Monte Hellman was an American film director known for his cult films.
I remember seeing Two-Lane Blacktop (1971) on the Moviedrome cult movies programme.
I’m fond of road movies and suddenly I am reminded of C’était un rendez-vous (1976) by Claude Lelouch, the short film that plays in Paris and where the race ends at the Sacré-Cœur.
Another road movie of particular interest is Vanishing Point (1971) with the unforgettable part of DJ Super Soul.
Jessica Walter was an American actress best known for Play Misty for Me (1971) in which she was Evelyn Draper, an obsessed female fan of a radio disc jockey played by Clint Eastwood.
George Segal was an American actor best-known for his portrayal of Nick in Who’s Afraid of Virginia Woolf? (1966), the man who admits he aims to charm and sleep his way to the top in this film that celebrates love gone awry.
Cloris Leachman was an American actress with a long an fruitful career.
I give you a fragment from The Last Picture Show (1971) in which she is a wife angry at her husband.
And one set of fragments from the Young Frankenstein (1974), where she famously is Frau Blücher, and everytime her name is pronounced the horses start to whinny, neigh and rear.
Carol Arthur was an American actress and wife of Dom DeLuise (1933-2009). She played bit parts in the films of Mel Brooks. I think I was 12 years old when I insisted on seeing Brooks’s Silent Movie (1976).
Silent Movie. Smart slapstick. A film about film. What’s not to love?
In that film she played an “extremely pregnant woman”. Was it perhaps she who completely tilted Brooks’ sports car nose in the air due to a heavy weight in the back seat? I cannot remember.
Blazing Saddles (1974)
Later I saw Brooks Blazing Saddles (1974), the Western parody with the many and loud farts around the campfire. Beans and cowboys, you know how that works out.
In Blazing Saddles, Carol plays a schoolteacher who first speaks very shyly at a city meeting, then is told that she speaks too quietly, and then she announces in a loud and not at all shy voice to the governor that he is the “leading asshole of the state”.
However, I remember her most fondly for her part in the psychological horror movie Hush…Hush, Sweet Charlotte (1964). In that film she is the evil Miriam Deering.
Above is the scene in Hush … Hush in which Olivia and Bette Davis get rid of the supposedly dead body.