Michael McClure was an American poet and writer known for his association with the Beat Generation.
Here he can be seen reading poetry to the lions. Apparently the origin of this footage is from the USA: Poetry television series. Michael McClure reads some of his 99 Ghost Tantras in the lion house of the San Francisco Zoo.
Of interest in my book is the connection of Kraftwerk to Afro-American music as noted in “Planet Rock”.
Jon Savage noted in his piece “Machine Soul: A History Of Techno” (1993) that:
“In 1981, Bambaataa and the Soulsonic Force, together with producer Arthur Baker, paid tribute [to Kraftwerk with] “Planet Rock,” which used the melody from “Trans-Europe Express” over the rhythm from “Numbers.” In the process they created electro and moved rap out of the Sugarhill age.”
Simon Reynolds in Energy Flash (1998) similarly remarked:
“In New York, the German band almost single-handedly sired the electro movement: Afrika Bambaataa and Soulsonic Force’s 1982 smash “Planet Rock” stole its doomy melody from “Trans-Europe Express” and its beatbox rhythm from Kraftwerk’s 1981 track “Numbers.””–Generation Ecstasy (1998) by Simon Reynolds
Apparently, none of Kraftwerk’s material was actually sampled, all was emulated.
Everyone is familiar with their song “Golden Brown” (1982) but few are aware that is actually a waltz.
Next to “Golden Brown”, The Stranglers wrote a couple of enduring compositions. There is “Peaches” (1977), a sleazy track which features the word clitoris and which for that reason had to be re-recorded in order for the BBC to play it.
There is “No More Heroes” (1977), the refrain of which has a childish quality that I find hard to swallow. “Always the Sun” (1986) however, works for me. It has that dreaminess also present in “Midsummer Night Dream” (1983) and of course in “Golden Brown”.
And then there is “Nice ‘n’ Sleazy” (1978), a track which is also dance-able. It’s on YouTube in a Top of the Pops live version and if you wait until 1:29 you see the keyboard solo of Greenfield.
That track is also on the marvelous compilation How to Kill the DJ Part 2 (2004) out on Tigersushi Records.