Jean “Binta” Breeze was a Jamaican dub poet.
Bunny Lee was a Jamaican record producer and one of the major forces in the Jamaican music industry, producing hits throughout his long career.
His song “Wet Dream”, interpreted by Max Romeo, became popular in 1968 despite being banned on the BBC; and Eric Donaldson’s “Cherry Oh Baby” would be covered by the Rolling Stones.
Lee also produced the perennial riddim “My Conversation”.
The compilation ‘If Deejay Was Your Trade’ (1994), which was the debut release of the reggae compilation label Blood and Fire, consists of a selection of his productions from the period 1974-1977.
The documentary ‘I Am The Gorgon – Bunny ‘Striker’ Lee and the Roots of Reggae’ is in full on YouTube.
On the Belgian popcorn scene, popular recordings of Nash included “Some of Your Lovin'”, “Old Man River”, “Moment of Weakness”, “Kisses”, “I’m Leaving”, “I’m Counting On You” and “Don’t Take Away Your Love”.
Toots Hibbert was a Jamaican singer and songwriter, leader for the band Toots & the Maytals. He is best-known for such songs as “54-46 That’s My Number” (1968), “Pressure Drop” (1970) and “Funky Kingston” (1972).
Hibbert was one of the first artists to use the word “reggae” in 1968’s “Do the Reggay”.
She was the first Jamaican artist to break through to an international audience.
Did this mean international recognition for ska and reggae?
Well, not exactly, “My Boy Lollipop” was considered a novelty song rather than ska or reggae.
Thus reggae’s invasion into the mainstream actually only began that same year in the United Kingdom with songs such as “Al Capone” (1964) and “Guns of Navarone” (1964).
But in the United States, the wait was for 1969 with “The Israelites” (1968) to give reggae international repute and recognition.