009)

RIP Sky Saxon, 63, American, a minor rock musician known of his work with The Seeds has vanished from the firmament of 20th century music. Saxon enjoyed his floruit in the 1960s, his success was limited to North America.

Sky “Sunlight” Saxon (1946 – June 25, 2009) was best known as the leader and singer of the 1960s Los Angeles garage rock band The Seeds, and his hit single “(You’re) Pushin’ Too Hard” (1965).

The Seeds‘ raw and abrasive energy and simple, repetitive lyrics came to exemplify the garage rock style of the 1960s. Other notable recordings include “Mr Farmer” (1967), “Can’t Seem To Make You Mine” and “Two Fingers Pointing on You,” which was included in Psych-Out, directed by Richard Rush in 1968.

[Youtube=http://www.youtube.com/watch?v=EhPvkzFJhnk]

“Pushin’ Too Hard“, released in 1965 as a single, is a musical composition by The Seeds, dealing with teenage angst about an unfaithful girl. “Lying girls” was a common theme of garage rock compositions.

Garage rock is a raw form of rock and roll that was first popular in the United States and Canada from about 1963 to 1967. During the 1960s, it was not recognized as a separate music genre and had no specific name. In the early 1970s, some rock critics retroactively labelled it as punk rock. However, the music style was later referred to as garage rock or ‘60s Punk to avoid confusion with the music of late-1970s punk rock bands such as the Sex Pistols and The Clash. The garage rock revival can be traced to the early 1970s, following the release of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 in 1972.

pHinn has more clips [1]

RIP Michael Jackson (1958 – 2009)

Thriller (1982) – Michael Jackson [Amazon.com]

I’ve mentioned Michael Jackson twice[1][2] on this blog, once when I was amazed by his choice of footage in “They Don’t Care About Us“[3], and once when I did the obituary of James Brown when I mentioned that Brown’s “rapid-footed dancing inspired Mick Jagger and Michael Jackson”.

Jackson was the embodiment of things gone awry as the result of mediated fame in the 20th century, when he was catapulted from child prodigy [4] to natural freak [5].

With more than 100 million albums sold, Thriller (1982) is the bestselling album of all time and is iconic in the history of 20th century popular music, where he is the natural heir to Elvis Presley. Beyond both dying from an abuse of prescription drugs, parallels beween Presley and Jackson are numerous (Graceland/Neverland). Lisa Marie Presley, for a short time married to Jackson in the nineties wrote at the time of Jackson’s death that he knew “exactly how his fate would be played out” and feared his death would echo that of Elvis Presley.

Jackson dies, long live Jackson.

Shinehead‘s reggae version of “Billie Jean.”

Here he is reincarnated in Shinehead‘s reggae version[6] of “Billie Jean.”[7]. But one of the earliest samples of “Billie Jean” was in 1983, when Italian studio project Clubhouse mixed Steely Dan‘s “Do It Again” (1981) with “Billie Jean” as the “Do It Again Medley with Billie Jean“[8] .
*Daryl Hall has claimed that Michael Jackson admitted to copying the bassline from “I Can’t Go for That (No Can Do)“[9] in his song “Billie Jean“.

PS. For those of you who miss the Jahsonic old style of haphazard blogging about anything he finds, please check Jahsonic’s microblog[10] at Tumblr.

RIP Farrah Fawcett (1947 – 2009)

RIP Farrah Fawcett

Farrah Fawcett (February 2, 1947 – June 25, 2009) was an American actress and sex symbol. Fawcett rose to international fame when she first appeared in Charlie’s Angels in 1976. In that year, a poster of her in a one-piece red bathing suit, was a best-seller and became an iconic picture of the 20th century. I quite liked her in The Burning Bed.

Gratuitous nudity #17

via www.vintagesleaze.com

Cinema X was a british film magazine best known for its coverage of sexploitation films. Early issues of the magazine were undated, but it is believed the first issue was published in 1969. The first film to grace the cover of Cinema X was Loving Feeling directed by Norman J. Warren. Other films covered in the first issue were I Am Curious (Yellow), Curse of the Crimson Altar and Therese and Isabelle, people interviewed in the premiere issue included Norman J Warren, John Trevelyan and Anthony Newley.

The Cut-Ups is World Cinema Classic #108

The Cut-Ups is World Cinema Classic #108

The Cut-Ups

Yes, hello. Yes? Hello! Yes, hello.

Yes? Hello! Yes, hello. Yes? Hello!

– Look at that picture – Yes, hello.

Yes? Hello! Yes, hello. Yes? Hello!

Yes, hello. Yes? Hello! Yes, hello.

Yes? Hello! Yes, hello.- does it seem

to be persisting? – Yes? Hello!

Yes, hello. Yes? Hello! – Good!

– Yes, hello. Yes? Hello! – Thank

you – Yes, hello. Yes? Hello! Yes,

hello. Yes? Hello! Yes, hello. Yes?

Hello! Yes, hello. Yes? Hello! Yes,

hello. Yes? Hello! Yes, hello. Yes?

Hello! – Look at that picture – Yes,

hello. Yes? Hello! Yes, hello. Yes?

Hello! – Does it seem to be persisting?

– Yes, hello. Yes? Hello! Yes, hello.

Yes? Hello!Yes, hello. Yes? Hello! Yes,

hello. Yes? Hello! – Good! – Yes, hello.

Yes? Hello! Yes, hello. Yes? Hello!

– Thank you!

The Cut-Ups[1] is an experimental film by British filmmaker Antony Balch and American writer William Burroughs, which opened in London in 1967. It was the second time Balch and Burroughs had collaborated after their earlier Towers Open Fire. The Cut-Ups was part of an abandoned project called Guerrilla Conditions meant as a documentary on Burroughs and filmed throughout 1961-1965.

The film contains 19 minutes of someone saying “Yes, Hello?”, “Look at that picture,” “Does it seem to be persisting?,” and “Good. Thank you,” accompanied by a repetition five or six basic film clips shot in New York City and featuring Brion Gysin.

Inspired by Burroughs’ and Gysin’s technique of cutting up text and rearranging it in random order, Balch had an editor cut his footage for the documentary into little pieces and impose no control over its reassembly. The film opened at Oxford Street’s Cinephone cinema and had a disturbing reaction. Many audience members claimed the film made them ill, others demanded their money back, while some just stumbled out of the cinema ranting “its disgusting”.

Included in The Cut-Ups are shots of Burroughs acting out scenes from his book Naked Lunch. The idea of bringing Naked Lunch to the big-screen was Balch’s dream project. First developed in 1964, a script was completed in the early 1970s which would have adapted the book as a musical. Personal differences between Balch and the film’s would-be leading man Mick Jagger caused the project’s collapse.

For an indepth description of the films of William Burroughs, Brion Gysin, and Antony Balch, see brightlightsfilm [1] by Rob Bridgett.