In the first clip (13:53) Anna stands in front of a mirror in the same bathroom as in which she takes a bath in the third clip.
The voice-over: “What was directly lived reappears frozen in the distance, engraved in the tastes and illustions of an era and carried off with it.”
In the second clip (14:41) she is in the bath and rubs herself with soap.
The voice-over: “There is no more should-be; being has been consumed to the point of ceasing to exist. The details are already lost in the dust of time. “Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept?”
In the third clip (17:30) she is seen at the wheel of a convertible car, a bird’s eye view, three young people get out of the car.
The voice-over: “In the final analysis, stars are not created by their talent or lack of talent, or even by the film industry or advertising. They are created by the need we have for them.”
The fourth clip (18:09) begins where the first clip left off.
The voice-over: “The advertisements during intermissions are the truest reflection of an intermission from life.” Translations are from .
Actress Sylvia Miles died. She was 94. I discovered her via the book Cult Movie Stars (1991) which I bought the year it came out. It describes Miles as a “quirky, funny, busty blonde New York character actress.”
The 1990s was the time of video rental stores and I after I had read Cult Movie Stars from cover to cover I scoured Antwerp looking for old films. So I saw a handful of Miles’ films including Heat (1972) [above], as well as many other Warhol films. Heat opens with the wonderful John Cale song, “Days of Steam” from the album The Academy in Peril (1972).